Title: With Dead Hands Rising - Distress Patterns
Description: Music Video for With Dead Hands rising song "Distress Patterns."

Title: King Diamond - At The Graves
Description: first song from the CONSPIRACY album (1989). Lyrics: Missy I miss You so. Oh little Sister I wish You'd come back to Me and sit by My side We'd laugh and we'd play again, if only You'll try You know "THEY" would show the way From the other side Rise from Your grave little Sister Rise...Rise...Rise My friends...Rise Spirits rising from their grave Burning shadows in the dead of night Icy fingers all over My hand Try to make Me understand "Finally we have returned...All of us" Missy is that You, come closer Spirits rising from their grave Everywhere that ghostly stare Icy fingers all over My hand Lead me back to where she stands "THEY" are back to share My life..."THEY" are back Missy come, come with Me, there are things I must know How did you get here, where's the door to the other side Missy: "Beyond the graves lies the gate the gate that leads to the dead We have to leave before the dawn if not by the sun we will burn" Spirits rising from their grave soon the dawn will chase the dark away Icy fingers all over My hand Lead Me back to where "THEY" stand Am I glad You have returned...All of you Do You remember when Grandmother said she heard "THEM" sing I've heard "THEM" too and I really wish I could hear "THEM" again Missy: "In Your mind You'll hear "THEM" sing every night at the graves we have to leave before the dawn if not by the sun we will burn now sing" Show Your powers onto Me

Title: Concentrated Contamination Music Video trailer
Description: Trailer Promoting the release of the Music Video for With dead Hands rising: Concentrated Contamination off the new album "Expect Hell" Client: MediaSkare Records www.myspace.com/withdeadhandsrising www.nickcavalier.com

Title: Dead Rising Music Video - Down with the Sickness
Description: Just a little Music Video. Game:Dead Rising Music: Disturbed - Down With The Sickness Lyrics: Can you feel it? ( And I Should!) Ouwahahaha Ouwahahaha OhOh OhOh OhOh Drowning deep in my sea of loathing Broken your servant I kneel (Will you give in to me?) It seems what's left of my human side Is slowly changing in me (Will you give in to me?) Looking at my own reflection When suddenly it changes Violently it changes (oh no!) There is no turning back now You've woken up the demon ( In me!! ) [Chorus:] Get up, come on get down with the sickness [x3] Open up your hate, and let it flow into me Get up, come on get down with the sickness You mother get up come on get down with the sickness You fucker get up come on get down with the sickness Madness is the gift, that has been given to me I can see inside you, the sickness is rising Don't try to deny what you feel (Will you give in to me?) It seems that all that was good has died And is decaying in me (Will you give in to me?) It seems you're having some trouble In dealing with these changes Living with these changes (oh no) The world is a scary place Now that you've woken up the demon ( In me!! ) [Chorus] Get up, come on get down with the sickness [x3] Open up your hate, and let it flow into me Get up, come on get down with the sickness You mother get up come on get down with the sickness You fucker get up come on get down with the sickness Madness is the gift, that has been given to me And when I dream [x4] No mommy, don't do it again Don't do it again I'll be a good boy I'll be a good boy, I promise No mommy don't hit me, Ah! Why did you hit me like that, mommy? Dont do it, you're hurting me, Ah! Why did you have to be such a bitch Why don't you, Why don't you just fuck off here and die Why can't you just fuck off here and die Why can't you just leave me here and die Never stick your hand in my face again bitch FUCK YOU I don't need this shit You stupid sadistic abusive fucking whore How would you like to see how it feels mommy Here it comes, get ready to die!!! Ouwahahaha [Chorus] Get up, come on get down with the sickness [x3] Open up your hate, and let it flow into me Get up, come on get down with the sickness You mother get up come on get down with the sickness You fucker get up come on get down with the sickness Madness has now come over me

Title: Dead Rising - Barricade Fun Times with Frank
Description: I decided to make a big barricade to pass some time in infinity mode of this hilarious game and this is the result. I felt it imperative that the zombies not be allowed access to the bookshop. Knowledge is a dangerous weapon in the wrong hands. Sorry for the poor quality camera work and audio in places, I'm still refining my art. With a capital 'F'. Comment, rate, weep, dance, whatever you want to do but thanks for being here! Music: CunninLynguists - War Beck - Loser (Fatboy Slim remix)

