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THOMAS DOLBY - EASTERN BLOC
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Title: THOMAS DOLBY - EASTERN BLOC
Description: THOMAS DOLBY. HIS FOLLOW UP TO "EUROPA THE PIRATE TWINS". MY FAVORATE OF THE TWO! AND EDDIE VANHALEN IS ON GUITAR!!!
Description: THOMAS DOLBY. HIS FOLLOW UP TO "EUROPA THE PIRATE TWINS". MY FAVORATE OF THE TWO! AND EDDIE VANHALEN IS ON GUITAR!!!
Title: Loveland - Let The Music (Lift You Up) (Full On Vocal Mix)
Description: Produced by "Mad" Mike Banks & Kevin Saunderson (Inner City), "Let The Music (Lift You Up)" was originally performed by American vocalist Darlene Lewis. The track gathered a huge buzz, but before it had an official release, producers Mark Hadfield, Paul Taylor, Paul Waterman & vocalist Rachel McFarlane made another version of the track. It became a huge club anthem, and, when both versions of the track were merged onto the same release, it made Number 16 in the National Chart. "Let The Music (Lift You Up)" was released on Eastern Bloc / KMS UK in 1994. Enjoy.
Description: Produced by "Mad" Mike Banks & Kevin Saunderson (Inner City), "Let The Music (Lift You Up)" was originally performed by American vocalist Darlene Lewis. The track gathered a huge buzz, but before it had an official release, producers Mark Hadfield, Paul Taylor, Paul Waterman & vocalist Rachel McFarlane made another version of the track. It became a huge club anthem, and, when both versions of the track were merged onto the same release, it made Number 16 in the National Chart. "Let The Music (Lift You Up)" was released on Eastern Bloc / KMS UK in 1994. Enjoy.
Title: The Eastern Block
Description: Music Segment from Entertainment Express Weekly that features local Lansing band 'The Eastern Block' talking about thier final show. Aired January 25th at 7:30 pm on WLAJ ABC-53 Lansing. Video Courtesy of ABC-53 Lansing.
Description: Music Segment from Entertainment Express Weekly that features local Lansing band 'The Eastern Block' talking about thier final show. Aired January 25th at 7:30 pm on WLAJ ABC-53 Lansing. Video Courtesy of ABC-53 Lansing.
Title: Music of Grand Theft Auto IV - Vladivostok FM
Description: Preview some of the Russian (Eastern European) music that play on Vladivostok FM. Post-Communist Russian Music to Rock the Eastern Block. Tracklist 1. Liberty City: The Invasion --Seryoga 2. RAP -- Dolphin 3. Mama -- Basta 4. Nikogo ne zhalko -- Leningrad 5. Gruppa krovi -- Gruppa Kino 6. King ring -- Seryoga 7. Jdat -- Marakesh 8. O tebe -- Ranetki 9. Oda Lyubvi -- T9 10. Shoju s uma -- Max Lorens 11. Zelenoglazoe Taksi (Club Remix) --Oleg Kvasha 12. Schweine -- Glukoza 13. Mama -- Quest Pistols 14. Wild Dances -- Ruslana 15. Vzglyani Na Nebo -- Dyshi 16. Liberty City: The Invasion -(Instrumental)
Description: Preview some of the Russian (Eastern European) music that play on Vladivostok FM. Post-Communist Russian Music to Rock the Eastern Block. Tracklist 1. Liberty City: The Invasion --Seryoga 2. RAP -- Dolphin 3. Mama -- Basta 4. Nikogo ne zhalko -- Leningrad 5. Gruppa krovi -- Gruppa Kino 6. King ring -- Seryoga 7. Jdat -- Marakesh 8. O tebe -- Ranetki 9. Oda Lyubvi -- T9 10. Shoju s uma -- Max Lorens 11. Zelenoglazoe Taksi (Club Remix) --Oleg Kvasha 12. Schweine -- Glukoza 13. Mama -- Quest Pistols 14. Wild Dances -- Ruslana 15. Vzglyani Na Nebo -- Dyshi 16. Liberty City: The Invasion -(Instrumental)
Title: No Name Soldier Live In Some Eastern Bloc Country 2008
Description: Our 'bakers' song has become very sentimental out there. Small crowd last night, look at um swoon over Johnny. And then a mosh pit broke out, this one's on the radio. Thank you all for coming tonight. Peace. ;)
Description: Our 'bakers' song has become very sentimental out there. Small crowd last night, look at um swoon over Johnny. And then a mosh pit broke out, this one's on the radio. Thank you all for coming tonight. Peace. ;)
Title: Nashville's Eastern Block
Description: Local band playng Nashville Gig.
