Title: Vicious Crusade Forbidden Tunes
Description: Folk Metal/Belarusian Metal Forbidden Tunes 2002

Title: Vicious Crusade
Description: Vicious Crusade folk metal

Title: VICIOUS CRUSADE "Dogs of Justice"
Description: Live in Minsk 30.05.2008

Title: VICIOUS CRUSADE "Lost Generation"
Description: Live in Minsk 30.05.2008

Title: VICIOUS CRUSADE "Drum Solo"
Description: Live in Minsk 30.05.2008

Title: Forbidden Tunes - I Wish You Were Here AMV
Description: One of my noticably earlier works. Music is by Vicious Crusade. Anime is an OVA that's not very well-known, so use this as a preview.

Title: My favourtie folk bands
Description: Songs used: Żywiołak - Dybuk Tuatha De Danann - Behold The Horned King Vicious Crusade - Let It Burn Turisas - Sahti-Waari Finntroll - Svart Djup Korpiklaani - Wooden Pints Ensiferum - Wanderer Be sure to visit these sites! http://adbux.org/?r=shavrath http://bux.to/?r=shavrath

Title: Eloy - Company of Angels
Description: 'Company of Angels' is the closing song in 'The Tides Return Forever' album and is dedicated to Jeanne d'Arc. It starts quiet with dulcimer-like sounds, which seems to symbolize the frail Jeanne d'Arc. After some time, her arming is marching in the room, in the form of a heavier piece, with an impressive choir-part. This is alternated with quieter passages. The song features a great chorus melody, some inspiring synth work, very good guitar solos, incredible bassplaying and solid drum work. It totally lives up to the expectations as the epic and symphonic atmosphere really shines in every second of the song. Company of angels (dedicated to Jeanne d'Arc by Frank Bornemann) Darkness prevails mercyless war devastating the land with a vicious embrace The footsteps of death leave hunger and pain empty hearts in dispair tears fall like rain Far in the distance a glowing celestial sign out of the silence a murmur begins to rise Choir: We fear no one we trust in Jeanne our weapons strike like fire We roll like thunder skies torn asunder a mighty roar from heaven warriors of the Lord Fears dissipate minds reunite for a holy crusade in growing belief the virgin of light escorted by knights leading banners of war by celestial advice Heavenly angels ride on the battlefields wearing the colours of justice upon their shields Choir: Invincible - infallible a holy blaze of fire The choice of heaven a deadly weapon we fight to end the torture the iron hand of God female voice/choir: Hear the message of the glory God is with you trust the company of angels holy army Dark shadows of evil engulf the light of glory the powers of darkness demand the blood of sacrifice Imprisoned awaiting the claws of inquisition the jury of traitors holding the scales of justice Her grieving companions shed burning tears of sadness no mercy damnation the pyre claims the child of light All that remains tears and love as she rose to eternal light weapons of war silent now still her spirit rides on the wind Over the ages a mystical sound rebounds voices of warriors forever are chanting on Choir: We fear no one / ? we trust in Jeanne / the child of light her silver armour shining / her silver armour shining The joice of heaven / heaven a deadly weapon / ? a holy blaze of fire / holy blaze of fire Her guiding star / far in the distance shines from afar / she rose to eternity lightning remains forever / her spirit rides the wind till the end of time Song composed and arranged by Frank Bornemann and Michael Gerlach. Lyrics by Frank Bornemann. Eloy is: Frank Bornemann - lead vocals, guitars Michael Gerlach - keyboards, backing vocals Klaus-Peter Matziol - bass Session musicians: Nico Barretta - drums Miriam Stockley, Peter Beckett & Tom Jackson - vocals

