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Vacant Stare - A Head Start
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Title: Vacant Stare - A Head Start
Description: vacant stare - a head start
Description: vacant stare - a head start
Title: Twinkle Twinkle Little Star - Vacant Minds music video
Description: "Twinkle Twinkle Little Star" by Vacant Minds from the album "This Statement Is False". Video depicts The Shmorg headbanging violently at a LAN party in Mikey's basement. Send us an email - vacantminds@gmail.com
Description: "Twinkle Twinkle Little Star" by Vacant Minds from the album "This Statement Is False". Video depicts The Shmorg headbanging violently at a LAN party in Mikey's basement. Send us an email - vacantminds@gmail.com
Title: innergrey your vacant stare (full)
Description: innergrey www.inergrey.com
Description: innergrey www.inergrey.com
Title: ELTON JOHN- Tell me when the whistle blows
Description: There's a dusty old gutter he's lying in now He's blind and he's old And there's a bottle that rolls down the road Me I'm young and I'm so wild And I still feel the need Of your apron strings once in a while For there's taxi cabs hooting But I can't be foot-loose forever My suitcase it's a cheap one My darling she's a dear one My head's feeling light as a feather Take my ears and tell me when the whistle blows Wake me up and tell me when the whistle blows Long lost and lonely boy you're just a black sheep going home I want to feel your wheels of steel Underneath my itching heels Take my money Tell me when the whistle blows Part of me asked the young man for the time With a cool vacant stare of undue concern He said nine It's not so bad but I really do love the land And rather all this than those diamante lovers In Hyde Park holding hands Blowing heat through my fingers Trying to kill off this cold Will the street kids remember Can I still shoot a fast cue Has this country kid still got his soul
Description: There's a dusty old gutter he's lying in now He's blind and he's old And there's a bottle that rolls down the road Me I'm young and I'm so wild And I still feel the need Of your apron strings once in a while For there's taxi cabs hooting But I can't be foot-loose forever My suitcase it's a cheap one My darling she's a dear one My head's feeling light as a feather Take my ears and tell me when the whistle blows Wake me up and tell me when the whistle blows Long lost and lonely boy you're just a black sheep going home I want to feel your wheels of steel Underneath my itching heels Take my money Tell me when the whistle blows Part of me asked the young man for the time With a cool vacant stare of undue concern He said nine It's not so bad but I really do love the land And rather all this than those diamante lovers In Hyde Park holding hands Blowing heat through my fingers Trying to kill off this cold Will the street kids remember Can I still shoot a fast cue Has this country kid still got his soul
Title: Kelis - Stick Up
Description: Kelis - "Stick Up" Produced by Dame Grease Star Trak (2003) Dame Grease - http://www.myspace.com/damegrease Vacant Lot - http://www.myspace.com/vacantlotofficial Soul Pitch Media - http://www.myspace.com/soulpitchmedia *Promotional Use Only **Please note that all songs in the videos posted have either been produced by Damon "Dame Grease" Blackmon, released by Dame Grease's label, or feature one of our other clients/affiliates as either the guest or featured artist on the track. Content is neither sold nor available for download. Please contact us with any questions or concerns involving copyright issues.
Description: Kelis - "Stick Up" Produced by Dame Grease Star Trak (2003) Dame Grease - http://www.myspace.com/damegrease Vacant Lot - http://www.myspace.com/vacantlotofficial Soul Pitch Media - http://www.myspace.com/soulpitchmedia *Promotional Use Only **Please note that all songs in the videos posted have either been produced by Damon "Dame Grease" Blackmon, released by Dame Grease's label, or feature one of our other clients/affiliates as either the guest or featured artist on the track. Content is neither sold nor available for download. Please contact us with any questions or concerns involving copyright issues.
Title: Davi- Vacant Stars
Description: A music video I made in my bedroom and with the help of some friends, Used adobe premiere and occasionally windows movie maker. It's nothing special, bitrate is a bit blurry.
Description: A music video I made in my bedroom and with the help of some friends, Used adobe premiere and occasionally windows movie maker. It's nothing special, bitrate is a bit blurry.
