Title: DJ Tonk ft. Pismo - Underground Life
Description: Pismo on a DJ Tonk track, off of DJ Tonk's Dj Tonk Worldwide Debut or frequent flyers, I'll check later. Great producer, not as known as nujabes or the other producers I put up.

Title: dj tonk on juice tv plus
Description: japan's local music tv program. juice tv plus.

Title: "My Undergound Life 2" DJ Tonk ft JTronius and Skyhigh
Description: New music video for the hit single "Underground Life" off the album Black Magic. Directed by Jae Williams of Forty8 Three Films

Title: Space Pirates Theme Song
Description: The brilliant space pirates theme song. some of you radio 1 listeners may of heard this being played on the Chris Moyles show. i think the tune is brilliant. I was going to make a picture show but there are np pictures of the tv show on the internet when there are i will make a picture show thingy ****UPDATE NOW FEATURING LYRICS***** Captain DJ heads the crew, Honk and Tonk and Lippy too, Jolly Roger chatting with you, Space Pirates! Brassy leads the Jingle band, Windy and Stringy lend a hand, Zorst ensures your travel is planned, Space Pirates! And we all sing, Na na-na na na, Space Pirates! Na na-na-na-na na, Space Pirates! Na na-na na na, Space Pirates! Hey! Na na-na na na, Space Pirates! Na na-na-na-na na, Space Pirates! Na na-na na na, Space Pirates! Hey! Hey! Hey! Pirate Posse have their say, Choosing the song-list of the day, Deciding which of three to play, Space Pirates! Journey into outer space, Far away from the human race, Finding songs in any old place, Space Pirates! Everybody sing, Na na-na na na, Space Pirates! Na na-na-na-na na, Space Pirates! Na na-na na na, Space Pirates! Hey! Na na-na na na, Space Pirates! Na na-na-na-na na, Space Pirates! Na na-na na na, Space Pirates! peace out for now safesafe

Title: Asian Art Museum MATCHA 2008 Trailer
Description: Get your monthly arts fix at the Asian Art Museum's MATCHA events. Enjoy live performances, special tours of the galleries, hands on art activities, mingle with friends over cocktails or simply chill to music. All for only $5! First Thursdays, 5 to 9pm, June through November 2008. Video produced and edited by 7G productions. Music by DJ Tonk.

Title: CHARLIE WALKER-DON'T PUT DOWN THE HONKY TONKS
Description: Country singer Charlie Walker had a sporadic career with one major highlight, his 1958 classic hit release of Harlan Howard's "Pick Me up on Your Way Down." Texas-born Walker began in the early '40s as a vocalist in the Cowboy Ramblers. After several years singing with the Bill Boyd-led group, Walker briefly retired from the performing side of the business to work as a DJ. A recording contract with Columbia brought him back to performing, though, and it was then that he scored with Howard's classic composition. Minor hits followed, including a trilogy of honky tonk-inspired tunes, "Close All the Honky Tonks," "Honky Tonk Season," and even a cover of the Rolling Stones' "Honky Tonk Women." After the hits dried up, Walker moved to the land of mediocre performers, Las Vegas, and sang there for several years before attempting an unsuccessful comeback with MCA in 1986. ~ Steve Kurutz, All Music Guide

Title: Jazzy Hip hop "Darkness Falls" piano, drums, harmonica
Description: This is the last of our jams from our second session, I'm currently in Japan studying abroad right now so I don't know when the next one will be, but hopefully it will be good! I want to take some jazz lessons before I make more so I can make better beats and also be able to accompany guitar or harmonica instead of being the main melody all the time. I really enjoyed this one for some reason, maybe a little longer than it should've been, but screw it, haha. enjoy everyone, because there won't be another one for awhile. In the meantime if any of you like this one, check out "Fast Jazzy Nujabes hip hop beat" and "5 beat compilation" and my video "Blues Jammin" I personally think is a pretty cool beat after the beginning part and that it hasn't gotten as many views as I think it merits so check it out if you can! Thank you all for listening so much, I really appreciate it, and I'm glad you guys are so receptive to this type of jazzy hip hop! Keep listenin Oh, and my own recommendations of my favorite hip hop artists are: Binary Star, Shinsight trio, Nomak, Nujabes, Pete Rock, Shing02, Jazz Liberators, Surreal and The Sound Providers, People Under the Stairs, One Belo, MF Doom's Special Herbs album, Kero One, Dj Tonk, and many others. All of them are worth checking out. my favorite song is by Shinsight Trio - Early Daze Amazement, DEF check that song out. Also, the artist Nitsua, who is supported by Nujabes found me on youtube and we collaborated on two of his songs on his new album, so def look him up if you've got the time, I love his music. He's at --- www.myspace.com/zchuchu

