Title: Dionysos - Neige ( clip / Music Video)
Description: Clip pour le groupe Dionysos mélangeant animation et prises de vue réelles.

Title: Dionysos - Song for jedi ...
Description: La chanson qui a fait passer Dionysos à la vitesse supérieure ? peut-être ... force est de constater qu'en live, c'est assez délirant (en même temps, Dionysos, en live, quelque soit le morceau, ça vous prend aux tripes et ça vous secoue dans tous les sens !) ... extrait de Western sous la neige

Title: Dionysos ~ A Feast of Wine
Description: Montage` by LadyHawk Music by Demetrios Katis Song: Feast Of Wine Your comments and ratings are always welcome and very much appreciated. Thanks! Terri You can hear more majestic film music from Demetrios Katis through his websites at: http://www.myspace.com/demetrioskatis http://www.soundclick.com/bands/default.cfm?bandID=587846 Excerpt from Wikipedia ~ Dionysos: http://en.wikipedia.org/wiki/Dionysos Dionysus or Dionysos (in Greek, Διόνυσος or Διώνυσος; associated with Roman Liber), was the god of wine and inspired madness, and a major figure of Greek mythology. He represents not only the intoxicating power of wine, but also its social and beneficial influences. The geographical origins of his cult were unknown, but almost all myths depicted him as having "foreign" (i.e. non-Greek) origins.[1] He was also known as Bacchus[2] and the frenzy he induces, bakcheia. He is the patron deity of agriculture and the theatre. He was also known as the Liberator (Eleutherios), freeing one from one's normal self, by madness, ecstasy, or wine.[3] The divine mission of Dionysus was to mingle the music of the aulos and to bring an end to care and worry.[4] Scholars have discussed Dionysus' relationship to the "cult of the souls" and his ability to preside over communication between the living and the dead.[5] In Greek mythology Dionysus is made to be a son of Zeus and Semele; other versions of the myth contend that he is a son of Zeus and Persephone. He is described as being womanly or "man-womanish".

Title: Dionysos - Coccinelle
Description: Le premier clip de Dionysos, très drole, ça date de 1999

Title: Apollo v.s. Dionysus
Description: My extension 2 English major work, 2007. Starring Jack and Harry. An abridged version of my reflection statement: 'Apollo vs Dionysus' is a video drama that I wrote, directed and edited to communicate existentialist themes and ideals as reflected in the works of Friedrich Nietzsche and Fydor Dostoevsky. The title alludes to the Greek Gods Apollo and Dionysus whom I adapted as characters, based on Nietzche's depiction of them in his book 'The Birth of Tragedy'. My video serves as an attempt to re-contextualise these existentialist ideals by communicating them through a contemporary medium. Adopting French New Wave filmic techniques made it possible for me to communicate the complex ideas of existentialism through short film. As a filmic technique, I chose to represent Apollo as my main character. The structured nature of Apollo fits well with the bland and tedious, contemporary office workplace environment that I wanted to bring to the piece. Dionysus is the "terror" and "blissful ecstasy that wells from the innermost depths of man". His dream- like appearance on screen is presented as a force which lurks within Apollo's subconscious rather than as a separate entity. Apollo, struggles with the society in which he serves to uphold. The film is shot in black and white which draws further attention to the isolation experienced by the protagonist. I made very deliberate music choices throughout my film to aid plot development and tone, Nietzche considered that "without music, life would be a mistake" and regards music to be a chaotic and emotive art that appeals to a man not in a rational manner but on a wilder more instinctual level. Dionysus's presence in the film is accompanied with overt musical symbolism in contrast to Apollo's bland and structured settings. This plot is based on my understanding of Nietzsche's view of the ideal balanced 'tragedy', an extension of my knowledge studying Revenge Tragedy in the HSC Extension 1 English Course.

Title: Elliott - Drive On To Me & Dionysus Burning - live in NC
Description: www.musicismydrug.com

Title: Dionysus, Greek Mythology Link www.maicar.com
Description: Greek, Roman, and Western art. http://www.maicar.com/GML/Dionysus2.html Music: Wine, Women and Song (Johann Strauss).

Title: The Game - Dionysus - The first part
Description: From the album Fairytales and Reality, released in August 23, 2006 by ATM Records. ATM Records has not sued Youtube, so Youtube has no right to delete this video.From the album Fairytales and Reality, released in August 23, 2006 by ATM Records. ATM Records has not sued Youtube, so Youtube has no right to delete this video. BUY THE ALBUM AND SUPPORT THE INDUSTRY!

Title: Dionysos - Old Child On Island TV 23-02-2007
Description: Dionysos Interprete Old Child chez les Icelandais le 23 Fevrier lors de leurs passage dans une petite ville...

