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John Lee Hooker - I Cover The Waterfront
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Title: John Lee Hooker - I Cover The Waterfront
Description: Terrific stuff here.
Description: Terrific stuff here.
Title: VAN MORRISON & JOHN LEE HOOKER - Boom Boom
Description: Astral Weeks Live in concert at the Hollywood Bowl November 7-8, 2008 Look for the upcoming CD and feature film release "Astral Weeks Live at the Hollywood Bowl" produced by Van Morrison and Listen to the Lion Films - Coming Soon ! Live in NYC, 1989 http://www.vanmorrison.com for unobscured video
Description: Astral Weeks Live in concert at the Hollywood Bowl November 7-8, 2008 Look for the upcoming CD and feature film release "Astral Weeks Live at the Hollywood Bowl" produced by Van Morrison and Listen to the Lion Films - Coming Soon ! Live in NYC, 1989 http://www.vanmorrison.com for unobscured video
Title: VAN MORRISON & JOHN LEE HOOKER - Server Me Right To Suffer
Description: Astral Weeks Live in concert at the Hollywood Bowl November 7-8, 2008 Look for the upcoming CD and feature film release "Astral Weeks Live at the Hollywood Bowl" produced by Van Morrison and Listen to the Lion Films - Coming Soon ! Live in NYC, 1989 http://www.vanmorrison.com for unobscured video
Description: Astral Weeks Live in concert at the Hollywood Bowl November 7-8, 2008 Look for the upcoming CD and feature film release "Astral Weeks Live at the Hollywood Bowl" produced by Van Morrison and Listen to the Lion Films - Coming Soon ! Live in NYC, 1989 http://www.vanmorrison.com for unobscured video
Title: Roots of Blues -- John Lee Hooker „ Helpless Blues"
Description: Recorded: no details available John Lee Hooker (August 22, 1917 -- June 21, 2001) was an influential American post-war blues singer, guitarist, and songwriter born in Coahoma County near Clarksdale, Mississippi. From a musical family, he was a cousin of Earl Hooker. John was also influenced by his stepfather, a local blues guitarist, who learned in Shreveport, Louisiana to play a droning, one-chord blues that was strikingly different from the Delta blues of the time. John developed a half-spoken style that was his trademark. Though similar to the early Delta blues, his music was rhythmically free. John Lee Hooker could be said to embody his own unique genre of the blues, often incorporating the boogie-woogie piano style and a driving rhythm into his masterful and idiosyncratic blues guitar and singing. His best known songs include "Boogie Chillen" (1948) and "Boom Boom" (1962). Hooker's guitar playing is closely aligned with piano Boogie Woogie. He would play the walking bass pattern with his thumb, stopping to emphasize the end of a line with a series of trills, done by rapid hammer-ons and pull-offs. The songs that most epitomize his early sound are "Boogie Chillen", about being 17 and wanting to go out to dance at the Boogie clubs, "Baby Please Don't Go", a blues standard first recorded by Big Joe Williams, and "Tupelo Blues",a stunningly sad song about the flooding of Tupelo, Mississippi in April 1936. He maintained a solo career, popular with blues and folk music fans of the early 1960s and crossed over to white audiences, giving an early opportunity to the young Bob Dylan. As he got older, he added more and more people to his band, changing his live show from simply Hooker with his guitar to a large band, with Hooker singing. His vocal phrasing was less closely tied to specific bars than most blues singers'. This casual, rambling style had been gradually diminishing with the onset of electric blues bands from Chicago but, even when not playing solo, Hooker retained it in his sound. Though Hooker lived in Detroit during most of his career, he is not associated with the Chicago-style blues prevalent in large northern cities, as much as he is with the southern rural blues styles, known as delta blues, country blues, folk blues, or "front porch blues". His use of an electric guitar tied together the Delta blues with the emerging post-war electric blues. His songs have been covered by The White Stripes, MC5, The Doors, George Thorogood, Jimi Hendrix, Led Zeppelin, Van Morrison, The Yardbirds, The Animals, R. L. Burnside, the J. Geils Band and The Jon Spencer Blues Explosion.