Title: Jasenovac Pavilec Stepinac Croatia Ustasha Hitler Catholic
Description: warning! Graphic pictures of Death camps. English Subtitles. Important Documentary. Vatican Tyranny at work. Jesuits behind the scenes with their mass murder as they were behind the nazi atrocities. The Catholic Ustasha take control of Jasenovac and murder all men, women and children who will not convert to Catholicism. The Archbishop of Zagreb, Cardinal Stepinac under control of Rome oversaw one of the most vicious genocides in history. Ante Pavelic was the Catholic bloody dictator. He was very close with Hitler and the Papacy. In this rare footage you will see forced conversions, deathcamps and Cardinal Stepinac 'blessing' the vicious Ustasha murderers. This is Catholicism when they have the chance to be themselves. Evil, satanic beasts. King Alexander I who was behind freedom was assassinated in France along with the French Foreign minister and thus set the pace for Catholic Fascism and tyranny to explode in Europe. This same tyranny is now at work through the Bush administration. May God help us all. keywords: nazi nazis catholic church catholicism skull and bones alex jones 9/11 911 conspiracy revelation bible christianity judaism death hell heaven society of jesus black pope masonry freemasons opus dei club of rome bilderberg cfr bohemian grove council of foreign relations order of death inquisitions crusades monks bishops cardinals knights of malta knights of columbus george bush cia fbi kgb mossad ustashi alberto rivera jack chick tony alamo chiniquy avro manhattan anti-catholic 666 mark of the beast verichip microchip inplantable chip iraq muslim jewish jew zionism protocols zion weishaupt loyola, borgia, reformation, luther, martin malcolm x mohammed islam buddha seven day adventist pentacostal baptist apostle stepinac pavelic ustasha croatia zagreb vatican assassins eric phelps cfr un ratzinger kolvenbach pius montini hitler himmler goebbels holocaust genocide.

Title: TRIVIUM on CAPITAL CHAOS 2005
Description: TRIVIUM on CAPITAL CHAOS 2005 @ Slims~San Francisco, CA 11/25/2005 also on the bill were CHILDREN OF BODOM & AMON AMARTH Trivium is a metal band from Orlando, Florida that formed in 2000 and is one of the most notable bands in the New Wave of American Heavy Metal. The band comprises vocalist and guitarist Matt Heafy, guitarist Corey Beaulieu, bassist Paolo Gregoletto, and drummer Travis Smith. http://www.myspace.com/trivium Since its inception, Trivium has released three studio albums, nine singles, and is currently working on an album due in late 2008. Signed to Roadrunner Records, the band has attended major music festivals, including Ozzfest and the Download Festival. http://www.trivium.org/ At his middle school talent show at Lake Brantley High School, guitarist Matt Heafy performed cover versions of Metallica's "No Leaf Clover" and "Self Esteem" by The Offspring. Vocalist Brad Lewter noticed Heafy and asked him to try out for his band. The pair went over to drummer Travis Smith's house where they played Metallica's "For Whom the Bell Tolls". Impressed with Heafy's performance, they accepted him into the band known as Trivium. After several shows at bars, Lewter quit the band and Heafy took over his position as the new vocalist for the band. In early 2001, Trivium went into the recording studio to record its first high-quality demo disc. A copy of the demo was heard by German label Lifeforce, who signed Trivium. The band entered a studio to record its debut album, Ember to Inferno. The band members changed instruments to constitute a new line-up; Brent Young decided to continue with bass, and Corey Beaulieu became the second lead guitarist. In 2004, Paolo Gregoletto joined as the band's bassist to replace Young, before a tour with Machine Head. Ember to Inferno was a small success and managed to garner the interest of Roadrunner Records representatives, who signed Trivium. The members began writing songs for their major label album debut. http://www.triviumworld.com/ In 2004, Trivium recorded its second album, Ascendancy, in Audiohammer Studios and Morrisound Recording in Florida. Produced by Heafy and Jason Suecof, the album was released in March 2005. The album debuted at number 151 on the Billboard 200 and at number four on the Top Heatseekers chart. All Music Guide reviewer Johnny Loftus stated on Ascendancy, Trivium is a "ridiculously tight quartet, unleashing thrilling dual guitar passages and pummeling kick drum gallops as surely as they do melodic breaks and vicious throat screeds" and Rod Smith of Decibel magazine praised "Smith's impeccably articulated beats, bassist Paolo Gregoletto's contained thunder, and, especially, Heafy and guitarist Cory Beaulieu's liquid twin leads." Singles and music videos were released for "Like Light to the Flies", "Pull Harder on the Strings of Your Martyr", "A Gunshot to the Head of Trepidation", and "Dying in Your Arms". The videos for these songs gained rotation on MTV2's Headbangers Ball. In support of the album, Trivium played on numerous tours with well known artists. The band opened for Machine Head, who were one of Heafy's largest influences, Killswitch Engage, Iced Earth, and Fear Factory. Trivium played at Road Rage 2005, Ozzfest, and made an appearance at the Download Festival. Ascendancy was re-released in 2006 with four bonus tracks and a DVD containing all of the band's music videos and live footage. http://www.roadrunnerrecords.com/artists/Trivium/ In April 2006, after a headlining tour with Mendeed and God Forbid as openers, Trivium entered the studio with Suecof and Heafy producing again. The band played the Download Festival again, this time on the main stage with Korn and Metallica. Trivium released The Crusade in October 2006. Debuting at number 25 on the Billboard 200, the album sold over 32,000 copies in its first week of sales. The album was a critical success, with Andy Greene of Rolling Stone claiming "Nothing mars a good metal record like so-called harsh vocals" and Don Kaye of Blabbermouth.net stating The Crusade "is one of the best metal releases of 2006 and quite possibly the heavy music album of the year." On The Crusade, Heafy's vocals changed from a metalcore scream that was heard on Ascendancy, to more singing on this album. This new singing style, along with the band's thrash metal music were criticised of sounding too much like Metallica, who was a major influence on the band. Heafy commented on the change: http://en.wikipedia.org/wiki/Trivium_(band) Honours for this video 6/24/2008 #71 - Premium Most Viewed (Today) - Music - Canada #97 - Premium Most Viewed (Today) - Music - Global