Title: Afu-Ra - Lyrical Surgery (DJ Tonk)
Description: Afu-Ra - Lyrical Surgery (DJ Tonk) Album: Lyrical Surgery Check out my channel for more good hiphop

Title: Bill Doggett - Honky Tonk Popcorn
Description: Bill Doggett - Honky Tonk Popcorn - King Records - 1970

Title: THE BEST OF ALL WORLDS / HIP HONK HONKY TONK
Description: The New Year's Eve Extravaganza -- The Best of All Worlds Is Coming To The Egan Center Featuring Two Party Floors The nation's hottest DJs will play your favorite dance music upstairs, while Alaska's country sensation Ken Peltier sings live downstairs. The best of all worlds in a hip hop honky tonk. New Years Eve at the Egan Center. It's a dress to impress, 21+ event, with champagne toast. Brought to you by 101.3 KGOT, Kash Country 107.5, ABC Alaska's superstation & alaskavip.com. It's another cold Frunt Production, we'll see you at the door

Title: Honky Tonk Red Spins Records
Description: Honky Tonk Red Spins Records at a local hang-out, Budro's.

Title: My Hero's Have Always Been Cowboys
Description: BCB Band sings My Hero's Have Always Been Cowboys by Willie Nelson. As a songwriter and a performer, Willie Nelson played a vital role in post-rock & roll country music. Although he didn't become a star until the mid-'70s, Nelson spent the '60s writing songs that became hits for stars like Ray Price ("Night Life"), Patsy Cline ("Crazy"), Faron Young ("Hello Walls"), and Billy Walker ("Funny How Time Slips Away") as well as releasing a series of records on Liberty and RCA that earned him a small, but devoted, cult following. During the early '70s, Willie aligned himself with Waylon Jennings and the burgeoning outlaw country movement that made him into a star in 1975. Following the crossover success of that year's The Red Headed Stranger and "Blue Eyes Crying in the Rain," Nelson was a genuine star, as recognizable in pop circles as he was to the country audience; in addition to recording, he also launched an acting career in the early '80s. Even when he was a star, Willie never played it safe musically. Instead, he borrowed from a wide variety of styles, including traditional pop, Western swing, jazz, traditional country, cowboy songs, honky tonk, rock & roll, folk, and the blues, creating a distinctive, elastic hybrid. Nelson remained at the top of the country charts until the mid-'80s, when his lifestyle — which had always been close to the outlaw clichés with which his music flirted — began to spiral out of control, culminating in an infamous battle with the IRS in the late '80s. During the '90s, Nelson's sales never reached the heights that he had experienced a decade earlier, but he remained a vital icon in country music, having greatly influenced the new country, new traditionalist, and alternative country movements of the '80s and '90s as well as leaving behind a legacy of classic songs and recordings. Nelson began performing music as a child growing up in Abbott, TX. After his father died and his mother ran away, Nelson and his sister Bobbie were raised by their grandparents, who encouraged both children to play instruments. Willie picked up the guitar, and by the time he was seven, he was already writing songs. Bobbie learned to play piano, eventually meeting — and later marrying — fiddler Bud Fletcher, who invited both of the siblings to join his band. Nelson had already played with Raychecks' Polka Band, but with Fletcher, he acted as the group's frontman. Willie stayed with Fletcher throughout high school. Upon his graduation, he joined the Air Force but had to leave shortly afterward, when he became plagued by back problems. Following his disenrollment from the service, he began looking for full-time work. After he worked several part-time jobs, he landed a job as a country DJ at Fort Worth's KCNC in 1954. Nelson continued to sing in honky tonks as he worked as a DJ, deciding to make a stab at recording career by 1956. That year, he headed to Vancouver, WA, where he recorded Leon Payne's "Lumberjack." At that time, Payne was a DJ and he plugged "Lumberjack" on the air, which eventually resulted in sales of 3,000 — a respectable figure for an independent single, but not enough to gain much attention. For the next few years, Willie continued to DJ and sing in clubs. During this time, he sold "Family Bible" to a guitar instructor for 50 dollars, and when the song became a hit for Claude Gray in 1960, Nelson decided to move to Nashville the following year to try his luck. Though his nasal voice and jazzy, off-center phrasing didn't win him many friends — several demos were made and then rejected by various labels — his songwriting ability didn't go unnoticed, and soon Hank Cochran helped Willie land a publishing contract at Pamper Music. Ray Price, who co-owned Pamper Music, recorded Nelson's "Night Life" and invited him to join his touring band, the Cherokee Cowboys, as a bassist. Arriving at the beginning of 1961, Price's invitation began a watershed year for Nelson. Not only did he play with Price — eventually taking members of the Cherokee Cowboys to form his own touring band — but his songs also provided major hits for several other artists. Faron Young took "Hello Walls" to number one for nine weeks, Billy Walker made "Funny How Time Slips Away" into a Top 40 country smash, and Patsy Cline made "Crazy" into a Top Ten pop crossover hit. Earlier in the year, he signed a contract with Liberty Records and began releasing a series of singles that were usually drenched in strings. "Willingly," a duet with his then-wife Shirley Collie, became a Top Ten hit for Nelson early in 1962, and it was followed by another Top Ten single, "Touch Me," later that year. Both singles made it seem like Nelson was primed to become a star, but his career stalled just as quickly as it had taken off, and he was soon charting in the lower regions of the Top 40. Liberty closed its country division in 1964, the same year Roy Orbison had a hit with "Pretty Paper."