Title: Dead Rising Guide Part 6
Description: http://www.darksage1331-entertainment.webs.com/ This Is A Guide For Nextgenwalkthroughs.com ONLY So Thats Why Im Not Speaking As Much So At Times There Will Be Music Sometimes There Will Probably Be Nothing At All So That Being Said. {FAQ} Returning To The Security Room And A Cutscene. {PLOT} Brad And Jesse Try To Contact Headquarters And Shortly Find Out That Their Electronics Are Being Jammed So Frank Brings Up The Helicopter And Tells Them They Have To Wait For Three Day So Brad Takes Matters Into His Own Hands And Goes Back Into The Mall To Get Suppleis To Keep Them Alive For 3 Days. If You Have Any Questions At All Please Dont Hesitate To Ask Me.

Title: Bruce Dickinson - Book of Thel
Description: An amazing song by Bruce Dickinson's (from Iron Maiden) solo career. The riffs in this one are golden! Buy his album 'The Chemical Wedding'. His best, and one of THE best. Paul Bruce Dickinson (born August 7, 1958 in Worksop, Nottinghamshire, England) is a British singer, airline pilot, radio show host, DJ, Historian, television presenter, fencer and songwriter, best known as the lead singer in the iconic heavy metal band Iron Maiden. According to All Music Guide, Dickinson "was the most acclaimed and instantly recognizable vocalist to emerge from the New Wave of British Heavy Metal movement of the early-'80s". The Chemical Wedding, a semi-concept album on alchemy and the writings of William Blake followed. This record proved to be even more successful than his previous album, Accident of Birth, with engaging lyrics and powerful songs. Scream for Me Brazil was a live album that documented a show of the Chemical Wedding tour, and featured songs from the last two albums and two from Balls to Picasso. LYRICS: The mark is on you now The furnace sealed inside your head Melting from the inside now Waxy tears run down your face The whore that never told her tale Relives it every night with you Far off stands the lamb and waits For the wolf to come and end its life Stand inside the temple As the book of Thel is opening The priestess stands before you Offering her hand out, she's rising Come the dawning of the dead In famine and in war Now the harlot womb of death Spits out its rotten core Serpent on the altar now Has wrapped itself around your spine So you look into its mouth And you kiss the pearly fangs divine Happy that your end is swift The weeping virgin cries in bliss The snake and priestess, they are one The veil of flesh is ripped undone Stand inside the temple As the book of Thel is opening The priestess stands before you Offering her hand out, she's rising Come the dawning of the dead In famine and in war Now the harlot womb of death Spits out its rotten core By the pricking of my thumbs Something wicked this way comes And when sleep takes you tonight Will you wake to see the light...? (woah-oh-oh-oh-oh-oh-oh) (woah-oh-oh-oh-oh-oh-oh) (oh-oh-oh-oh-oh-oh-oh-oh-oh-oh) (oh-oh-oh-oh-oh-oh-oh-oh-oh-oh) The burning sweat of poison tears The river flowing red with blood The cradle - robbing hand of death Caresses every dreaming head Waiting for the marriage hearse To take you to the funeral pyre So you burn the family tree The generations burning higher Stand inside the temple As the book of Thel is opening The priestess stands before you Offering her hand out, she's rising Come the dawning of the dead In famine and in war Now the harlot womb of death Spits out its rotten core By the pricking of my thumbs Something wicked this way comes And when sleep takes you tonight Will you wake to see the light By the dawning of the dead... By the dawning of the dead... By the dawning of the dead... By the dawning of the dead... [ Spoken: ] "What demon hath formed this abominable void... This soul-shuddering vacuum?" "Some said it is Urizen - But unknown, abstracted, brooding secret The dark power hid"

Title: Iron Maiden - The Longest Day
Description: a simple video i made with the intro sequence from Saving Private Ryan. love the song, chilling lyrics. hope you guys enjoy! /salute the men on D-Day! comments please ^^ ---------------------------------------- In the gloom the gathering storm abates In the ships gimlet eyes await The call to arms to hammer at the gates To blow them wide throw evil to its fate All summers long the drills to build the machine To turn men from flesh and blood to steel From paper soldiers to bodies on the beach From summer sands to armageddon's reach Overlord, your master not your god The enemy coast dawning grey with scud These wretched souls puking, shaking fear To take a bullet for those who sent them here The world's alight, the cliffs erupt in flame No escape, remorseless shrapnel rains Drowning men no chance for a warrior's fate A choking death enter hell's gate Sliding we go, only fear on our side To the edge of the wire, and we rush with the tide Oh the water is red, with the blood of the dead But I'm still alive, pray to God I survive How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through The rising dead, faces bloated torn They are relieved, the living wait their turn Your number's up, the bullet's got your name You still go on, to hell and back again Valhalla waits, valkyries rise and fall The warrior tombs, lie open for us all A ghostly hand reaches through the veil Blood and sand, we will prevail Sliding we go, only fear on our side To the edge of the wire, and we rush with the tide Oh the water is red, with the blood of the dead But I'm still alive, pray to God I survive How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through SOLO How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through How long on this longest day 'Til we finally make it through