Title: Israel targets Journalists: The Story of Imad Ghanem
Description: One of the leaders of demonstrations in Gaza calling for the release of the BBC reporter Alan Johnston was a Palestinian news cameraman, Imad Ghanem. On 5 July, he was shot by Israeli soldiers as he filmed them invading Gaza. A Reuters video shows bullets hitting his body as he lay on the ground. An ambulance trying to reach him was also attacked. The Israelis described him as a "legitimate target." The International Federation of Journalists called the shooting "a vicious and brutal example of deliberate targeting of a journalist." At the age of 21, he has had both legs amputated. Dr. David Halpin, a British trauma surgeon who works with Palestinian children, emailed the BBC's Middle East editor, Jeremy Bowen. "The BBC should report the alleged details about the shooting," he wrote. "It should honor Alan [Johnston] as a journalist by reporting the facts, uncomfortable as they might be to Israel." He received no reply. The atrocity was reported in two sentences on the BBC online. Along with 11 Palestinian civilians killed by the Israelis on the same day, Alan Johnston's now legless champion slipped into what George Orwell in Nineteen Eighty-Four called the memory hole. (It was Winston Smith's job at the Ministry of Truth to make disappear all facts embarrassing to Big Brother.) While Alan Johnston was being held, I was asked by the BBC World Service if I would say a few words of support for him. I readily agreed, and suggested I also mention the thousands of Palestinians abducted and held hostage. The answer was a polite no; and all the other hostages remained in the memory hole. Or, as Harold Pinter wrote of such unmentionables: "It never happened. Nothing ever happened... It didn't matter. It was of no interest." The media wailing over the BBC's royal photo-shoot fiasco and assorted misdemeanors provide the perfect straw man. They complement a self-serving BBC internal inquiry into news bias, which dutifully supplied the right-wing Daily Mail with hoary grist that the corporation is a left-wing plot. Such shenanigans would be funny were it not for the true story behind the facade of elite propaganda that presents humanity as useful or expendable, worthy or unworthy, and the Middle East as the Anglo-American crime that never happened, didn't matter, was of no interest. The other day, I turned on the BBC's Radio 4 and heard a cut-glass voice announce a program about Iraqi interpreters working for "the British coalition forces" and warning that "listeners might find certain descriptions of violence disturbing." Not a word referred to those of "us" directly and ultimately responsible for the violence. The program was called Face the Facts. Is satire that dead? Not yet. The Murdoch columnist David Aaronovitch, a warmonger, is to interview Blair in the BBC's "major retrospective" of the sociopath's rule. Orwell's Nineteen Eighty-four lexicon of opposites pervades almost everything we see, hear and read now. The invaders and destroyers are "the British coalition forces," surely as benign as that British institution, St. John Ambulance, who are "bringing democracy" to Iraq. BBC television describes Israel as having "two hostile Palestinian entities on its borders," neatly inverting the truth that Israel is actually inside Palestinian borders. A study by Glasgow University says that young British viewers of TV news believe Israelis illegally colonizing Palestinian land are Palestinians: the victims are the invaders. "The great crimes against most of humanity," wrote the American cultural critic James Petras, "are justified by a corrosive debasement of language and thought... [that] have fabricated a linguistic world of terror, of demons and saviors, of axes of good and evil, of euphemisms" designed to disguise a state terror that is "a gross perversion" of democracy, liberation, reform, justice. In his reinauguration speech, George Bush mentioned all these words, whose meaning, for him, is the dictionary opposite. It is 80 years since Edward Bernays, the father of public relations, predicted a pervasive "invisible government" of corporate spin, suppression and silence as the true ruling power in the United States. That is true today on both sides of the Atlantic. How else could America and Britain go on such a spree of death and mayhem on the basis of stupendous lies about nonexistent weapons of mass destruction, even a "mushroom cloud over New York"? When the BBC radio reporter Andrew Gilligan reported the truth, he was pilloried and sacked along with the BBC's director general, while Blair, the proven liar, was protected by the liberal wing of the media and given a standing ovation in parliament. The same is happening again over Iran, distracted, it is hoped, by spin that the new Foreign Secretary David Miliband is a "skeptic" about the crime in Iraq when, in fact, he