Title: Lucky Man Emerson Lake and Palmer Cover
Description: LUCKY MAN ELP's biggest hit was almost never recorded. Here's the story behind the hit. It was the summer of 1970 and ELP were recording what was to be their debut album. The band had been booked in a studio and was finishing up the album before starting a series of gigs, including the historical appearance at England's Isle of Wight Festival. The band was brand new, and it had just begun writing and recording material for the first album. One of the executives from the band's record company decided to drop in the studio and see how the LP was wrapping up. It was discovered that the band didn't have enough material for the album. " The story behind 'Lucky Man' is interesting," says Lake. " I actually wrote the song when I was 12 years old! We had just finished recording the first album and we had like, one day left in the studio. And back in those days you needed 21 minutes per side, because we were recording for vinyl records. And we were three minutes short on one side. " And the record company listened to the record and said: 'Hey, you need another three minutes; you'll have to record another song.' But we didn't have any more songs because we were a brand new group. So, we all looked at each other and these vacant stares went around the room. I asked Keith and Carl if they had anything else, and both of them said no. " So I said, 'Hey, I've got this little folk song that I wrote when I was 12 years old.' And so I pulled out my acoustic guitar and I started playing 'Lucky Man'. And, of course, everyone looked back at me as if to say, 'What is the matter with him?' Because, up to this point, ELP hadn't done anything that sounded like this; we were all about this powerful progressive rock music we had been playing. " But, we decided to try it anyway. So, we started out recording the song with just Carl and me on acoustic guitar and drums, and it sounded pretty dreadful. I added the bass guitar, and it sounded a little bit better. Then, we added the vocals and it started to sound OK. " Eventually it was time to put down Emerson's part. " They were playing the song in the studio," says Emerson. " and I started folloing around. I did a run through, a rehearsal of my solo. And I looked up at Greg in the control room, and I said, ' OK, let's take it...' And he looked at me and said, ' Take it? That was great. We've got it!' " I didn't realize it at the time, but Greg had let the tape roll and they recorded my run through. As it turned out, that was the one we kept." " Keith came in and started fooling around with the MOOG," adds Lake. " He came up with that famous MOOG line in the song. And finally, we had the song as you know it. " And, I guess, as time went on, it became pretty popular." From Behind The Scenes This song was recorded on the first take. He had white Horses And ladies by the score All dressed in satin And waiting by the door Ooooh, what a lucky man he was Ooooh, what a lucky man he was White lace and feathers They made up his bed A gold covered mattress On which he was laid Ooooh, what a lucky man he was Ooooh, what a lucky man he was He went to fight wars For his country and his king Of his honor and his glory The people would sing Ooooh, what a lucky man he was Ooooh, what a lucky man he was A bullet had found him His blood ran as he cried No money could save him So he laid down and he died Ooooh, what a lucky man he was Ooooh, what a lucky man he was
Description: LUCKY MAN ELP's biggest hit was almost never recorded. Here's the story behind the hit. It was the summer of 1970 and ELP were recording what was to be their debut album. The band had been booked in a studio and was finishing up the album before starting a series of gigs, including the historical appearance at England's Isle of Wight Festival. The band was brand new, and it had just begun writing and recording material for the first album. One of the executives from the band's record company decided to drop in the studio and see how the LP was wrapping up. It was discovered that the band didn't have enough material for the album. " The story behind 'Lucky Man' is interesting," says Lake. " I actually wrote the song when I was 12 years old! We had just finished recording the first album and we had like, one day left in the studio. And back in those days you needed 21 minutes per side, because we were recording for vinyl records. And we were three minutes short on one side. " And the record company listened to the record and said: 'Hey, you need another three minutes; you'll have to record another song.' But we didn't have any more songs because we were a brand new group. So, we all looked at each other and these vacant stares went around the room. I asked Keith and Carl if they had anything else, and both of them said no. " So I said, 'Hey, I've got this little folk song that I wrote when I was 12 years old.' And so I pulled out my acoustic guitar and I started playing 'Lucky Man'. And, of course, everyone looked back at me as if to say, 'What is the matter with him?' Because, up to this point, ELP hadn't done anything that sounded like this; we were all about this powerful progressive rock music we had been playing. " But, we