Title: Iron Maiden Brighter Than A Thousand Suns
Description: Very good song by Iron Maiden called "Brighter Than A Thousand Suns" from their last album A Matter Of Life And Death. Enjoy !!! We are not the sons of God We are not his chosen people now We have crossed the path he trod We will feel the pain of his beginning Shadow fingers rise above Iron fingers stab the desert sky Oh Behold the power of man On its tower ready for the fall Knocking heads together well Rise a city build a living hell Join the race to suicide Listen for the tolling of the bell Out of the universe a strange love is born Unholy union trinity reformed Yellow sun it's evil twin In the black the wings deliver him We will split our souls within Atom seed to nuclear dust is riven Out of the universe a strange love is born Unholy union, trinity reformed Out of the darkness Brighter than a thousand suns Out of the darkness Brighter than a thousand suns Out of the darkness Brighter than a thousand suns Out of the darkness Brighter than a thousand suns Bury your morals and bury your dead Bury your head in the sand E=mc squared you can relate how we made God With our hands Whatever would Robert have said to his God About how we made war with the sun E=mc squared you can relate how we made God With our hands All the nations are rising Through acid veils of love and hate Chain letters of Satan Uncertainty leads us all to this All the nations are rising Through acid veils of love and hate Cold fusion and fury Divide and conquer while ye may Others preach and others fall and pray In the bunkers where we'll die There the executioners they lie Bombers launch whit no recall Minutes warning of the missile fall Take a look at your last sky Guessing you won't have the time to cry Out of the universe a strange love is born Unholy union, trinity reformed Out of the darkness Out of the darkness Out of the darkness Brighter than a thousand suns Out of the darkness Brighter than a thousand suns Out of the darkness Brighter than a thousand suns Out of the darkness Brighter than a thousand suns Holy Father we have sinned Up the IRONS!!! Let me know what song should I upload in the same way.

Title: Opeth-the baying of the hounds
Description: Opeth-The baying of the hounds taken from ghost reveries i love this song so much i had to post it I hear the baying of the hounds In the distance, I hear them devouring Pest-ridden jackals of the earth Diabolical beasts and roaming the forests In wait and constant protectors Calling you to sit by his side Your self-loathing image in his flesh A revelation upon which you linger His words are flies Swarming towards the true insects Feasting on buried dreams And spreading decay upon your skin His eyes spew forth a darkness That cut through and paralyse Casts light upon your secrets Forced to confront your enemies His mouth is a vortex Sucking you into it's pandemonium Fools you with a helping hand of ashes Reached out in false dismay His body is a country The cities lay dead beyond despair Friends turned enemies unable to come clean In a rising fog of reeking death Everything you believed is a lie Everyone you loved is a death-burden So you take comfort in him And you are receptive to stark wishes No longer struggling to declare your stand You would inflict no harm to others They are unaware and in a loop of futile events You are everything, they are nothing Drown in the deep mire With past desires Beneath the mire Drown desire now with you Lined up verses on dead skin "The tainted lips of a stranger Resting upon hers" And I embrace bereavement Everything beloved is shattered anyway I would devote myself to anyone I would accept any flaws I am too weak to resist Tension vibrating with horror Finding the outcast in my eyes Pushing nerves on a puppet Endless poison in my veins Clean intent now tainted with death And so, cold touch now inhumane Every waking hour Awaiting a reverie to unfold And now they are calling me Louder by the minute The baying of the hounds Calling me back to my home