Description: Local band playng Nashville Gig.
Title: Girl Robot 3: Where Do I Go From Here?
Description: In which Girl Robot wonders what to do. "Girl Robot" is an Internet-based musical. "Where Do I Go From Here?" Song credits: Music by Merideth Kaye Clark. Lyrics by Merideth Kaye Clark and Ricky Marson. Produced by Ricky Marson. Video credits: Directed by Ricky Marson. Design by Alosha Shkolnik. Hair by Anthony Hernandez. Featuring Simon Miller, Jordan Bradfield, Joe Komara, Lisa Gilbert, Bill Hanson, Anthony Hernandez, Ryan Tresser, Annette Blum. Starring Girl Robot. Special thanks: Brad Simmons, Ryan Tresserm, John Southard, Fritz, Jason Bellini, Sam Narrison, Eastern Bloc NYC, Cutler Salon.
Description: In which Girl Robot wonders what to do. "Girl Robot" is an Internet-based musical. "Where Do I Go From Here?" Song credits: Music by Merideth Kaye Clark. Lyrics by Merideth Kaye Clark and Ricky Marson. Produced by Ricky Marson. Video credits: Directed by Ricky Marson. Design by Alosha Shkolnik. Hair by Anthony Hernandez. Featuring Simon Miller, Jordan Bradfield, Joe Komara, Lisa Gilbert, Bill Hanson, Anthony Hernandez, Ryan Tresser, Annette Blum. Starring Girl Robot. Special thanks: Brad Simmons, Ryan Tresserm, John Southard, Fritz, Jason Bellini, Sam Narrison, Eastern Bloc NYC, Cutler Salon.
Title: Russian Victory Day 2008!!!!!
Description: Victory Day marks the capitulation of Nazi Germany to the Soviet Union in the Second World War commonly referred to in the Soviet Union as the Great Patriotic War. This capitulation was signed late in the evening on May 8, 1945 (May 9 in the Moscow time zone), following the original capitulation Germany signed earlier to the joint Allied forces. The Soviet government announced the victory early on May 9 after the signing ceremony in Berlin. The May 9 Victory Day is celebrated in most of the successor states to the Soviet Union, especially in Russia, Ukraine and Belarus. The day is traditionally marked by ceremonial military parades with the most prominent one being traditionally held in Moscow on the Red Square. The anniversary was celebrated not only in the Soviet Union but also in the countries of the Eastern Bloc. Since the fall of the communism in Central and Eastern Europe these countries recognize Victory in Europe Day instead on May 8
Description: Victory Day marks the capitulation of Nazi Germany to the Soviet Union in the Second World War commonly referred to in the Soviet Union as the Great Patriotic War. This capitulation was signed late in the evening on May 8, 1945 (May 9 in the Moscow time zone), following the original capitulation Germany signed earlier to the joint Allied forces. The Soviet government announced the victory early on May 9 after the signing ceremony in Berlin. The May 9 Victory Day is celebrated in most of the successor states to the Soviet Union, especially in Russia, Ukraine and Belarus. The day is traditionally marked by ceremonial military parades with the most prominent one being traditionally held in Moscow on the Red Square. The anniversary was celebrated not only in the Soviet Union but also in the countries of the Eastern Bloc. Since the fall of the communism in Central and Eastern Europe these countries recognize Victory in Europe Day instead on May 8
Title: Eastern Block, Encore, at BB Kings
Description: Eastern Block Band, creative music gets encore demanded by fans.
Description: Eastern Block Band, creative music gets encore demanded by fans.