Title: Bob Wills Is Still The King
Description: Stereo: http://www.youtube.com/watch?v=9RNvBqJw9aY&fmt=18 BCB Band sings "Bob Wills Is Still The King" by Waylon Jennings. Waylon Jennings was born in the hardscrabble West Texas town of Littlefield on June 15, 1937. He learned to play guitar and snagged a disc jockey job at a Littlefield station while still a boy. In 1958 he moved to Lubbock, where he worked as a DJ and met rising star Buddy Holly, with whom he toured and played electric bass during 1958 and 1959. It was Jennings who gave up his seat to the Big Bopper (J. P. Richardson) on the doomed 1959 plane flight that took the lives of Holly, Richardson, and singer Ritchie Valens. The disaster stunned Jennings and it took him several years to regain his momentum. But his time with Holly had been pivotal: "Mainly what I learned from Buddy," Jennings recalled, "was an attitude. He loved music, and he taught me that it shouldn't have any barriers to it." After working West Texas radio again, Jennings began performing at a bar called J. D.'s in Phoenix, Ariz. There he began to craft a sound that combined his aggressive Telecaster electric guitar style, his rough-edged vocals, and an eclectic repertoire that often borrowed from rockabilly, rock and folk. And it was there that Nashville-based Bobby Bare, then a country hitmaker for RCA Records, heard Jennings and immediately called RCA producer Chet Atkins. Although Jennings had already recorded some country-folk sides for A&M Records in Los Angeles, A&M agreed to let Atkins sign him, and his first RCA session took place in March 1965. Over the next five years, Jennings won mainstream country stardom with hits like "Only Daddy That'll Walk the Line," "Brown Eyed Handsome Man" and "The Taker." Though it wasn't typical of his work, his rendition of "MacArthur Park" (recorded with the Kimberlys), won a 1969 Grammy for Best Country Performance by a Duo or Group. Despite his achievements, the high-spirited Jennings chafed under Nashville's typical production process, in which salaried staff producers chose song material and session musicians and recorded artists in company studios. Gradually he won the right to choose his own songs, producers, and sidemen (often his road band), in the process turning out albums like 1973's Lonesome, On'ry and Mean and Honky Tonk Heroes, which showcased the hard-hitting, stripped-down music he much preferred to pop-tinged Nashville Sound productions. Hit singles such as "I'm a Ramblin' Man" and "Are You Sure Hank Done It This Way" also exemplified his hard-charging, rock-influenced style. In 1975 he won CMA's male vocalist of the year award. By this time Jennings was extending his audience to embrace hordes of college-age fans, who flocked to see him at venues including Willie Nelson's free-wheeling outdoor music festivals at Dripping Springs, Texas. In 1976, both artists soared to even more dizzying heights with the RCA release Wanted! The Outlaws. Featuring Jennings, Nelson, Tompall Glaser, and Jennings's wife, Jessi Colter, it became the first country album to be certified platinum. By the turn of the 21st century, 13 additional Jennings albums (including duet projects) had sold half a million copies or more. As the '70s progressed, Jennings and Nelson recorded duet albums and crossover hits like "Luckenbach, Texas" and "Mammas Don't Let Your Babies Grow Up to Be Cowboys," which won a 1978 Grammy for Best Country Vocal Performance by a Duo or Group. Jennings himself rode high on the charts into the late 1980s, chalking up No. 1 singles including "I've Always Been Crazy," "Amanda," "I Ain't Living Long Like This" and "Lucille (You Won't Do Your Daddy's Will)." During many of these same years, the TV series The Dukes of Hazzard --- for which Jennings wrote and sang the theme song and served as offscreen narrator --- further popularized his sound and the trademark image of his leather-covered guitar.