Title: The Chemical Brothers - Battle Scar (Album version)
Description: The Chemical Brothers - Battle Scars (Astralwerks , CD, 2007) From the album "We Are the Night" Lyrics: There's no path to follow There's no path to follow There's a line in the sand Put there by a man By a man whose children who built the castles made of stone There's a man in the sky Giving reasons why That line grows deeper like these shackles round our bones Move on to my own Here come battle scars It's the final charge Here come battle scars There's a child born To a land of scorn Sneaks past the borders and the lords that hold his hand He was led like a lamb All part of the plan This castle crumbles as he walks out of this land Move on to my own Here come battle scars It's the final charge Here come battle scars This is what we own Here come battle scars This is where we are Here come battle scars There's no path to follow There's no path to follow There's no path to follow Living for the reasons of the dead that moved to paper from their heads into my fingers and my deadly view is strangled by the rent I have no purpose in this land have I forgotten how to stand up with the humor and the need I've got to find a way to be I just turn up the stereo I can't survive without the cold This culture's fallen off its feet I've got to find a brand new beat beat (beat) beat beat (beat) beat beat (beat) beat There's a road ahead 'tween the live and dead Church bells are ringing like the panic in my head Step, step, one by one Walk into the setting sun Water's rising, rising fast History catching up at last Danger ahead, death behind No one to follow but old man time Time, time, take us back before the line was drawn Before the sky turned black.

Title: RACHMANINOV Moments Musicaux op.16 No. 4-Michel Mañanes Live
Description: Michel Mañanes plays Rachmaninoff Moment Musical Moment op.16 No. 4.All this pieces are played in an "Antique Bösendorfer". Has won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Rachmaninov Moment Musical.Classical concert pianist. http://www.geocities.com/pianistmananes/index.html Sergei Vasilievich Rachmaninoff[a] (Russian: Сергей Васильевич Рахманинов, Sergej Vasil'evič Rakhmaninov, 1 April 1873 [O.S. 20 March]--28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.[1] Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead,[2] and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8.[3] Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.[4] Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia.[5] His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart.[6] In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament.[7] He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."[8] Presto is in ternary form with a coda. The piece begins with a fortissimo introduction with a thick texture in the left hand consisting of chromatic sextuplets. The melody is a "rising quasi-military" idea, interspersed between replications of the left hand figure,[6] the mostly two-note melody being a strong unifying element.[1] The middle section is a brief period of pianississimo falling figures in the right hand and rising scales in the left. The third section is marked Più vivo (more life) and is played even faster than the intro, 112 quarter notes per minute.[14] At this point the piece develops a very thick texture, with the original left hand figure played in both hands in varying registers. The technique of rapidly change the octave in which a melody is played, sometimes called "registral displacement", is used to present the figure in a more dramatic form that increases the intensity of the ending.The ending, a coda in Prestissimo (very quick), 116 quarter notes per minute, is a final, sweeping reiteration of the theme that closes in a heavy E minor chord,[14] which revisits Rachmaninoff's preoccupation with bell sounds, prominent in his Piano Concerto No. 2 and Prelude in C-sharp minor (Op. 3, No. 2). The piece is a major exercise in endurance and accuracy: the introduction opens in a left hand figure requiring span of a tenth interval. Additionally, octave intervals invariably appear before fast sextuplet runs, making quick wrists and arm action necessary. The double melodies Rachmaninoff uses in this work exists purposely to "keep both hands occupied," obscuring the melody and making it difficult for the right hand to project. This is the only piece in the set with indicated pedal markings.

Title: RACHMANINOV Moment Musical op.16 no. 4- Michel Mañanes Live
Description: Michel Mañanes plays Rachmaninoff Moment Musical Moment op.16 No. 4.All this pieces are played in an "Antique Bösendorfer". Has won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Rachmaninov Moment Musical.Classical concert pianist. http://www.geocities.com/pianistmananes/index.html Sergei Vasilievich Rachmaninoff[a] (Russian: Сергей Васильевич Рахманинов, Sergej Vasil'evič Rakhmaninov, 1 April 1873 [O.S. 20 March]--28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.[1] Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead,[2] and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8.[3] Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.[4] Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia.[5] His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart.[6] In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament.[7] He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."[8] Presto is in ternary form with a coda. The piece begins with a fortissimo introduction with a thick texture in the left hand consisting of chromatic sextuplets. The melody is a "rising quasi-military" idea, interspersed between replications of the left hand figure,[6] the mostly two-note melody being a strong unifying element.[1] The middle section is a brief period of pianississimo falling figures in the right hand and rising scales in the left. The third section is marked Più vivo (more life) and is played even faster than the intro, 112 quarter notes per minute.[14] At this point the piece develops a very thick texture, with the original left hand figure played in both hands in varying registers. The technique of rapidly change the octave in which a melody is played, sometimes called "registral displacement", is used to present the figure in a more dramatic form that increases the intensity of the ending.The ending, a coda in Prestissimo (very quick), 116 quarter notes per minute, is a final, sweeping reiteration of the theme that closes in a heavy E minor chord,[14] which revisits Rachmaninoff's preoccupation with bell sounds, prominent in his Piano Concerto No. 2 and Prelude in C-sharp minor (Op. 3, No. 2). The piece is a major exercise in endurance and accuracy: the introduction opens in a left hand figure requiring span of a tenth interval. Additionally, octave intervals invariably appear before fast sextuplet runs, making quick wrists and arm action necessary. The double melodies Rachmaninoff uses in this work exists purposely to "keep both hands occupied," obscuring the melody and making it difficult for the right hand to project. This is the only piece in the