Description: Recorded: no details available John Lee Hooker (August 22, 1917 -- June 21, 2001) was an influential American post-war blues singer, guitarist, and songwriter born in Coahoma County near Clarksdale, Mississippi. From a musical family, he was a cousin of Earl Hooker. John was also influenced by his stepfather, a local blues guitarist, who learned in Shreveport, Louisiana to play a droning, one-chord blues that was strikingly different from the Delta blues of the time. John developed a half-spoken style that was his trademark. Though similar to the early Delta blues, his music was rhythmically free. John Lee Hooker could be said to embody his own unique genre of the blues, often incorporating the boogie-woogie piano style and a driving rhythm into his masterful and idiosyncratic blues guitar and singing. His best known songs include "Boogie Chillen" (1948) and "Boom Boom" (1962). Hooker's guitar playing is closely aligned with piano Boogie Woogie. He would play the walking bass pattern with his thumb, stopping to emphasize the end of a line with a series of trills, done by rapid hammer-ons and pull-offs. The songs that most epitomize his early sound are "Boogie Chillen", about being 17 and wanting to go out to dance at the Boogie clubs, "Baby Please Don't Go", a blues standard first recorded by Big Joe Williams, and "Tupelo Blues",a stunningly sad song about the flooding of Tupelo, Mississippi in April 1936. He maintained a solo career, popular with blues and folk music fans of the early 1960s and crossed over to white audiences, giving an early opportunity to the young Bob Dylan. As he got older, he added more and more people to his band, changing his live show from simply Hooker with his guitar to a large band, with Hooker singing. His vocal phrasing was less closely tied to specific bars than most blues singers'. This casual, rambling style had been gradually diminishing with the onset of electric blues bands from Chicago but, even when not playing solo, Hooker retained it in his sound. Though Hooker lived in Detroit during most of his career, he is not associated with the Chicago-style blues prevalent in large northern cities, as much as he is with the southern rural blues styles, known as delta blues, country blues, folk blues, or "front porch blues". His use of an electric guitar tied together the Delta blues with the emerging post-war electric blues. His songs have been covered by The White Stripes, MC5, The Doors, George Thorogood, Jimi Hendrix, Led Zeppelin, Van Morrison, The Yardbirds, The Animals, R. L. Burnside, the J. Geils Band and The Jon Spencer Blues Explosion.
Title: JOHN LEE HOOKER - BAD LIKE JESSE JAMES
Description: Born near Clarksdale, Mississippi on August 22, 1917 to a sharecropping family, John Lee Hooker's earliest musical influence came from his stepfather, Will Moore. By the early 1940's Hooker had moved north to Detroit by way of Memphis and Cincinnati. Hooker found work as a janitor in the auto factories, and at night, like many other transplants from the rural Delta, he entertained friends and neighbors by playing at "house parties". He was "discovered" by record storeowner Elmer Barbee who took him to Bernard Besman, who was a producer, record distributor and owner of Sensation Records, Besman leased some of his early Hooker recordings to Modern Records. Among Hooker's first recordings in 1948, "Boogie Chillen" became a number one jukebox hit for Modern and his first million seller. This was soon followed by an even bigger hit with "I'm In The Mood" and other classic recordings including "Crawling Kingsnake" and "Hobo Blues." Another surge in his career took place with the release of more than 100 songs on Vee Jay Records during the 1950's and 1960's. When the young bohemian audiences of the 1960's "discovered" Hooker along with other blues originators, he and various he and others made