Title: Do Wah Ditty
Description: Stereo: http://www.youtube.com/watch?v=FpcrY0iO9Bo&fmt=18 BCB Band sings "Do Wah Ditty by Manford Mann. Manfred Mann played blues-based rock, but in contrast to most of the other British bands of the era, the guitar didn't always figure prominently in their sound. Mike Vickers was as likely to be playing a sax (and he really played, rather than just honking along in the manner of rock saxmen of the period such as Dennis Payton of the Dave Clark Five), or even a flute as an electric guitar; and Mike Hugg also played the vibraphone, an instrument usually far removed from rock & roll. Yet despite the fact that these guys had obviously all studied music, they made a hard and heavy R&B sound, and flexed their musical muscles accordingly -- check out Vickers' guitar break on their version of Willie Dixon's "Hoochie Coochie Man," or Mann's pounding piano on Muddy Waters' "Got My Mojo Working." What's more, they could write credibly -- not hits in the manner of Mick Jagger and Keith Richards, but album tracks like "I'm Your Kingpin," "Without You," and "Don't Ask Me What I Say" held up very nicely alongside the Howlin' Wolf, Muddy Waters, and Bo Diddley repertory on the album. One quirk in the group's history was their virtual absence from America, apart from a three-week tour late in 1964, despite their charting four singles (including the number one "Do Wah Diddy Diddy") in the U.S. during 1964-66. The band found America, with its vast distances as well as its distance from England, too wearying a market to deal with for the money being offered, and concentrated instead on Europe. They opened several important doors by touring such Eastern Bloc countries as Czechoslovakia, in a time when American and western European rock & roll was usually considered a prime manifestation of capitalist decadence. Despite their popularity and a steady stream of successful singles, EPs, and LPs, all wasn't well within the quintet. Each member of the group got to express himself, at least on their EP and album tracks, but by 1965 there was a sense that Vickers, Jones, McGuinness, and Hugg were all becoming known simply as "Manfred Mann," especially on their singles. None of that would have been so bad if the sound on those singles had represented anything other than the group's most commercial manifestation, and Manfred Mann hadn't also been the name of a walking, breathing bandmate -- though Mann himself had never wanted the group to use his name.
Description: Stereo: http://www.youtube.com/watch?v=FpcrY0iO9Bo&fmt=18 BCB Band sings "Do Wah Ditty by Manford Mann. Manfred Mann played blues-based rock, but in contrast to most of the other British bands of the era, the guitar didn't always figure prominently in their sound. Mike Vickers was as likely to be playing a sax (and he really played, rather than just honking along in the manner of rock saxmen of the period such as Dennis Payton of the Dave Clark Five), or even a flute as an electric guitar; and Mike Hugg also played the vibraphone, an instrument usually far removed from rock & roll. Yet despite the fact that these guys had obviously all studied music, they made a hard and heavy R&B sound, and flexed their musical muscles accordingly -- check out Vickers' guitar break on their version of Willie Dixon's "Hoochie Coochie Man," or Mann's pounding piano on Muddy Waters' "Got My Mojo Working." What's more, they could write credibly -- not hits in the manner of Mick Jagger and Keith Richards, but album tracks like "I'm Your Kingpin," "Without You," and "Don't Ask Me What I Say" held up very nicely alongside the Howlin' Wolf, Muddy Waters, and Bo Diddley repertory on the album. One quirk in the group's history was their virtual absence from America, apart from a three-week tour late in 1964, despite their charting four singles (including the number one "Do Wah Diddy Diddy") in the U.S. during 1964-66. The band found America, with its vast distances as well as its distance from England, too wearying a market to deal with for the money being offered, and concentrated instead on Europe. They opened several important doors by touring such Eastern Bloc countries as Czechoslovakia, in a time when American and western European rock & roll was usually considered a prime manifestation of capitalist decadence. Despite their popularity and a steady stream of successful singles, EPs, and LPs, all wasn't well within the quintet. Each member of the group got to express himself, at least on their EP and album tracks, but by 1965 there was a sense that Vickers, Jones, McGuinness, and Hugg were all becoming known simply as "Manfred Mann," especially on their singles. None of that would have been so bad if the sound on those singles had represented anything other than the group's most commercial manifestation, and Manfred Mann hadn't also been the name of a walking, breathing bandmate -- though Mann himself had never wanted the group to use his name.
Title: Loveland - (Keep On) Shining (Full On Vocal Mix)
Description: Following up the huge chart & club success of "Let The Music (Lift You Up)", producers Mark Hadfield, Paul Taylor, Paul Waterman & vocalist Rachel McFarlane created this track as the lead half of a double a-side release, along with "Hope (Never Give Up)". "(Keep On) Shining / Hope (Never Give Up)" was released on Eastern Bloc / PWL International in 1994. Enjoy.
Description: Following up the huge chart & club success of "Let The Music (Lift You Up)", producers Mark Hadfield, Paul Taylor, Paul Waterman & vocalist Rachel McFarlane created this track as the lead half of a double a-side release, along with "Hope (Never Give Up)". "(Keep On) Shining / Hope (Never Give Up)" was released on Eastern Bloc / PWL International in 1994. Enjoy.