Title: STUCK MOJO on CAPITAL CHAOS TV 1999
Description: STUCK MOJO @ Big Shots - Roseville, CA 1999 also on the bill were SPEAK NO EVIL & HASTE...an empty club makes for an empty sound ..Stuck Mojo is a rap metal group from Atlanta, Georgia. They are known for their right-wing views and, recently, their strong views on Islam. They were formed in 1989 by guitarist Rich Ward and original bassist Dwayne Fowler. Lead vocalist Bonz joined later in the year. They released their first album, Snappin' Necks, in 1995, with Century Media Records. In 1996 they released the Devin Townsend produced Pigwalk alongside new bassist Corey Lowery and drummer Bud Fontseré. Their fame was minimal until the release of their 3rd album, Rising. The album sold over 3 million copies and remained Century Media's highest selling album until 2004, when Lacuna Coil's 5th album Comalies broke that record. The band's love for professional wrestling was especially exhibited through this album, as World Championship Wrestling's U.S. Heavyweight Championship belt was prominently featured on the cover. Also, the video for the song "Rising" featured then-WCW stars "Diamond" Dallas Page, Raven, and The Flock. Despite critical praise and good sales of their follow-up albums, Stuck Mojo broke up in 2000 but continued to perform New Year's Eve reunion shows every year at the Masquerade Club in Atlanta. Bonz started the band 420 Monks and later Dead Gospel. Ward, Fontseré, and former bassist Dan Dryden, together with (World Wrestling Entertainment (WWE) wrestler) Chris Jericho, formed the band Fozzy and another band called Sick Speed, and Corey Lowery joined Life of Agony, started Stereomud, and later Dark New Day. Rich Ward released a solo album under the name "The Duke" on May 3, 2005. Stuck Mojo are considered pioneers of the nu-metal subgenre, and are considered an influence by many popular nu-metal groups. In 2005, Stuck Mojo reunited, with Bonz, Ward, and Fontseré back in the lineup, with new bassist Sean Delson replacing Dan Dryden. The reunion was short lived, however, as Stuck Mojo released their new album "Southern Born Killers" (free for download at their website http://stuckmojo.us sans Fontseré and Bonz, opting newcomers Rodney (from Dead Gospel) on drums and Lord Nelson spatting prose. Their song Open Season brought the band into the public spotlight. Biography and History 1989 - Guitarist/songwriter Rich Ward teamed up with bassist Dwayne Fowler and drummer Richard Farmer to form what would become the foundation for rap metal pioneers Stuck Mojo. After 39 agonizing vocalist auditions, Andrew Freund was chosen to front the band. Thanks to artists such as Red Hot Chili Peppers, Aerosmith with RUN DMC and other, smaller acts like Urban Dance Squad, the lines between rap, funk, and heavy rock music were becoming less distinct. The young musical outfit set out to experiment with this new, genre-blending hybrid. At the time, Ward was working delivering pizzas to support his musical habit. One of his co-workers was, as he recalls, "the most annoying person I've ever met. All he did while making pizza was blast the f@#king boom-box and rap along with it from the moment he came to work until the moment he left. I could tell that hip-hop was not just what he wanted to do, it was who he was." Despite the annoyance, Ward felt that "Bonz," the pizza-making rapper, would be the perfect person to coach their current vocalist in the ways of hip-hop and the street. Not surprisingly, vocalist Freund was soon replaced by new frontman "M.C. Bonz." For the next two years the band consistently played shows in Atlanta while building an impressive fan base. The talent buyers and local booking agents didn't get it, but the fans sure did. 1993 - Under the guidance of their new management team of Mark Willis and Nancy Camp, Stuck Mojo took their show on the road hitting dozens of cities such as Chicago, Tampa , Charlotte, Columbia , Macon, Tallahassee , etc. A bi-racial, heavy rock band fronted by a rapper, Stuck Mojo was an anomaly and was, at times, met with prejudice and animosity from predominantly white audiences and club owners. More often than not this resulted in a physical confrontation. However, this only added to their growing reputation as a kick-ass band (no pun intended). After six straight months of touring, Willis and Camp put the band in the studio with producer Joseph Nuyens to record a three song demo at his studio outside of Nashville, Tennessee . This demo ended up in the hands of heavy metal A&R legend Monty Connor of RoadRunner Records. Monty subsequently passed the demo on to his friend Borivoj Krgin at Century Media Records and insisted that this was the band to sign. Bori quickly agreed and signed the band sight unseen! 