a brief return to folk blues. Young British artist such as the Animals, John Mayall, and the Yardbirds introduced Hooker's sound to the new and eager audiences whose admiration and influence helped build Hooker to superstar status in the mid - 60's England. By 1970 he had moved to California and worked on several projects with rock musicians, notably Van Morrison and Canned Heat. Canned Heat modeled their sound after Hooker's boggie and collaborated with him on several albums and tours. During the late 1970's and much of the 1980's, Hooker toured the U.S. and Europe steadily but grew disenchanted with recording, through his appearance in the Blues Brothers movie resulted in a heightened profile. Then, in 1989, The Healer was released to critical acclaim and sales in excess of a million copies. Today the "The King Of The Boggie" is enjoying the most successful period of his extensive career. In the past ten years Hooker's influence has contributed to a booming interest in the blues and, notably, its acceptance by the music industry as a commercially viable entity. Hooker's career has been a series a highlights and special events since the release of The Healer. In addition to recording his on albums Mr. Lucky, Boom Boom, Chill Out, and Don't Look Back for Pointblank / Virgin, he contributed to recordings by B.B. King, Branford Marsalis, Van Morrison, and Big Head Todd and the Monsters and portrayed the title role in Pete Townshend's 1989 epic, The Iron Man. His influence on younger generations has been documented on television with features on Showtime and a special edition of the BBC's 'Late Show' as well as appearances on "The Tonight Show" and "Late Night With David Letterman" among many others. John Lee was invited to perform The Rolling Stones and guest Eric Clapton for their national television broadcast during The Stones' 1989 Steel Wheels tour. In 1990, many musical greats paid tribute to John Lee Hooker with a performance at Madison Square Garden. Joining him on some or all of these special occasions were artists such as Bonnie Raitt, Ry Cooder, Joe Cocker, Huey Newton, Carlos Santana, Robert Clay, Mick Fleetwood, Al Cooper, Johnny Winter, John Hammond, and the late Albert Collins and Willie Dixon. Hooker's 1991 induction into the Rock n' Roll Hall Of Fame was fitting for the man who has influenced countless fans and musicians who have in turn influenced many more. Honors continue, with recent inductions into Los Angeles' Rock Walk, The Bammies Walk Of Fame in San Francisco, and, in 1997, a star in the Hollywood Walk Of Fame. John Lee's style has always been unique, even among other performers of the real deep blues, few of whom remain with us today. While retaining that foundation he has simultaneously broken new ground musically and commercially. At the age of 80, John Lee Hooker received his third and fourth Grammy Awards, for Best Traditional Blues Recording (Don't Look Back) and for Best Pop Collaboration for the song "Don't Look Back" which Hooker recorded with his long time friend Van Morrison. This Friendship and others are celebrated on Hooker's newest Pointblank / Virgin album, The Best Of Friends. The album also celebrates a return, exactly 50 years later, to Hooker's first hit, Boogie Chillen and serves as a perfect bookend for Hooker's first fifty years in the business