Title: Cygnus X-1 Book Two: Hemispheres (II) Apollo/Dionysus
Description: This is Rush playing Hemispheres. It is from their album; Hemishperes. Hemispheres was one of Rush's last epic songs. There are five chapters to Hemispheres: 1.Prelude 2.Apollo/Dionysus 3.Armaggedon 4.Cygnus 5.The Sphere. You are currently listening to Apollo/Dionysus. The next chapters will be in video responses to each other. If you want to hear more cool Rush songs, visit my channel. To stay updated, subscribe. Please enjoy! Lyrics: Apollo: Bringer of Wisdom I bring truth and understanding I bring wit, and wisdom fair Precious gifts beyond compare We can build a world of wonder I can make you all aware I will find you food and shelter Show you fire to keep you warm Through the endless winter storm You can live in grace and comfort In the world that you transform The people were delighted Coming forth to claim their prize They ran to build their cities And converse among the wise But one day the streets fell silent Yet they knew not what was wrong The urge to build these fine things Seemed not to be so strong The wise men were consulted And the bridge of death was crossed In quest of dionysus To find out what they had lost ... Dionysus: Bringer of Love I bring love to give you solace In the darkness of the night In the hearts eternal light You need only trust your feelings Only love can steer you right I bring laughter, I bring music I bring joy and I bring tears I will soothe your primal fears Throw off those chains of reason And your prison disappears The cities were abandoned And the forests echoed song They danced and lived as brothers They knew love could not be wrong Food and wine they had aplenty And they slept beneath the stars The people were contented And the gods watched from afar But the winter fell upon them And it caught them unprepared Bringing wolves and cold starvation And the hearts of men despaired ...

Title: Mime..."The Spaceman" at the Dentist
Description: Blast Off!!! The History of Mime Primitive Times Mime is considered one of the earliest mediums of self-expression. Before there was spoken language, mime was used to communicate what the primitive people needed or wanted. Instead of fading into obscurity when the spoken language was developed, mime had became a form of entertainment. It then developed into a true theatrical form in ancient Greece, where performers enacted everyday scenes with the help of elaborate gestures. The principle mimes were known as ethologues, and the scenes they would perform would teach moral lessons. Ancient Greeks and Romans This is where it all began: the Theater of Dionysus in Athens. Masked actors performed outdoors, in daylight, before audiences of 10,000 or more at festivals in honor of Dionysus, the god of theater. The most elaborate form of Mime, known as hypothesis, may have approached the level of true drama. This would be performed by companies of actors, who would often concentrate more on the development of their characters, than the plot itself. Often one actor would play the part of several individuals in the production. The comedy and tragedy which developed in Athens and flourished in the fifth and fourth centuries BC, have influenced nearly all subsequent Western drama, starting with that of the Romans. When the Romans conquered Greece, they brought Greek art of mime back to Italy and set about making it their own. The Romans, with their love of spectacle, soon took over the existing theaters in Greece and began renovating and rebuilding them for their own spectacles, which included everything from pantomime to mock- naval battles. The remains of the Theater of Dionysus which we can see in Athens today date to Roman times and not the fifth century BC. Mime enjoyed much success and growth under Emperor Augustus of Rome. After the fall of the Roman empire, the Christian church showed great opposition to the bawdy, and often indecent associations of Mime, and excommunicated all performers, and closed down all the theatres. Despite this, the basic form of Mime survived. As the Church began to relax its attitude, mystery and morality plays began to appear with religious themes, many performed in mime. Commedia dell' Arte Mime continued to entertain through the Middle Ages, and reached its height in sixteenth century Italy, in the form of Commedia dell'Arte. Commedia dell' Arte originated in the market places of the Italian streets in the early 1500's. Street performers began donning masks with exaggerated comical features to draw attention to themselves and to complement their acrobatic skills. The characters they created became affectionately known as Zanni.It wasn't until two Zanni performers teamed up that Commedia dell' Arte really took root and by 1550 it had become a firmly established genre. These first two characters, Arlecchino and Brighella were portrayed as belonging to the serving class. The performing troupes were accessible to all social classes and the subject matter was always contemporary. With the mask concealing their identity, the performers could ridicule any aspect of society and its' institutions. No-one was safe. Ironically, the more trouble the troupes were in, the more popular and successful they became. Even though troupes travelled away from their homeland, language was no barrier. Skillful mime and Zanni antics conveyed the story lines to audiences throughout Europe. So strong was their influence, that performers from other countries began to imitate the Zanni style. In 1576, a company of Italian players led by Flamino Scala went to France, where the art of Mime became immensely popular. Many of the traditional gestures and figures, such as Harlequin, became familiar at this time. Almost two and a half centuries later, in 1811, a Bohemian acrobatic family were playing in Paris. The son of the family, Jean Gaspard Batiste Deburau, was engaged to perform at the Funambules on the Boulevard du Temple. He remained at this Theatre, until his death, and during this time he converted the crude slapstick form of Mime, to the art form that it is known as today. Deburau was a master of his art, and was responsible for creating the lovesick 'Pierrot', the eternal seeker. Mime received new impetus after the First World War from the great Jacques Copeau, who taught Charles Dullin at the Vieux-Columbier school. Etienne Decroux, who had been another pupil, took these beginnings a stage further, and together with his own pupil Jean-Louis Barrault, developed the first elements of modern mime. Barrault later went his own way, to create the first true mimodramas. Decroux and Barrault both appear in the highly acclaimed French film, 'Les enfants du paradis'. The film, shot in Paris in 1945 under the watchful eyes of the Gestapo, tells the fictional biography of Deburau, as he performed at the Funambules.