1995 -- Stuck Mojo's debut album,"Snappin' Necks," was released in March. The band toured for three months as the main support for Machine Head. This exposure cemented their reputation as one of metal's best live acts. However, the rigors of the road produced some friction between band members and both Brent Payne (drummer) and Dwayne Fowler (bass) exited the band. 1996 - Bassist Corey Lowery joined the band and Frank Fontsere' took over on drums. The band immediately entered the studio. The result was "Violated," a Europe-only EP on Century Media. The EP was meant to prime the fans overseas for Stuck Mojo's first tour of Europe. In late April, Stuck Mojo landed in Frankfurt, Germany to join four other bands on the "Crossover 2000" tour including dates in Germany, France , Italy, England , Austria, Denmark , Poland, Belgium and the Czech Republic. On the last show of the tour, Stuck Mojo performed on the main stage at the prestigious Dynamo Festival in Eindhoven, Netherlands . Having been named the year's best live band by MTV Europe, many rock journalists covering the event noted that Stuck Mojo was the highlight of the show. The band returned to the States and entered the studio with co-producers Devin Townsend and Daniel Bergstrand to begin work on their second release "Pigwalk." This vocally aggressive, over the top album changed the musical landscape and rapcore was born. It also separated Mojo from any further comparisons to Rage Against the Machine or anyone else for that matter. 1997 - Highlighted by tours with Type O Negative, Life of Agony, Testament and a second tour of Europe, Stuck Mojo performed over 250 shows for the 3rd straight year. The band entered the studio with notable producer Andy Sneap at the helm to begin sessions for their third release "Rising." A professional wrestling-themed video with appearances by Diamond Dallas Page and other WCW stars was filmed in support of "Rising." 1998 - "Rising" was released in March. Thanks to the airing of the "Rising" video on MTV and "WCW Monday Nitro" on the eve of the album's release, Stuck Mojo experience their highest sales to date and become the first Century Media band to hit the Billboard charts. A headlining tour of Europe then followed in June and ended with another appearance on the main stage at Dynamo. This was followed by a week of dates opening for Pantera, and a fall tour with Clutch along with fellow Atlanta group Sevendust. This put Mojo at over 300 performances for the year. In December, Corey Lowery (bass) left the band to join Life of Agony. Minnesota native Dan Dryden was brought in to replace him. 1999 - Stuck Mojo headlined a six month tour with the last date being at their home venue, the Masquerade in Atlanta. During this performance the band recorded a live album. Titled "HVY 1," the disc also featured two new studio tracks. Released in September, the band followed up with a headlining tour to support it. 2000 - Years of living out of suitcases, occasional substance abuse, and friction between Mojo's management and Century Media caused the band to fracture. Rich Ward formed two side projects with drummer Fontsere'; Sick Speed and Fozzy with WWE wrestling star Chris Jericho. Stuck Mojo, however, still had unfinished business. With the desire to write an album that would once again redefine the genre, the band recorded its final studio album, "Declaration of a Headhunter." Ward considered the album his personal swan song and proceeds to write not only all the music but the lyrics as well. Bonz was not happy with this situation and the band decided not to tour. After only four regional shows Stuck Mojo drifted apart. http://stuckmojomedia.com 2001 - In order to fulfill lingering contractual obligations and prevent Century Media from being able to exercise any ownership rights over future recorded materials, Rich Ward agreed to enter the studio once more. Recording two new tracks taken from his archive of unused material, the songs were added to an album of rarities and B-sides titled "Violate This." Bonz did not participate in the sessions. 2004 -- The fans' demand for new material has not faded with the passage of time. In response to this demand, Rich Ward has collaborated with Ed Aborn of Intersonic Multimedia to compile the comprehensive DVD titled "Inside the Monster: The Evilution of Stuck Mojo. Vol. 1." (available at www.StuckMojoMedia.com). With their last tour five years behind them, Bonz once again entered the studio with Rich to lay vocal tracks for Allison, a new artist Rich is producing. The collaboration went very well and the two decide to resurrect Stuck Mojo and hit the road once again in 2005 after which a new record will be written and recorded. Currently, the band is considering multiple record company offers. 2006 - New tracks from the upcoming album 'Southern Born Killers' are available on the Official Stuck Mojo MySpace and the full album is available for download from stuckmojomedia.com Albums * Snappin' Necks (1995) * Pigwalk (1996) * Rising (1998) * HVY 1 (Live, 1999) * Violated (EP, 1999) * Declaration of a Headhunter (2000) * Violate This (2001) * Inside the Monster: The Evilution of Stuck Mojo Vol. I (DVD, 2005) * Southern Born Killers (2006) [edit] Current Band Members * Lord Nelson - Vocals (since 2006) * Rich "The Duke" Ward - Guitar and Backup Vocals * Sean Delson - Bass (since 2004) * Rodney - Drums (since 2006) [edit] Former Band Members * Bonz - Vocals * Benjamin Reed - Drums * Brent Payne - - Drums * Corey Lowery - Bass/Backing Vocals * Frank "Bud" Fontsere - Drums * Dan Dryden - Bass * Eric Sanders - Drums * Dwayne Fowler - Bass