Description: Born near Clarksdale, Mississippi on August 22, 1917 to a sharecropping family, John Lee Hooker's earliest musical influence came from his stepfather, Will Moore. By the early 1940's Hooker had moved north to Detroit by way of Memphis and Cincinnati. Hooker found work as a janitor in the auto factories, and at night, like many other transplants from the rural Delta, he entertained friends and neighbors by playing at "house parties". He was "discovered" by record storeowner Elmer Barbee who took him to Bernard Besman, who was a producer, record distributor and owner of Sensation Records, Besman leased some of his early Hooker recordings to Modern Records. Among Hooker's first recordings in 1948, "Boogie Chillen" became a number one jukebox hit for Modern and his first million seller. This was soon followed by an even bigger hit with "I'm In The Mood" and other classic recordings including "Crawling Kingsnake" and "Hobo Blues." Another surge in his career took place with the release of more than 100 songs on Vee Jay Records during the 1950's and 1960's. When the young bohemian audiences of the 1960's "discovered" Hooker along with other blues originators, he and various he and others made a brief return to folk blues. Young British artist such as the Animals, John Mayall, and the Yardbirds introduced Hooker's sound to the new and eager audiences whose admiration and influence helped build Hooker to superstar status in the mid - 60's England. By 1970 he had moved to California and worked on several projects with rock musicians, notably Van Morrison and Canned Heat. Canned Heat modeled their sound after Hooker's boggie and collaborated with him on several albums and tours. During the late 1970's and much of the 1980's, Hooker toured the U.S. and Europe steadily but grew disenchanted with recording, through his appearance in the Blues Brothers movie resulted in a heightened profile. Then, in 1989, The Healer was released to critical acclaim and sales in excess of a million copies. Today the "The King Of The Boggie" is enjoying the most successful period of his extensive career. In the past ten years Hooker's influence has contributed to a booming interest in the blues and, notably, its acceptance by the music industry as a commercially viable entity. Hooker's career has been a series a highlights and special events since the release of The Healer. In addition to recording his on albums Mr. Lucky, Boom Boom, Chill Out, and Don't Look Back for Pointblank / Virgin, he contributed to recordings by B.B. King, Branford Marsalis, Van Morrison, and Big Head Todd and the Monsters and portrayed the title role in Pete Townshend's 1989 epic, The Iron Man. His influence on younger generations has been documented on television with features on Showtime and a special edition of the BBC's 'Late Show' as well as appearances on "The Tonight Show" and "Late Night With David Letterman" among many others. John Lee was invited to perform The Rolling Stones and guest Eric Clapton for their national television broadcast during The Stones' 1989 Steel Wheels tour. In 1990, many musical greats paid tribute to John Lee Hooker with a performance at Madison Square Garden. Joining him on some or all of these special occasions were artists such as Bonnie Raitt, Ry Cooder, Joe Cocker, Huey Newton, Carlos Santana, Robert Clay, Mick Fleetwood, Al Cooper, Johnny Winter, John Hammond, and the late Albert Collins and Willie Dixon. Hooker's 1991 induction into the Rock n' Roll Hall Of Fame was fitting for the man who has influenced countless fans and musicians who have in turn influenced many more. Honors continue, with recent inductions into Los Angeles' Rock Walk, The Bammies Walk Of Fame in San Francisco, and, in 1997, a star in the Hollywood Walk Of Fame. John Lee's style has always been unique, even among other performers of the real deep blues, few of whom remain with us today. While retaining that foundation he has simultaneously broken new ground musically and commercially. At the age of 80, John Lee Hooker received his third and fourth Grammy Awards, for Best Traditional Blues Recording (Don't Look Back) and for Best Pop Collaboration for the song "Don't Look Back" which Hooker recorded with his long time friend Van Morrison. This Friendship and others are celebrated on Hooker's newest Pointblank / Virgin album, The Best Of Friends. The album also celebrates a return, exactly 50 years later, to Hooker's first hit, Boogie Chillen and serves as a perfect bookend for Hooker's first fifty years in the business
