Title: Deep House Music: James Flavour - Da Ride [Remix]
Description: The Cosmic Lounge presents Deep House Music: Jimpster's remix of 'Da Ride' by James Flavour. http://www.last.fm/music/James+Flavour

Title: AKON- RIGHT NOW NA NA - DJ JESSE JAMES (MIAMI,FL) REMIX
Description: AKON- RIGHT NOW NA NA - DJ JESSE JAMES (FLAVOUR - MIAMI,FL) REMIX

Title: Deep House / James Flavour- Da Ride (Jimpster remix)
Description: James Flavour- Da Ride (Jimpster remix) http://house-deephouse.slyblog.com

Title: The Posies - Flavor Of The Month (Live Borderline 28-November-2007)
Description: The Posies performing an acoustic set at The Borderline in Soho, London, UK on 28-November-2007. They did an alternative ending: James Bond, The Beatles and other stuff! Note : This is not the full song as the start is missing.

Title: BREAD - Why Do You Keep Me Waiting
Description: Bread, of a different flavor....the music you never heard on the airwaves. This is early Bread, from the 1970 "On The Waters" LP. Unfortunately YouTube has murdered the sound quality on this track. To hear the music at its best, buy the CD. ~Written by James Griffin and Robb Royer ~Vocals by James Griffin ~Bread in 1970 ~ James Griffin, Robb Royer, David Gates, and Mike Botts.

Title: (DW) 007 James Bond Remix
Description: Using the 007 James Bond music I made a video beat that everyone can enjoy!!! Its got some hip hop flavor to it so, ENJOY!!!

Title: Nu-Jazz Music: Butti 49 - Flying
Description: The Cosmic Lounge presents Nu-Jazz Music: 'Flying' by Butti 49. "Having attracted plenty of attention from all parts of the world with their remixes and a series of dazzling singles of their own, Norwegian heroes Butti 49 aka Snorre Seim and Oyvind Jakobsen finally released their debut album on exceptional records in late October 2004. Based in Stavanger, the Buttis have been a main stay of their hometown scene for several years now, with a growing reputation that spread first of all across Norway, and then to many other parts of the world. They have already released a series of well received singles, both on their own imprint, and on a number of other well respected labels such as Guidance and Nuphonic which spread the word even further. In addition, Snorre and Oyvinds services have been much in demand as remixers. Their list of remix credits is extensive - so far they have been in action with such heavyweights as Kyoto Jazz Massive, Nu Spirit Helsinki, Sirius B, and Ennio Morricone to name but a few. And if thats not enough their music has also been featured on numerous compilations including DJ Spinnas Raiding the Crates on Shadow Records, Compost Records, DNM and many more. Their first full length album features Buttis inimitable and eclectic mix of funk, soul, beats, breaks, electronica and jazz the end result of which is, it has to be said, a very fine album indeed. From the frenzied guitar rythms of Kongo Mongo, to the more atmospheric Alan Accelerates, the 49ers showcase an exciting array of musical flavours. The album manages to pull off that always difficult trick of presenting an appetising variety of musical flavours that all complement each other, and hang together as a cohesive album. Vocal duties on the album are taken care off by a number of guests including Emo - who has already released his own highly acclaimed album on Stereo Deluxe, and Mayia James who was first discovered working as part of Phil Ashers Restless Soul collective. Mayia is of course the vocalist on the first single taken from the album, Incurable. The whole album is a musical treat from beginning to end. 11 excellent tracks full of new ideas and technical virtuosity which are guaranteed to remain on heavy rotation in your CD player for many months to come." http://www.last.fm/music/Butti+49

Title: Kim Manning, "Ganja Street" Music Video shot in Jamaica
Description: I made this little video when I was recently in Jamaica- my friends James Bixler, Katrina Lofgren, Cesar, and Doobre all star in it- along with Candy the Turtle and Peter Tosh's Cousin- the locations are Treasure Beach, Bob Marley's Mosolium in Nine Mile, Peter Tosh's Mosolium, and I did the Rollerskating in Mendo.