Title: Akon - Sorry Blame It On Me (Official Music Video + Lyrics)
Description: http://FreeUStones.com - FREE official ringtone (USA ONLY) Sorry, Blame It On Me Lyrics "Sorry, Blame It On Me" As life goes on I’m starting to learn more and more about responsibility I realize everything I do is affecting the people around me So I want to take this time out and apologize for things I have done And things that have not occurred yet And the things they don’t want to take responsibility for I’m sorry for the times I left you home I was on the road and you were alone I’m sorry for the times that I had to go I’m sorry for the fact that I did not know That you were sitting home just wishing we Could go back to when it was just you and me I’m sorry for the times I would neglect I’m sorry for the times I disrespect I’m sorry for the wrong things that I’ve done I’m sorry I’m not always there for my son I’m sorry for the fact that I am not aware That you can’t sleep at night when I am not there Because I am in the streets like everyday Sorry for the things that I did not say Like how you are the best thing in my world And how I am so proud to call you my girl [Bridge] I understand that there are some problems And I am not too blind to know All the pain you kept inside you Even though you might not show If I can apologize for being wrong Then it’s just a shame on me I’ll be the reason for your pain and you can put the blame on me [Chorus] You can put the blame on me [4x] Said you can put the blame on me [3x] You can put the blame on me Sorry for the things that he put you through And all the times you didn’t know what to do Sorry that you had to go and sell those packs Just trying to stay busy till you heard from Dad And you would rather be home with all your kids As one big family with love and bliss And even though Pops treated us like kings He got a second wife and you didn’t agree He got up and left you there all alone I’m sorry that you had to do it on your own I’m sorry that I went and added to your grief I’m sorry that your son was once a thief I’m sorry that I grew up way too fast I wish I would’ve listened and not be so bad I’m sorry your life turned out this way I’m sorry the FEDS came and took me away [Bridge] I’m sorry that it took so long to see They were dead wrong trying to put it on me I’m sorry that it took so long to speak But I was on tour with Gwen Stefani I’m sorry for the hand that she was dealt For the embarrassment that she felt Just a little young girl trying to have fun Her daddy should never let her out that young I’m sorry for Club Zen getting shut down I hope they manage better next time around How was I to know she was underage Enter 21 you know the club they say Why doesn’t anybody wanna take blame For rising back out disgracing my name I’m just a singer trying to entertain Because I love my fans I’ll take that blame Even though the blame’s on you [3x] I’ll take that blame from you And you can put that blame on me [2x] You can put that blame on me And you can put that blame on me