Title: lucas fav electronic music #4
Description: music 201. Bizarre Love Triangle, New Order 202. Come Together, The Beatles 203. Positively 4th Street, Bob Dylan 204. Try a Little Tenderness, Otis Redding 205. Lean On Me, Bill Withers 206. Reach Out, I'll Be There, The Four Tops 207. Bye Bye Love, The Everly Brothers 208. Gloria, Them 209. In My Room, The Beach Boys 210. 96 Tears, ? and the Mysterians 211. Caroline, No, The Beach Boys 212. 1999, Prince 213. Your Cheatin' Heart, Hank Williams 214. Rockin' in the Free World, Neil Young 215. Sh-Boom, The Chords 216. Do You Believe in Magic, The Lovin' Spoonful 217. Jolene, Dolly Parton 218. Boom Boom, John Lee Hooker 219. Spoonful, Howlin' Wolf 220. Walk Away Renee, The Left Banke 221. Walk on the Wild Side, Lou Reed 222. Oh, Pretty Woman, Roy Orbison 223. Dance to the Music, Sly and the Family Stone 224. Good Times, Chic 225. Hoochie Coochie Man, Muddy Waters 226. Moondance, Van Morrison 227. Fire and Rain, James Taylor 228. Should I Stay or Should I Go, The Clash 229. Mannish Boy, Muddy Waters 230. Just Like a Woman, Bob Dylan 231. Sexual Healing, Marvin Gaye 232. Only the Lonely, Roy Orbison 233. We Gotta Get Out of This Place, The Animals 234. I'll Feel a Whole Lot Better, The Byrds 235. I Got a Woman, Ray Charles 236. Everyday, Buddy Holly and the Crickets 237. Planet Rock, Afrika Bambaataa and the Soul Sonic Force 238. I Fall to Pieces, Patsy Cline 239. The Wanderer, Dion 240. Son of a Preacher Man, Dusty Springfield 241. Stand!, Sly and the Family Stone 242. Rocket Man, Elton John 243. Love Shack, The B-52's 244. Gimme Some Lovin', The Spencer Davis Group 245. The Night They Drove Old Dixie Down, The Band 246. (Your Love Keeps Lifting Me) Higher and Higher, Jackie Wilson 247. Hot Fun in the Summertime,Sly and the Family Stone 248. Rappers Delight, The Sugarhill Gang 249. Chain of Fools, Aretha Franklin 250. Paranoid, Black Sabbath 251. Mack the Knife, Bobby Darin 252. Money Honey, The Drifters 253. All the Young Dudes, Mott the Hoople 254. Highway to Hell, AC/DC 255. Heart of Glass, Blondie 256. Paranoid Android, Radiohead 257. Wild Thing, The Troggs 258. I Can See for Miles, The Who 259. Hallelujah, Jeff Buckley 260. Oh, What a Night, The Dells 261. Higher Ground, Stevie Wonder 262. Ooo Baby Baby, Smokey Robinson 263. He's a Rebel, The Crystals 264. Sail Away, Randy Newman 265. Tighten Up, Archie Bell and the Drells 266. Walking in the Rain, The Ronettes 267. Personality Crisis, New York Dolls 268. Sunday Bloody Sunday, U2 269. Roadrunner, The Modern Lovers 270. He Stopped Loving Her Today, George Jones 271. Sloop John B, The Beach Boys 272. Sweet Little Sixteen, Chuck Berry 273. Something, The Beatles 274. Somebody to Love, Jefferson Airplane 275. Born in the U.S.A., Bruce Springsteen 276. I'll Take You There, The Staple Singers 277. Ziggy Stardust, David Bowie 278. Pictures of You, The Cure 279. Chapel of Love, The Dixie Cups 280. Ain't No Sunshine, Bill Withers 281. You Are the Sunshine of My Life, Stevie Wonder 282. Help Me, Joni Mitchell 283. Call Me, Blondie 284. (What's So Funny 'Bout) Peace Love and Understanding?, Elvis Costello and the Attractions 285. Smoke Stack Lightning, Howlin' Wolf 286. Summer Babe, Pavement 287. Walk This Way, Run-DMC 288. Money (That's What I Want), Barrett Strong 289. Can't Buy Me Love, The Beatles 290. Stan, Eminem featuring Dido 291. She's Not There, The Zombies 292. Train in Vain, The Clash 293. Tired of Being Alone, Al Green 294. Black Dog, Led Zeppelin 295. Street Fighting Man, The Rolling Stones 296. Get Up, Stand Up, Bob Marley and the Wailers 297. Heart of Gold, Neil Young 298. One Way or Another, Blondie 299. Sign 'O' the Times, Prince 300. Like a Prayer, Madonna Back to RS 500 Albums! Back to RS 500 Songs!