Title: Exploring derelict space ship in rare Soviet-style SF film
Description: Here's an amazing scene from an ultra-rare, kitschy, trippy, Soviet-style SF film, Ikarie XB 1 (aka Ikaria XB1, Icarus XB1 and Voyage to the End of the Universe). Czechoslovakia's first science fiction film, this remarkable 1963 movie tells the story of Starship Ikaria XB 1's 2163 trek to Alpha Centari. ("Voyage" was the savagely cut, English dubbed version released by American International Pictures.) The film is generally apolitical, except for this remarkable scene, in which the explorers enter a derelict 20th Century space craft, littered with evidence of capitalist immorality. The visuals are striking. Corpses of tuxedo-clad, gambling westerners, their bodies preserved by open vacuum. The crew killed by their own chemical hand-weapons as they fought over dwindling oxygen. The ship laden with nuclear weapons -- still active after centuries. Ikarie XB 1 is an ambitious, thoughtful, intelligent film that was decades ahead of its time. It's an ultra-rare "must-see" for any serious SF fan, with high-concept elements galore: a trip to proxima centaura; time dilation; future foods, fashion, music and dance; first-contact protocols; increased longevity; artificial intelligence; bulky socialist robots. It's said the screenplay was inspired by the work of Stanislaw Lem, including "The Magellanic Cloud" from 1955. Available as a PAL Region 2 DVD from European retailers, and in the US from xploitedcinema.com. Please buy the DVD to help encourage future DVD releases of other Eastern-bloc SF gems.
Description: Here's an amazing scene from an ultra-rare, kitschy, trippy, Soviet-style SF film, Ikarie XB 1 (aka Ikaria XB1, Icarus XB1 and Voyage to the End of the Universe). Czechoslovakia's first science fiction film, this remarkable 1963 movie tells the story of Starship Ikaria XB 1's 2163 trek to Alpha Centari. ("Voyage" was the savagely cut, English dubbed version released by American International Pictures.) The film is generally apolitical, except for this remarkable scene, in which the explorers enter a derelict 20th Century space craft, littered with evidence of capitalist immorality. The visuals are striking. Corpses of tuxedo-clad, gambling westerners, their bodies preserved by open vacuum. The crew killed by their own chemical hand-weapons as they fought over dwindling oxygen. The ship laden with nuclear weapons -- still active after centuries. Ikarie XB 1 is an ambitious, thoughtful, intelligent film that was decades ahead of its time. It's an ultra-rare "must-see" for any serious SF fan, with high-concept elements galore: a trip to proxima centaura; time dilation; future foods, fashion, music and dance; first-contact protocols; increased longevity; artificial intelligence; bulky socialist robots. It's said the screenplay was inspired by the work of Stanislaw Lem, including "The Magellanic Cloud" from 1955. Available as a PAL Region 2 DVD from European retailers, and in the US from xploitedcinema.com. Please buy the DVD to help encourage future DVD releases of other Eastern-bloc SF gems.
Title: Early 1970's Euro Modernity
Description: To the tune of Mozart's A Little Night Music, we take a tour through the height of modernity in early 1970's Central Europe. This observational documentary about electricity and technology is quite artfully shot for an industrial film. A look at how modern Prague appeared in the early 1970's. See more films at: http://weirdovideo.com
Description: To the tune of Mozart's A Little Night Music, we take a tour through the height of modernity in early 1970's Central Europe. This observational documentary about electricity and technology is quite artfully shot for an industrial film. A look at how modern Prague appeared in the early 1970's. See more films at: http://weirdovideo.com
Title: Jajira - Alhambra Night 2007
Description: My performance at Conchi's Alhambra Night in Elmwood Place, Ohio. Watching the DVD is much better as my rinky dink camera did not pick up the sharpness of my movements nor my shimmies. Music - Vishnu's Eastern Block Remix by Enduser Videography by Tony. tony@videographybytony.com
Description: My performance at Conchi's Alhambra Night in Elmwood Place, Ohio. Watching the DVD is much better as my rinky dink camera did not pick up the sharpness of my movements nor my shimmies. Music - Vishnu's Eastern Block Remix by Enduser Videography by Tony. tony@videographybytony.com
Title: Ned Kelly's Hammer - Pickin' Time (live)
Description: In January 2007, fresh off the heels of a mega successful, sold out, world tour of 'THE STANS' - Afghanistan, Kazakhstan, Tajikistan, Uzbekistan and other Eastern bloc music mecca's - "Ned Kelly's Hammer" played a one-off special event, limited edition showcase @ the Zoo in Brisbane's Fortitude Valley.
Description: In January 2007, fresh off the heels of a mega successful, sold out, world tour of 'THE STANS' - Afghanistan, Kazakhstan, Tajikistan, Uzbekistan and other Eastern bloc music mecca's - "Ned Kelly's Hammer" played a one-off special event, limited edition showcase @ the Zoo in Brisbane's Fortitude Valley.
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