Title: CHARLIE WALKER-THE MAN IN THE LITTLE WHITE SUIT
Description: Country singer Charlie Walker had a sporadic career with one major highlight, his 1958 classic hit release of Harlan Howard's "Pick Me up on Your Way Down." Texas-born Walker began in the early '40s as a vocalist in the Cowboy Ramblers. After several years singing with the Bill Boyd-led group, Walker briefly retired from the performing side of the business to work as a DJ. A recording contract with Columbia brought him back to performing, though, and it was then that he scored with Howard's classic composition. Minor hits followed, including a trilogy of honky tonk-inspired tunes, "Close All the Honky Tonks," "Honky Tonk Season," and even a cover of the Rolling Stones' "Honky Tonk Women." After the hits dried up, Walker moved to the land of mediocre performers, Las Vegas, and sang there for several years before attempting an unsuccessful comeback with MCA in 1986. ~ Steve Kurutz, All Music Guide

Title: ROY DRUSKY & PRISCILLA MITCHELL-YES, MR PETERS
Description: singer/songwriter often called "the Perry Como of country music," Roy Drusky enjoyed success throughout the 1960s as a performer in the Nashville sound vein. Born June 22, 1930, in Atlanta, Drusky's mother, a church organist, tried for years to interest her son in music, but throughout his childhood he focused the majority of his energies on sports. It was not until during a two-year stint in the U.S. Navy that he bought his first guitar, and soon after began performing for his fellow crew members. After leaving the Navy, Drusky returned to college, and unsuccessfully tried out for baseball's Cleveland Indians. In 1951, he started his first band, the Southern Ranch Boys; the group's success on a Decatur, Ga.-radio talent show landed Drusky work as a DJ, where he attracted a substantial following among listeners. He also continued to perform in local clubs after the Southern Ranch Boys called it quits, and on the strength of a 1953 single, "Such a Fool," he was signed to Columbia Records in 1955. After moving to Minneapolis to continue his work in radio, Drusky began headlining at the Twin Cities' prestigious Flame Club, where word of his talents began spreading to Nashville. As a result, Faron Young recorded Drusky's "Alone With You" in 1958; the single was the biggest of Young's career, topping the charts for 13 weeks. Soon after, Drusky moved to Nashville, and in 1960 released back-to-back Top Five hits, the honky tonk ballads "Another" and "Anymore," which led to an invitation to join the Grand Ole Opry. In the same year, he also released a hit duet with Kitty Wells, "I Can't Tell My Heart That." In 1961, Drusky released the double-sided hit "I'd Rather Loan You Out"/"Three Hearts in a Tangle," and also issued his first LP, Anymore With Roy Drusky. The next year, he reached the Top Ten again with "Second Hand Rose." Throughout the first half of the decade, he continued to release chart hits, peaking in 1965 with his lone No. 1, "Yes, Mr. Peters." He also issued two separate albums in 1964, and in 1965, he appeared in his first film, White Lightnin' Express, and also sang the feature's title song. He later appeared in two other films, The Golden Guitar and Forty Acre Feud. In the middle of the decade, he also began recording with singer Priscilla Mitchell, and with her released two albums of duets. In addition, Drusky began a career as a producer for acts like Pete Sayers and Brenda Byers. As a recording artist, Drusky's success tapered off after 1965; although he released 11 chart hits between 1966 and 1969, only two, "Where the Blue and Lonely Go" and "Such a Fool," reached the Top Ten. However, in the early years of the next decade he made a comeback: 1970's "Long Long Texas Road," from the album All My Hard Times, was his first Top Five hit in six years. It was also his last, however, and as Drusky's brand of country fell victim to changing tastes, his singles and albums were less and less successful. After releasing two LPs in 1976, he returned to writing and producing. He began a new sideline as a country-influenced gospel balladeer in the early 1990s. He died in 2004. ~ Jason Ankeny, All Music Guide