decided to try it anyway. So, we started out recording the song with just Carl and me on acoustic guitar and drums, and it sounded pretty dreadful. I added the bass guitar, and it sounded a little bit better. Then, we added the vocals and it started to sound OK. " Eventually it was time to put down Emerson's part. " They were playing the song in the studio," says Emerson. " and I started folloing around. I did a run through, a rehearsal of my solo. And I looked up at Greg in the control room, and I said, ' OK, let's take it...' And he looked at me and said, ' Take it? That was great. We've got it!' " I didn't realize it at the time, but Greg had let the tape roll and they recorded my run through. As it turned out, that was the one we kept." " Keith came in and started fooling around with the MOOG," adds Lake. " He came up with that famous MOOG line in the song. And finally, we had the song as you know it. " And, I guess, as time went on, it became pretty popular." From Behind The Scenes This song was recorded on the first take. He had white Horses And ladies by the score All dressed in satin And waiting by the door Ooooh, what a lucky man he was Ooooh, what a lucky man he was White lace and feathers They made up his bed A gold covered mattress On which he was laid Ooooh, what a lucky man he was Ooooh, what a lucky man he was He went to fight wars For his country and his king Of his honor and his glory The people would sing Ooooh, what a lucky man he was Ooooh, what a lucky man he was A bullet had found him His blood ran as he cried No money could save him So he laid down and he died Ooooh, what a lucky man he was Ooooh, what a lucky man he was
Title: bfso3
Description: A Battlefied special forces movie with music by Vacant Stare.
Description: A Battlefied special forces movie with music by Vacant Stare.
Title: Vacant House Gold Part 1 of 14
Description: www.CameronDirect.com A free resource for creative Real Estate Entrepreneurs. Free Real Estate Investment information No money down information and articles Discussion forums moderated by super successful experts and more! Who is Cameron Dunlap? After working in his father's printing business for many years Cam moved on to corporate America where he quickly established himself as one of his company's fastest rising stars in sales. But there was a problem. Because of his entrepreneurial background, Cam was just not satisfied with someone else deciding his fate and shaping his destiny. So it wasn't long before he quit and jumped head first into the exciting and extremely lucrative business of Creative Real Estate Investing. Within his first two years in the business he amassed millions of dollars of residential and apartment complex properties in addition to buying and selling many other properties for quick cash profits. He is known as the "Transaction Technician" because of his skill in utilizing most every creative technique in purchasing and selling Real Estate which has and continues to make him a fortune. It wasn't long before he began sharing his passion with others. He got his start teaching in 1995 and to date has shared his strategies with tens of thousands of good folks like you. Once again, he's established himself as a rising star within his field. He's shared the stage with superstars like Carleton Sheets, Dennis Waitley, Ron LeGrand, Mark Victor Hansen and more. Cam has become well known for his ability to teach the art of real estate investing in terms all that attend his seminars or study his course materials, can understand and begin profiting from immediately. His presentations will rivet you to your seat and leave you armed with the tools to make a fortune in real estate. Today, with the support of his wife and daughter and the help of his staff, Cam continues to invest in Real Estate full time, teach his techniques all over the US, and run several other very successful companies. He defines the entrepreneurial spirit every day and truly enjoys the fruits of his success. When Cam helps you reach toward your dreams, like he has thousands of others, success can't help but rub off on you too! For more information and other videos like this please visit http://www.camerondirect.com. We teach you how to make the fastest, easiest money in REAL ESTATE! (more)
Description: www.CameronDirect.com A free resource for creative Real Estate Entrepreneurs. Free Real Estate Investment information No money down information and articles Discussion forums moderated by super successful experts and more! Who is Cameron Dunlap? After working in his father's printing business for many years Cam moved on to corporate America where he quickly established himself as one of his company's fastest rising stars in sales. But there was a problem. Because of his entrepreneurial background, Cam was just not satisfied with someone else deciding his fate and shaping his destiny. So it wasn't long before he quit and jumped head first into the exciting and extremely lucrative business of Creative Real Estate Investing. Within his first two years in the business he amassed millions of dollars of residential and apartment complex properties in addition to buying and selling many other properties for quick cash profits. He is known