Title: MUSIC FOR DIONYSOS
Description: Electro musical clip on website : PICTAE BARETY http://perso.orange.fr/pictae/html/music1/musidionysos.htm http://pagesperso-orange.fr/pictae

Title: True at Heart - Dionysus
Description: From the album Fairytales and Reality, released in August 23, 2006 by ATM Records. ATM Records has not sued Youtube, so Youtube has no right to delete this video.From the album Fairytales and Reality, released in August 23, 2006 by ATM Records. ATM Records has not sued Youtube, so Youtube has no right to delete this video. BUY THE ALBUM AND SUPPORT THE INDUSTRY!

Title: Dionysus
Description: Dionysus or Bacchus In classical mythology, Dionysus or Dionysos (in Greek, Διόνυσος or Διώνυσος; associated with Roman Liber), is the god of wine, the inspirer of ritual madness and ecstasy, and a major figure of Greek mythology. The geographical origins of his cult were unknown, but almost all myths depicted him as having "foreign" (i.e. non-Greek) origins. He was also known as Bacchus and the frenzy he induces, bakcheia. He is the patron deity of agriculture and the theatre. He was also known as the Liberator (Eleutherios), freeing one from one's normal self, by madness, ecstasy, or wine. The divine mission of Dionysus was to mingle the music of the aulos and to bring an end to care and worry. Scholars have discussed Dionysus' relationship to the "cult of the souls" and his ability to preside over communication between the living and the dead. In Greek mythology Dionysus is made to be a son of Zeus and Semele; other versions of the myth contend that he is a son of Zeus and Persephone. He is described as being womanly or "man-womanish". The name Dionysos is of uncertain significance; its -nysos element may well be non-Greek in origin, but its dio- element has been associated since antiquity with Zeus (genitive Dios). Nysa, for Greek writers, is either the nymph who nursed him, or the mountain where he was attended by several nymphs (the Nysiads), who fed him and made him immortal as directed by Hermes. The retinue of Dionysus was called the Thiasus and comprised chiefly Maenads.

Title: The 2012 Enigma by David Wilcock Pt. 01
Description: 2012: Tragedy, transcension or just another year? David Wilcock exposes many great secrets: DNA, consciousness science, wormholes, stargate travel, sacred geometry, three-dimensional time, the Mayan Calendar and much, much more! Part I: CONVERGENCE The Movie, consciousness energy field, Edgar Cayce reincarnation, Da Vinci Code, Inconvenient Truth, galactic alignment, dodecahedron, 2012 / DNA crop circles, sacred geometry as vibration, tetrahedron, 19.5 degrees Part II: Hans Jenny / Cymatics, space and time inverting, wave-particle duality, Buckyballs / fullerenes, DNA as a wave, Kaznacheyev, psychic healing, Dewey Larson, 3D time, space-time fabric, time-space Part III: Fairy circles, natural stargates, ESP, nested spheres, channeling, chakras, Pineal gland, Sumerian tablets, Osiris, kundalini, pine cone symbolism, Tammuz, Shiva, Third Eye, Bindi, Bacchus, Dionysus, Jesus, the Vatican Part IV: Pyramid sarcophagus, cathedral windows, the World Tree, melatonin, DMT, ayahuasca, Dreams, Out of Body Experience, the Silver Cord Part V: Mark of the Beast, microclusters, synchronicity, shamanism, holographic sound, reverse-engineering the pineal gland, Dan Burisch, Project Looking Glass, CONTACT Part VI: The Last Mimzy, the Roswell Crash, the Cube / Yellow Disc, Hellraiser, election tampering, pole shift, time-viewing technology, the Iraq War, DCTP / Doctrine of the Convergent Timeline Paradox, human-lineage ETs Part VII: Tree of Life, Illuminati, Rothschilds, Hitler, New World Order, Lucifer, Luciferian philosophy, Catholic church, Philadelphia Experiment / Rainbow Project Part VIII: Phoenix III, Montauk chair, time travel, Dec. 21, 2012, 20-year cycle, Stargate SG-1, Outer Band Individuated Teletracer / OBIT, The Outer Limits, Time Vector Generator / TVG, Mars pyramids, underground bases, jumproom, Total Recall, Minority Report, X-Men / Cerebro, Rifts in Time Part IX: Forbidden Planet, psychic conduit, LSD trips, zero-time, 2012 dimensional shift, Edgar Cayce readings, Chandler's Wobble, pole shift, Library of Atlantis / Hall of Records, California earthquakes Part X: Create your own reality, 2012 not cataclysmic, Russian physics, Dr. Sergey Smelyakov / Auric Time Scale, Mayan Calendar, spiral imploding into 2012 changing consciousness, Ascended abilities, spiritual growth