Title: Dionne Warwick You've Lost That Lovin' Feeling Top 20 Hit 1969
Description: Dionne Warwick's "Soulful" album yielded her remake of the Righteous Brothers "You've Lost That Lovin' Feeling" which became a big hit in October 1969, peaking at #13 on the Billboard Hot Rhythm and Blues Singles, #16 on the Billboard Hot 100, #13 on the Record World Top 40 and #14 on the CashBox Top 100. The album "Soulful" peaked at #2 on the Billboard R&B Album Chart and #13 on the Billboard Hot 100 Album Chart. Writes Joe Viglione in the All Music Guide: "Soulful is a major work in Dionne Warwick's deep catalog, and one worthy of study and appreciation. Starting off with her gutsy rendition of "You've Lost That Lovin' Feeling," the album shifts from songs containing the sweet and ever present voice found on '60s radio to one of a masterful artist in control, renditions of "Do Right Woman" and the tender approach to "I've Been Loving You Too Long" allowing these copyrights to be heard in a different and intriguing light. The album was recorded at American Sound Studios in Memphis, TN, with the great Chips Moman engineering and co-producing with Warwick. In her liner notes on the back cover the singer writes, "I hope you will enjoy experiencing with me the joy and excitement I felt in recording Rhythm and Blues -- my way." To quote blues singer Genya Ravan, "and she means it!" Working with the producer of the Box Tops' "The Letter" and Elvis Presley was a wonderful change and stretch for the woman who was so closely aligned with the music and production of Bacharach and David. Recording in the state that has bragging rights to Graceland was in vogue during the final year of the 1960s and into the early '70s. Like Tommy James' Elvis-influenced album, Soulful deserves a very special place in rock history. "We Can Work It Out" is what Otis Redding might have done with the material, while "Hey Jude" has a church-like feel, not immersed in gospel but enough of that flavor to lift it above its pop confines. The short fade with the voices bouncing off the horns was a very nice way to close out the album. There are three Beatles covers as well as some Young Rascals, Aretha, Marvin Gaye/Tammi Terrell, and James & Bobby Purify. Moman also crafted Petula Clark's Memphis this same year, and both Petula and Dionne take on Curtis Mayfield's "People Get Ready," indicating perhaps what these Top 40 singers were feeling in their heart -- the need to express themselves on compositions that they found compelling. "You've Lost That Lovin' Feeling" is the standout, not because it was the hit from this collection but because Dionne takes on a new fire, pouring her heart over the great drum work. This version of the song gets little to no airplay on oldies stations, let alone blues and R&B radio, which is tragic. Warwick is a pro as well as a major talent, and Soulful deserves to be treasured as the important musical statement that it is."

Title: Sunny Clapp' s Band - Treat Me Like A Baby (Razaf), 1931
Description: Dismuke writes: „Sunny Clapp is best known for composing "Girl of My Dreams" in 1927, but also led an excellent Texas-based territory band. He recorded between 1929 and 1931 with several of his recordings being made in San Antonio. Both selections here are given a rather "hot" treatment with plenty of trumpet, clarinet and sax solos. Jeanne Geddes gives us an excellent "flapper style", as I call it, vocal. Although this was recorded in 1931, it has a distinctive 1920's flavor. The vocal and hot solos lend the tunes a 20's ambiance, but the arrangements are rich, complex and sweet (at moments). The use of guitar and tuba remind us of both the 20's and 30's. That being said, this is an excellent example of a musical transition piece and is one of the favorite records in my collection. "Treat Me Like A Baby" was written by Andy Razaf and Jack Palmer. It is a very obscure title, but one of my favorite songs". * Andy Razaf (December 16, 1895 -- February 3, 1973), (born Andriamanantena Paul Razafinkarefo also Razafkeriefo) was an African American composer, poet, and lyricist of such well-known songs as "Ain't Misbehavin'" and "Honeysuckle Rose". Born in Washington, D.C., he was the son of Henri Razafkeriefo, nephew of Queen Ranavalona III of Madagascar, and Jennie (Waller) Razafkeriefo, the daughter of John L. Waller, the first African American consul to Madagascar. The French invasion of Madagascar left his father dead, and forced his 15-year-old mother to escape with the boy to the United States, where their lives were anything but royal. Raised in Harlem, at the age of 16 Andy quit school and took a job as an elevator operator at a Tin Pan Alley office building. A year later he penned his first song text, embarking on his career as a lyricist. He collaborated with composers Eubie Blake, Paul Denniker, Don Redman, James P. Johnson, J. C. Johnson, Harry Brooks, and Fats Waller. Among the best-known Razaf-Waller collaborations are The Joint Is Jumpin', Ain't Misbehavin', Honeysuckle Rose, Willow Tree, Keepin' Out of Mischief Now, and (What Did I Do to Be So) Black and Blue. His music was played by other Tin Pan Alley musicians, as well as Benny Goodman, Eubie Blake, Cab Calloway and many others. Many of Razaf's lyrics provide an African-American perspective on America. Through their sharp observation of social and racial issues, Razaf's lyrics give an inside look at life in New York City in the first half of the 20th century. * Galesburg, Illinois, where Sunny Clapp was born, is a small town of 33,000 now but was much smaller during Sonny's time. Sonny was raised just a couple of city blocks from the birthplace of the poet Carl Sandburg. The Galesburg citizens are tremendously proud of „their" great American poet, while only a handful knows the name of another very gifted indovidual, who was born there. Recording: Sunny Clapp And His Band O'Sunshine, v. Jeanne Geddes & male trio - Treat Me Like A Baby, Victor 1931