has been an accomplice, and by unctuous Kennedy-quoting Foreign Office propaganda about Miliband's "new world order." "What do you think of Iran's complicity in attacks on British soldiers in Basra?" Miliband was asked by the Financial Times. Miliband: "Well, I think that any evidence of Iranian engagement there is to be deplored. I think that we need regional players to be supporting stability, not fomenting discord, never mind death..." FT: "Just to be clear, there is evidence?" Miliband: "Well no, I chose my words carefully..." The coming war on Iran, including the possibility of a nuclear attack, has already begun as a war by journalism. Count the number of times "nuclear weapons program" and "nuclear threat" are spoken and written, yet neither exists, says the International Atomic Energy Agency. On 21 June, the New York Times went further and advertised an "urgent" poll, headed: "Should we bomb Iran?" The questions beneath referred to Iran being "a greater threat than Saddam Hussein" and asked: "Who should undertake military action against Iran first... ?" The choice was "US. Israel. Neither country." So tick your favorite bombers. The last British war to be fought without censorship and "embedded" journalists was the Crimea a century and a half ago. The bloodbath of the First World War and the Cold War might never have happened without their unpaid (and paid) propagandists. Today's invisible government is no less served, especially by those who censor by omission. However, there are major differences. Official disinformation now is often aimed at a critical public intelligence, a growing awareness in spite of the media. This "threat" from a public often held in contempt has been met by the insidious transfer of much of journalism to public relations. Some years ago, PR Week estimated that the amount of "PR-generated material" in the media is "50 per cent in a broadsheet newspaper in every section apart from sport. In the local press and the mid-market and tabloid nationals, the figure would undoubtedly be higher. Music and fashion journalists and PRs work hand in hand in the editorial process... PRs provide fodder, but the clever high-powered ones do a lot of the journalists' thinking for them." This is known today as "perception management." The most powerful are not the Max Cliffords but huge corporations such as Hill & Knowlton, which "sold" the slaughter known as the first Gulf war, and the Sawyer Miller Group, which sold hated, pro-Washington regimes in Colombia and Bolivia and whose operatives included Mark Malloch Brown, the new Foreign Office minister, currently being spun as anti-Washington. Hundreds of millions of dollars go to corporations spinning the carnage in Iraq as a sectarian war and covering up the truth: that an atrocious invasion is pinned down by a successful resistance while the oil is looted. The other major difference today is the abdication of cultural forces that once provided dissent outside journalism. Their silence has been devastating. "For almost the first time in two centuries," wrote the literary and cultural critic Terry Eagleton, "there is no eminent British poet, playwright or novelist prepared to question the foundations of the western way of life." The lone, honorable exception is Harold Pinter. Eagleton listed writers and playwrights who once promised dissent and satire and instead became rich celebrities, ending the legacy of Shelley and Blake, Carlyle and Ruskin, Morris and Wilde, Wells and Shaw. He singled out Martin Amis, a writer given tombstones of column inches in which to air his pretensions, along with his attacks on Muslims. The following is from a recent article by Amis: Tony strolled over [to me] and said, "What have you been up to today?" "I've been feeling protective of my prime minister, since you ask." For some reason our acquaintanceship, at least on my part, is becoming mildly but deplorably flirtatious. What these elite, embedded voices share is their participation in an essentially class war, the long war of the rich against the poor. That they play their part in a broadcasting studio or in the clubbable pages of the review sections and that they think of themselves as liberals or conservatives is neither here nor there. They belong to the same crusade, waging the same battle for their enduring privilege. In The Serpent, Marc Karlin's dreamlike film about Rupert Murdoch, the narrator describes how easily Murdochism came to dominate the media and coerce the industry's liberal elite. There are clips from a keynote address that Murdoch gave at the Edinburgh Television Festival. The camera pans across the audience of TV executives, who listen in respectful silence as Murdoch flagellates them for suppressing the true voice of the people. They then applaud him. "This is the silence of the democrats," says the voice-over, "and the Dark Prince could bathe in their silence."

