Title: Freddie Hubbard "Red Clay"
Description: From his 1970 album of the same name, here's Freddie Hubbard with "Red Clay". Sampled by A Tribe Called Quest " Jazz(We've Got)" Papa Chuk "Runaway"

Title: Freddie Hubbard - Hubtones
Description: From the 1987 Mt. Fuji Jazz Festival - with James Spaulding, alto sax; Renee Rosnes, piano; Kenny Davis, bass; Ralph Peterson, drums. Check out the first few choruses of Freddie's solo, the rhythm section is all over the place on the form and Freddie vibes the hell out of them! It's hilarious... Poor Renee is the last one back on track, he shoots her a glare that could shatter glass. To quote the man himself, "It's not that easy to play with Freddie Hubbard... ain't that hard either!"

Title: Freddie Hubbard - Open Sesame
Description: Photos taken at Yoshi's San Francisco on Apr 3, 2008

Title: But Beautiful - Freddie Hubbard
Description: Open Sesame Freddie Hubbard (tp) Tina Brooks (ts) McCoy Tyner (pf) Sam Jones (b) Clifford Jarvis (ds) Recorded at Rudy Van Gelder Studio, Englewood Cliffs, NJ, June 19, 1960 Blue Note BST 84040

Title: Freddie Hubbard - Windjammer
Description: Freddie achieved his greatest popular success in the 1970s with a series of crossover albums on Atlantic and CTI Records. His early 70s jazz albums for CTI, Red Clay, First Light and Straight Life were particularly well received and First Light won a Grammy Award. He returned to the acoustic, hard bop arena with his 1977 tour with the V.S.O.P. quintet, which teamed him with the members of the 1960s Miles Davis Quintet; Herbie Hancock, Wayne Shorter, Tony Williams, and Ron Carter. In the 80s Hubbard was again leading his own jazz groups, attracting very favorable notices for his playing at concert halls and festivals in the USA, Europe, and Japan, often in the company of Joe Henderson, playing a repertory of hard-bop and modern-jazz pieces. He also collaborated with fellow trumpet legend Woody Shaw for a series of albums for the Blue Note and Timeless labels. An exceptionally talented virtuoso performer, Hubbard's rich full tone is never lost, even when he plays dazzlingly fast passages. As one of the greatest hard bop trumpeters, he strives to create impassioned blues lines without losing the contemporary context within which he plays. He is perhaps one of the greatest technical trumpet players ever to play in the jazz idiom and arguably the most influential.

Title: Backlash - Freddie Hubbard
Description: OMEGAjazzRADIO

Title: Freddie Hubbard - Suite Sioux
Description: From his 1970 lp "Red Clay" here's Freddie Hubbard with "Suite Sioux", used for Deda's "Nothing More"

Title: Freddie Hubbard "Caravan"
Description: Freddie Hubbard : Trompette McCoy Tyner : Piano Avery Sharp : Contrebasse Louis Hayes : Batterie

Title: freddie hubbard little sunflower
Description: little sunflower freddie hubbard vocals by al jarreau 1979

Title: Mr. Clean
Description: Recorded at "Can O Pork Studios" in San Diego, CA. Composed by Weldon Irvine, we are basing our interpretation on the Freddie Hubbard version from his album "Straight Life".

Title: Freddie Hubbard "Misty"
Description: live in Japan

Title: Dianne Reeves - "Stormy Weather" from the "Ad Lib Series"
Description: This is a clip from Arkadia DVD's upcoming Ad Lib series. This clip features Dianne Reeves performing the classic song "Stormy Weather." The Ad Lib Series is a collection of 46 television episodes showcasing the best in Popular Jazz and Blues. Recorded circa 1980 and 1981, the historic series allowed popular artists to showcase their talents in the Jazz and Blues idiom. As Seen on TV internationally in countries such as Canada, France, England, Germany, and the United States on stations such BET, the series was the first television series ever recorded in Stereo. The Ad Lib Series features musicians such as Freda Payne, singer of the smash hit "Band of Gold," renown Blues Singer Charles Brown who penned Elvis' hugely popular hit "Merry Christmas Baby," as well as its follow-up "Please Come Home for Christmas," and Marylyn McCoo from the 5th Dimension. The series also includes performances from O.C. Smith, who replaced the legendary Joe Williams in Count Basie's Band and sang the Grammy Award winner for "Best Song," "Little Green Apples," the singer of "That Old Black Magic," Billy Daniels, and the beautiful Damita Jo, whose hit "I'll Save the Last Dance for You," was a moving response to the Drifters' "Save the Last Dance for Me." Other notable musicians who appear in episodes of this classic series includes legends such as Count Basie, Cab Calloway, Freddie Hubbard, Tania Maria, George Shearing, Martha Reeves, Dorothy Donegan, Willie Bobo, Stanley Turrentine, Mark Murphy, Jimmy Witherspoon, Linda Hopkins, Dianne Reeves, Spanky Wilson, Maxine Weldon, and many, many others. For more information or to view our entire catalog, please go to www.view.com

Title: Freddie Hubbard - The Intrepid Fox 1 (to be cont.)
Description: Live At Blue Note Japan 1990 Frediie Hubburt:tp,Don Branden:ts,Benny Green:p,Jeff Chembers:p,Carl Allen:ds

Title: Fee Fi Fo Fum - Wayne Shorter
Description: If I could step into a musical time machine, I would probably set the dial on December 24, 1964. That's when Wayne Shorter, Ron Carter, Herbie Hancock, Elvin Jones and Freddie Hubbard went into the studio and recorded the album "Speak No Evil" which contains the song I play in this video, "Fee-Fi-Fo-Fum". This quintet, and the music they produced, is among my all time favorites. So how to improvise on a tune like this? Well, the bridge is easy so let's start there. It's sort of like the second half of a Bb blues - Eb7 going to Bb7. So the Bb blues scale with grace notes and embellishments works very well. Then there are a couple of II-V's (Bb-7 to Eb7 and A-7 to D7) so chord tones and the like are in order. The rest of the tune I try to think of in terms of a blues but with substitutions. It's fairly complex but there are elements of blues in Bb and Eb and then a measure of G blues with some chromatic steps and assorted changes in between. This type of stuff never comes easy. I find the best way is to listen to the original recording a zillion times until I can sing back every (almost) note of each players solo. This gets the tune so ingrained into me that I don't have to think - just feel the tune and play. The other aspect of this tune that makes it so great is the tempo. This laid back swing is just ripe for all kinds of rhythmic shenanigans during the solo. The last note of the melody hits on beat 4 of bar 22 which is just one more enjoyable twist in this unusual song. Playing at this tempo, I find it is the phrasing, almost more than the actual notes, which makes the solo interesting. I've placed the "midi keys" on top of my own playing for enhanced visualization. For further dissection of my playing I've placed the MIDI file (piano only) for downloading here: http://www.divshare.com/download/3463264-fe0 The chord changes PDF file is here: http://www.divshare.com/download/3463759-25b If you are interested in this and other backing tracks, they are available at www.jazzbooks.com.

Title: Art Blakey's Jazz Mess. 1963 Freddie Hubbard "Skylark"
Description: rt Blakey Jazz Messengers Wayne Shorter Curtis Fuller Freddie Hubbard San Remo 1963