Title: Hilltop Hoods - Nosebleed Section Runescape Music Video
Description: A runescape music video made by Pollstar The song for this music video is "nosebleed section" by Hilltop Hoods Lyrics For my people in the front (front) In the Nosebleed Section (section) This is for the heads that's loving the mix, My people in the front, all covered in spit, Batters in the box, Suffa to pitch, Hilltop Hoods, all up in this b*tch, And we the funk leaders, punks you can't beat us, We bump and pump meters, we drunk you chumps need us, So jump with us, down in the front if it's, Your flavour, come get drunk with us, This life turned out nothing like I had planned, why not? By now I should've had some land, Some money in my hand, round about fifty grand, But I got nothing, I write rhymes on the bus, I keep suffering; f**k the lines of the dust, You keep sniffing, that sh*t is for the punk hoes, This sh*t is for my bros, my people in the front row. [Chorus:] You know I looked around, for faces I'd know, I fell in love with the people in the front row (ho how) [x2] [Verse Two - Suffa] I got hip-hop taste buds, I wanna hear that bass when I make love, I wanna hear some lyrics when I wake up, Write rhymes to get me through a break up, b*tch! Rough like whisky straight, no chaser, Went through fifty breaks, no flavour, Till I found this one, and made the, Bass hook with the drum, my saviour, This is the comeback, tongue that's sharp like a thumbtack, It's so tight James is saying give my funk back, One track, eight track, a-dat, residual Noise, man f**k that, we clean with the digital, Toys I'm the Apache, you're failing to match me, Throw your hands in the air like you're hailing a taxi, And move to the funk flow, you stepping? Are you drunk bro? This is for my peeps and the freaks in the front row. [Chorus:] You know I looked around, for faces I'd know, I fell in love with the people in the front row (ho how) [x2] People don't complain if Suffa's in here, And you're in the front row, all covered in beer, And club owners don't say the place is wrecked it's your fault, If the roof is on fire it's an electrical fault, Man I bet you all bolt, when I bring it live Like Friday night footy, in my hoody can hide I, Gets live on the breaks son, like pace one, Lads, if you're heading to the bar grab your mates one, Ladies come chill, come rock with me honey, I got like half a mill in monopoly money, There's no stopping me honey, so you can take my hand, We can lay on the beach and count grains of sand, Or take a plane to Japan, and drink saki with mafia, Fly to Libya for some Bacardi with Gadafi a Dinner date, followed by a funk show, We'll rip off our tops and jump around in the front row. [Chorus:] You know I looked around, for faces I'd know, I fell in love with the people in the front row (ho how) [x2] Look me here, and I'm all yours, It's not for the money and it's not for the applause, no Oh no no nooo (It's for the Nosebleed Section) [Chorus til fade]

Title: CURTIS MAYFIELD & THE IMPRESSIONS - Can't Satisfy
Description: "CAN'T SATISFY" - Released 1966. CURTIS MAYFIELD & THE IMPRESSIONS. Sounds like Donnie Elbert's 'This Old Heart Of Mine' (1972). Curtis Lee Mayfield (June 3rd 1942 December 26th 1999) was an American soul, R&B, and funk singer, songwriter, and record producer best known for his anthemic music with The Impressions and composing the soundtrack to the blaxploitation film Super Fly. From these works and others, he was highly regarded as a pioneer of funk and of politically conscious African-American music. He was also a multi-instrumentalist who played the guitar, bass, piano, saxophone, and drums. Born in Chicago, Illinois, Mayfield attended Wells High School. He dropped out of high school early to become lead singer and songwriter for The Impressions, then went on to a successful solo career. Perhaps most notably, Mayfield was among the first of a new wave of mainstream African-American R&B performing artists and composers who injected social commentary into their work. This "message music" became extremely popular during the period of political ferment and social upheaval of the 1960s and 1970s. Mayfield had several distinctions to his style of playing and singing, adding to the uniqueness of his music. When he taught himself how to play guitar, he tuned the guitar to the black keys of the piano, giving him an open F-sharp tuning — F#, A#, C#, F#, A#, F# — that he used throughout his career. Also, he sang most of his lines in falsetto not unique in itself (Donnie Elbert for instance), but other singers in his time mostly sang tenor, adding another flavor to his music. Mayfield's career began in 1956 when he joined The Roosters with Arthur and Richard Brooks and Jerry Butler. Two years later The Roosters, now including also Sam Gooden, became The Impressions. The band had one big hit with "For Your Precious Love". After Butler left the group and was replaced with Fred Cash, Mayfield became lead singer, frequently composing for the band, starting with "Gypsy Woman". Their hit "Amen," an updated version of an old gospel tune, was included in the soundtrack of the 1963 MGM film Lilies of the Field, which starred Sidney Poitier. The Impressions reached the height of their popularity in the mid to late 1960s, with a string of Mayfield compositions that included "Keep On Pushing," "People Get Ready," "It's All Right", "Woman's Got Soul", "Choice of Colors," "Fool For You," "This is My Country" and "Check Out Your Mind." Mayfield had written much of the soundtrack of the civil rights movement alongside Bob Dylan and others in the early 1960s, but by the end of the decade he was a pioneering voice in the black pride movement, in the company of James Brown and Sly Stone. Mayfield's "We're a Winner", a #1 soul hit which also reached the Billboard pop Top 20, became an anthem of the black power and black pride movements when it was released in late 1967, much as his earlier "Keep on Pushing" (whose title is quoted in the lyrics of "We're a Winner") had been an anthem for Martin Luther King, Jr. and the Civil Rights Movement. Independent from his work with The Impressions, Mayfield became a songwriting powerhouse in Chicago, writing and producing scores of hits for other artists. He also owned the Mayfield and Windy C labels, distributed by Cameo-Parkway, and was partners in the Curtom label (first independent, then distributed by Buddah then Warner Bros and finally RSO.)