Title: INCANTATION on CAPITAL CHAOS 1998
Description: INCANTATION @ Bojangles - Sacramento, CA 1998...also on the bill were MORBID ANGEL & NILE http://www.incantation.com/ Without a doubt one of the most important bands ever to emerge in the death metal genre, INCANTATION returns with another blasphemous offering of doom/death heaviness. Long imitated but never equaled, INCANTATION have made a name for themselves as an uncompromising, bludgeoning metal force to be reckoned with. Over the years, the band has given us such classics as Onward to Golgotha and Diabolical Conquest. Now, with Decimate Christendom, the band continues to set a standard of quality for all others to meet. Over their illustrious fifteen-year career, INCANTATION has become an infamous death metal institution and a pillar of the international underground metal scene. The staggering combination of the band's ominous sound, vicious style, incredible work ethic and unwavering dedication has left an indelible mark unmatched by all except the most legendary of their peers. Arguably metal's hardest working band, INCANTATION has ventured forth like conquering crusaders, converting thousands of new fans time after time. From Canada to Colombia, Argentina to Europe, Central America to Australia and the States, INCANTATION have endeavored to reach every corner of the world. Additionally, they have given such other prestigious acts as Nile, Decapitated, Krisiun, Enslaved, and Kataklsym their first opportunities to tour on U.S. soil. Although the band has band seen its share of lineup changes, they've always managed to stay active and relevant. Furthermore, INCANTATION main man John McEntee's commitment to the scene is something to be respected, if not revered. With the return of drummer Kyle Severn in 2000, the band came full circle as they went into the studio to record Blasphemy in 2002. After the release of Blasphemy, with the departure of Mike Saez, John McEntee took over vocal duties and prepared for extensive touring. The "Blasphemy World Assault Tour" took the band all corners of the earth, including many first time appearances in countries like Australia, New Zealand, Italy, England and Scotland. In March of 2004, John McEntee (guitar/vocals), Kyle Severn (drums) and Joe Lombard (bass) returned to the legendary Mars Recording Compound to work with longtime producer Bill Korecky (Integrity, Earth Crisis). The result is yet another primal slab of sonic death that is sure to make heads spin. Decimate Christendom picks up where Blasphemy left off, as well as harkening back to their doomier past. Dark harmonies burn through the oppressively heavy guitar attack to conjure up images of demons and acts of the unspeakable. Once again, they've pushed the limits of death metal and delivered that "classic INCANTATION sound" -- pure blazing aggression with total agonizing doom. Decimate Christendom has captured the band at their finest and most creative apex to date. While few artists leave an outstanding mark upon the music world, INCANTATION have built a legacy that will extend past their years. Their shadow has been cast forever over the genre, and we are eternally grateful. INCANTATION are: John McEntee (Vocals/Guitar) Kyle Severn (Drums) Joe Lombard (Bass)