Description: music 201. Bizarre Love Triangle, New Order 202. Come Together, The Beatles 203. Positively 4th Street, Bob Dylan 204. Try a Little Tenderness, Otis Redding 205. Lean On Me, Bill Withers 206. Reach Out, I'll Be There, The Four Tops 207. Bye Bye Love, The Everly Brothers 208. Gloria, Them 209. In My Room, The Beach Boys 210. 96 Tears, ? and the Mysterians 211. Caroline, No, The Beach Boys 212. 1999, Prince 213. Your Cheatin' Heart, Hank Williams 214. Rockin' in the Free World, Neil Young 215. Sh-Boom, The Chords 216. Do You Believe in Magic, The Lovin' Spoonful 217. Jolene, Dolly Parton 218. Boom Boom, John Lee Hooker 219. Spoonful, Howlin' Wolf 220. Walk Away Renee, The Left Banke 221. Walk on the Wild Side, Lou Reed 222. Oh, Pretty Woman, Roy Orbison 223. Dance to the Music, Sly and the Family Stone 224. Good Times, Chic 225. Hoochie Coochie Man, Muddy Waters 226. Moondance, Van Morrison 227. Fire and Rain, James Taylor 228. Should I Stay or Should I Go, The Clash 229. Mannish Boy, Muddy Waters 230. Just Like a Woman, Bob Dylan 231. Sexual Healing, Marvin Gaye 232. Only the Lonely, Roy Orbison 233. We Gotta Get Out of This Place, The Animals 234. I'll Feel a Whole Lot Better, The Byrds 235. I Got a Woman, Ray Charles 236. Everyday, Buddy Holly and the Crickets 237. Planet Rock, Afrika Bambaataa and the Soul Sonic Force 238. I Fall to Pieces, Patsy Cline 239. The Wanderer, Dion 240. Son of a Preacher Man, Dusty Springfield 241. Stand!, Sly and the Family Stone 242. Rocket Man, Elton John 243. Love Shack, The B-52's 244. Gimme Some Lovin', The Spencer Davis Group 245. The Night They Drove Old Dixie Down, The Band 246. (Your Love Keeps Lifting Me) Higher and Higher, Jackie Wilson 247. Hot Fun in the Summertime,Sly and the Family Stone 248. Rappers Delight, The Sugarhill Gang 249. Chain of Fools, Aretha Franklin 250. Paranoid, Black Sabbath 251. Mack the Knife, Bobby Darin 252. Money Honey, The Drifters 253. All the Young Dudes, Mott the Hoople 254. Highway to Hell, AC/DC 255. Heart of Glass, Blondie 256. Paranoid Android, Radiohead 257. Wild Thing, The Troggs 258. I Can See for Miles, The Who 259. Hallelujah, Jeff Buckley 260. Oh, What a Night, The Dells 261. Higher Ground, Stevie Wonder 262. Ooo Baby Baby, Smokey Robinson 263. He's a Rebel, The Crystals 264. Sail Away, Randy Newman 265. Tighten Up, Archie Bell and the Drells 266. Walking in the Rain, The Ronettes 267. Personality Crisis, New York Dolls 268. Sunday Bloody Sunday, U2 269. Roadrunner, The Modern Lovers 270. He Stopped Loving Her Today, George Jones 271. Sloop John B, The Beach Boys 272. Sweet Little Sixteen, Chuck Berry 273. Something, The Beatles 274. Somebody to Love, Jefferson Airplane 275. Born in the U.S.A., Bruce Springsteen 276. I'll Take You There, The Staple Singers 277. Ziggy Stardust, David Bowie 278. Pictures of You, The Cure 279. Chapel of Love, The Dixie Cups 280. Ain't No Sunshine, Bill Withers 281. You Are the Sunshine of My Life, Stevie Wonder 282. Help Me, Joni Mitchell 283. Call Me, Blondie 284. (What's So Funny 'Bout) Peace Love and Understanding?, Elvis Costello and the Attractions 285. Smoke Stack Lightning, Howlin' Wolf 286. Summer Babe, Pavement 287. Walk This Way, Run-DMC 288. Money (That's What I Want), Barrett Strong 289. Can't Buy Me Love, The Beatles 290. Stan, Eminem featuring Dido 291. She's Not There, The Zombies 292. Train in Vain, The Clash 293. Tired of Being Alone, Al Green 294. Black Dog, Led Zeppelin 295. Street Fighting Man, The Rolling Stones 296. Get Up, Stand Up, Bob Marley and the Wailers 297. Heart of Gold, Neil Young 298. One Way or Another, Blondie 299. Sign 'O' the Times, Prince 300. Like a Prayer, Madonna Back to RS 500 Albums! Back to RS 500 Songs!