as the "Transaction Technician" because of his skill in utilizing most every creative technique in purchasing and selling Real Estate which has and continues to make him a fortune. It wasn't long before he began sharing his passion with others. He got his start teaching in 1995 and to date has shared his strategies with tens of thousands of good folks like you. Once again, he's established himself as a rising star within his field. He's shared the stage with superstars like Carleton Sheets, Dennis Waitley, Ron LeGrand, Mark Victor Hansen and more. Cam has become well known for his ability to teach the art of real estate investing in terms all that attend his seminars or study his course materials, can understand and begin profiting from immediately. His presentations will rivet you to your seat and leave you armed with the tools to make a fortune in real estate. Today, with the support of his wife and daughter and the help of his staff, Cam continues to invest in Real Estate full time, teach his techniques all over the US, and run several other very successful companies. He defines the entrepreneurial spirit every day and truly enjoys the fruits of his success. When Cam helps you reach toward your dreams, like he has thousands of others, success can't help but rub off on you too! For more information and other videos like this please visit http://www.camerondirect.com. We teach you how to make the fastest, easiest money in REAL ESTATE! (more)
Title: Chinese Girl Lineup at a China Disco
Description: Dancing Chinese Girl Lineup at a China Disco. Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
Description: Dancing Chinese Girl Lineup at a China Disco. Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
Title: GH:WT: Sex Pistols: Pretty Vacant
Description: GHWT
Description: GHWT
Title: Over-crowded Chinese Disco
Description: Extremely Overcrowded Chinese Disco Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
Description: Extremely Overcrowded Chinese Disco Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
Title: on top of vacant cod4 w/tut in DESCRIPTION
Description: *READ FIRST* 4 the tut...sorry 4 the shit quality if any of you happen to aussie or kiwi add my psn:GDZLA before u say that u know tis already dont tell me i was posting it 4 the people who dont know u might want to turn ur volume down... ok i didnt no how to edi the vid so i couldnt add music and i didnt want to voice myself on youtube TUTORIAL: 1. jump on the table 2. jump on the fridge 3. next u have to jump on the bar but just after u jump duck or else u will hit the roof and have to star again 4.from here is easy all u hav to do is wall in the middle of th wooden bar as i do in the vid and spint 'n' jump u shold land on top of the roof 5.run down to the 2nd last or last one of the roofs and then u will be able to jump on the roof and roam freely hopefully more videos to come also please comment a new video will come in every 10 subscriptions
Description: *READ FIRST* 4 the tut...sorry 4 the shit quality if any of you happen to aussie or kiwi add my psn:GDZLA before u say that u know tis already dont tell me i was posting it 4 the people who dont know u might want to turn ur volume down... ok i didnt no how to edi the vid so i couldnt add music and i didnt want to voice myself on youtube TUTORIAL: 1. jump on the table 2. jump on the fridge 3. next u have to jump on the bar but just after u jump duck or else u will hit the roof and have to star again 4.from here is easy all u hav to do is wall in the middle of th wooden bar as i do in the vid and spint 'n' jump u shold land on top of the roof 5.run down to the 2nd last or last one of the roofs and then u will be able to jump on the roof and roam freely hopefully more videos to come also please comment a new video will come in every 10 subscriptions
Title: Sexy Chinese Go-Go Dancer
Description: Sexy Chinese Go-Go dancer at a China disco. Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
Description: Sexy Chinese Go-Go dancer at a China disco. Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
Title: Sexy Chinese Pole Dancer
Description: Sexy Chinese pole dancer at a China disco. Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
Description: Sexy Chinese pole dancer at a China disco. Today's Chinese nightclubs (Yezonghui) vary from their western counterparts in that headshaking (an effect of Chinese "Yaotouwan" Ecstasy pills) and a trampoline floor replace actual dancing, while ceaseless DJ call-and-response over really bad Euro-House techno substitutes for music. In addition to the go-go girls in their revealingly short skirts and platform boots, Chinese "Diting" megaclubs usually pay young ladies (wunü) to populate their dance floors in an effort to attract male patrons. However any attempt to approach these girls can be expected to be met with vacant stares and disinterest. Filmed circa 2004 by China photojournalist Tom Carter, author of 'CHINA: Portrait of a People,' a definitive 600-page volume of street photography on today's China, coming winter 2007 from Hong Kong publisher Blacksmith Books. http://www.tomcarter.org http://www.blacksmithbooks.com/China_portrait_Q&A.htm
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