Title: Şivan Perwer - Kine Em - Who are We! (English Translation)
Description: In English: Who we are-Kine em? who we are, you ask ? The kurd of Kurdistan, a lively volcano, fire and dynamite in the face of enemy. When furious, we shake the mountains, the sparks of our anger are death to our foes . who we are ? we are in the east, forts and castles towns and hamlets, rouks and boulders, What irony, what a shameful day ! A slave we are now for blood suckers Yet we saved the Middle East from the Romans and the crusaders. who we are ? Ask the Near East, Ask the Middle East, villages and towns, plains and deserts. They were once all mine when by war and knowledge we defeated rivals to become crowned over an empire stretching to the borders of India . Who we are ? we are the proud Kurd, the enemies' enemy, the friend of peace-loving ones. we are of noble race, not wild as they claim. our mighty ancestors were free people. Like them we want to be free and that is why we fight for the enemy won't leave in peace and we don't want to be forever oppressed. Who we are ? we shall free our land from the tyrants; from the crrupt Shah and Mollas, from the Turkish juntas so we may live free like other nations, so our gardens and meadows are mine again; So we can join the struggle for the good of mankind. Who we are-kine em ? It was we who defeated Richard the Lionheart our own blood we shed to defend these regions. A thorn we was in our enemies' side; in our shadow lived the Arabs, Turks and Persian; many a king held my horse's head. Yes we are the warrior, we are Saladin, the King of Egypt, Syria and Israel. Who we are ? we are Ardashir, we are Noshi Rawan. In the ancient days rivals feared our caesars regretted our animosity. we knew no fright; in love with adventure; from India to Greece they paid us tribute. Who we are ? Yes, we are the Kurd, the Kurd of Kurdistan who is poor and oppressed today. our castles and forts are now demolished; our name and our fame' swindled by our assailants, those who set germs into my body to paralize our existence making a nameless soul of us; a nation with no friends. Who we are? we arethe one who despite it all remains the unyielding Kurd; still formidable to the enemy. The smell of dynamite is again in my nostrils and in my heart the strong desire to erupt. we are the fighting valiant of mountains who is not in love with death but for the sake of life and freedom he sacrifices himself so that the land of his ancestors, the invincible Medes; his beloved Kurdistan , may become unchained. Who we are? One of our ancestors was the Blacksmith Kawa who slayed Dahak, the notorious tyrant to break off chains from Kurdish shoulders and save many heads from the sword and death. The day his vicious reign ended was called NEWROZ, the New Day. When Newroz comes winter departs taking with it the dark harsh times to make place for light and warmth. This is the time, as Zoroaster says, the evil spirit Ahriman is defeated at the hand of Ormazd, the god of wisdom and light. Who we are? we are the maker of Newroz; again we shall become our own master, the ruler of our land so we may enjoy the fruits of our orchards, relish the sacred wines of our vineyards and put an end to a dark era by seeking salvation in knowledge and science; we shall make another new day and breathe the pure air of the liberty. Who we are? we are Kordokh, the good old Khaldew; we are Mitani; Nayri and Sobaro; the son of LoLo; Kardok and Kodi; we are the Mede, the Gosh, Hori and Gudi; we are the Kurmanc, Kelhor; Lor and Gor; yes, we have always been and remain the Kurd. Despite centuries of suppression in a country by force divided. Who we are/kine em? we are the chilldren of Lor, Kelhor and Kurmanc who have lost crown and reign to become powerless, betrayed in the name of religion to carry rosaries in their hands duped by the rulers, deprived of might and wealth, fighting each other, divided and torn while my oppressed Kurdistan, my wretched Kurdistan remains prossessed. Who we are? The chilldren of the Kurdish nation awaken from deep sleep, marching forward, proud as a lion wanting the whole world to know; we shall struggle and continue the path to freedom; we shall learn from great men, we make a vow to our ancestors, to Salar, Shergo and Deysem, that this of our will remain vigorous, unyielding, stronger than death. Let it be kown; we announce with no fear; Liberty is our goal; we shall advance in this path. Who we are ? we are not blood thirsty; no, we adore peace. Noble were ourancestors; sincere are our leaders, We don't ask for war but demand equality but our enemies are the ones who betray and lie. Friendship we seek and offer my hands to all friendy nations. Long live Kurdistan; death to the oppressor!!!