Title: Casino Royale Flavor Of The Week
Description: my first video ever using windows movie maker I added in flavor of the week on casino royale i thought the chicks might like it

Title: The Jackson Southernaires - Short Gospel History
Description: The Beginnings Thomas A. Dorsey (1899-1993, composer of such standards as "There Will Be Peace in the Valley"), is considered by many gospel devotees to be the "Father of Gospel Music." The son of a minister, Dorsey was a consummate musician and as a young man accompanied some of the most famous blues singers of all time-specifically, Bessie Smith (1894-1937) and Ma Rainey (1886-1939). He also arranged and composed blues tunes. His penchant for bouncy tunes and bawdy lyrics did not keep him from attending the annual meetings of the National Baptist Convention, though. and it was at one of these meetings in Philadelphia that Dorsey first heard the compositions of Charles A. Tindley (1851-1933, composer of "We'll Understand It Better By and By" and "Leave It There" among others). In his essay, "Rock, Church, Rock," Arna Bontemps says that it was then that Dorsey began to write religious music, abandoning his brash lyrics but not the jazz rhythms and blues flavor and rhythmic style so akin to Tindley's own. Naturally, the "old guard" conservatives considered this blending of the sacred (spirituals and hymns) and the secular (blues and jazz) as "the devil's music" and shunned it. By its actions, the church declared Dorsey's brand of gospel music unworthy of a hearing within the sanctuaries of the day, a story quite similarly echoed by churches responding to the rock 'n' roll Jesus Movement that swept the country in the early '70s. In both instances, the traditional church failed to see the positive influence contemporary music could have, blessing its listeners and encouraging them to draw near God. It is this intense spiritual quality in gospel music that lifts it up beyond its mere form, a quality that most preachers in Dorsey's day failed to understand. A 1994 Score magazine article titled "The Father of Gospel Music" quoted Dorsey as saying, "When I realized how hard some folks were fighting the gospel idea, I was determined to carry the banner." Carry it he did. "I borrowed five dollars and sent out 500 copies of my song, 'If You See My Savior,' to churches throughout the country.... It was three years before I got a single order. I felt like going back to the blues." He didn't. With pioneer singers such as Sallie Martin (1896-1988) and Mother Willie Mae Ford Smith (1904-94) propagating his music, he stayed the course long enough to write over 800 songs and hear his music ascend from the first row pews to the choir stand, where it previously had been banned. Other composers, such as Lucy Campbell ("Something Within") and Dr. Herbert Brewster ("Surely God is Able"), picked up the torch and the way was lit for another generation to take control. To insure this, Dorsey founded The National Convention of Gospel Choirs and Choruses in 1932, an organization still in existence today. Dorsey was a planter. The fruits of that harvest were the exceptional singers who spread gospel around the country and indeed the world in the years that followed--Mahalia Jackson, Clara Ward and James Cleveland are but a few.

Title: HOTTIE SCHATAR (Flavor of Love) as Money Banks / New Single!
Description: HOTTIE ROCKS! Listeners love this internationally popular red carpet darling with the sparkling eyes and powerhouse voice who sings under the name MONEY BANKS. You see her on MTV Networks and Vh1. On "Flavor of Love", she tries to cook the chicken in the microwave and on "Charm School", gives the teacher an apple! Money Banks will be rocking until tomorrow never comes! Buy your copy today! Money Banks challenges you to be one of the first million to step into this "Visual Girl's Digital World" with one of the powerhouse singles on her pop album release. This Album features Brtish Based Producer James Eddings. To Book, email MoneyBanksRocks@aol.com. Buy the new album I LOVE BALLS On Sale Now! on www.myspace.com/MoneyBanksMusic , on http://cdbaby.com/cd/moneybanksmedia and www.AMAZON.com