Title: The Blue Riders SPOONFUL*country blues guitar harp drums
Description: The Blue Riders: Ben Andrews guitars Tim Jarvis drums and percussion Hugh Feeley harmonicas The 71 other session clips are at... http://www.youtube.com/results?search_query=tymjar&search=Search He IS playing a chromatic mouth organ. Check out Hubert Sumlin 's guitar on Howlin' Wolf's original Chess recording of Spoonful. You may like this clip if you're a listener to Charley/Charlie Patton, Hubert Sumlin, Charley Patton or The Cream, or any of the great Chess sessions that Willie Dixon produced. Early Fleetwood Mac and Long John Baldry had roots in drinking up Chicago Blues Down Homers , thanks in some part to Peter Green, John Littlejohn Hounddog Taylor Earl Hooker jb Hutto Robert Nighthawk L. C. Robinson Freddie Roulette Nigel Watson, Mayall John & Bluesbreakers and the long line of fine British blues players ...check out early: The Animals, The Yardbirds/Jeff Beck, Eric Clapton and Jimmy Page, Charley Jordan, Savoy Brown, Van Morrison, Mick Abrams and Blodwyn Pig, Dave Kelly, Albert Lee/Tony Colton, Albert Lee/Tony Colton, Cyril Davies, Sonny Landreth, John Mooney, Rob Ickes, Kelly Joe Phelps, Harry Manx, Kevin Brown, Ben Harper, Stacy Phillips, Mike Auldridge, Small Faces, Mick Taylor, Gary Moore, Jo Ann Kelly and Bennett Duster...THIS ALL TO MENTION JUST A FEW! The Blue Riders championed the East Coast Piedmont style of blues, a style of music first popularized by artists like Blind Boy Fuller, Rev. Gary Davis, Blind Willie McTell and Blind Blake. -tymjar
Description: The Blue Riders: Ben Andrews guitars Tim Jarvis drums and percussion Hugh Feeley harmonicas The 71 other session clips are at... http://www.youtube.com/results?search_query=tymjar&search=Search He IS playing a chromatic mouth organ. Check out Hubert Sumlin 's guitar on Howlin' Wolf's original Chess recording of Spoonful. You may like this clip if you're a listener to Charley/Charlie Patton, Hubert Sumlin, Charley Patton or The Cream, or any of the great Chess sessions that Willie Dixon produced. Early Fleetwood Mac and Long John Baldry had roots in drinking up Chicago Blues Down Homers , thanks in some part to Peter Green, John Littlejohn Hounddog Taylor Earl Hooker jb Hutto Robert Nighthawk L. C. Robinson Freddie Roulette Nigel Watson, Mayall John & Bluesbreakers and the long line of fine British blues players ...check out early: The Animals, The Yardbirds/Jeff Beck, Eric Clapton and Jimmy Page, Charley Jordan, Savoy Brown, Van Morrison, Mick Abrams and Blodwyn Pig, Dave Kelly, Albert Lee/Tony Colton, Albert Lee/Tony Colton, Cyril Davies, Sonny Landreth, John Mooney, Rob Ickes, Kelly Joe Phelps, Harry Manx, Kevin Brown, Ben Harper, Stacy Phillips, Mike Auldridge, Small Faces, Mick Taylor, Gary Moore, Jo Ann Kelly and Bennett Duster...THIS ALL TO MENTION JUST A FEW! The Blue Riders championed the East Coast Piedmont style of blues, a style of music first popularized by artists like Blind Boy Fuller, Rev. Gary Davis, Blind Willie McTell and Blind Blake. -tymjar
Title: CC Rider
Description: My version of an old blues song done by Huddy Leadbetter or Leadbelly and Gertrude "Ma" Rainey.
Description: My version of an old blues song done by Huddy Leadbetter or Leadbelly and Gertrude "Ma" Rainey.
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