Title: Quincy Jones Feat. Siedah Garrett - The Places You Find Love
Description: Quincy Jones Feat. Siedah Garrett & Chaka Khan - The Places You Find Love From the 1989 album Back On The Block.

Title: Quincy Jones - Velas
Description: This is a great song, original of the master Ivan Lins. This version is with the greats Quincy Jones and Toots Thielemans. Enjoy it with this pics. Juan Carlos

Title: QUINCY JONES - STOMP
Description: QUINCY JONES - STOMP

Title: Razzmatazz - Quincy Jones and Patti Austin
Description: A&M Records - 1981 www.myspace.com/sandrothompson

Title: NAACP Vintage Film Part I: Brown vs. Board of Education
Description: This is Charles Hamilton Houston's vintage film. It was it was one of the exhibits Thurgood Marshall and the NAACP used to help win the Brown VS Board of education decision. Another prominent figure in the history of Historical Black schools is, Julius Rosenwald, a Jewish philanthropist. Mr. Rosenwald is known for his support of Booker T. Washignton, he helped rural African American communities build over 5000 schools. Today these schools are known as the Rosenwald schools and there is a growing interest in preserving and restoring them. The film features rural schools in South Carolina's corridor of shame. It's an excellent example of how "People of faith", from various religions worked together to overcome the backward racist principalities that restricted all mankind. This friendship helped the men of faith win the Civil War. The resiliency they demonstrated, from the consequences of the War and it's hateful aftermath, is shown in the establishment of these institutions as well as in their ability to form interracial kinships. Considering these feats were accomplished by ex-slaves in an extraordinarily short time, only a few decades after they gained their freedom. The time is long overdue for these co-racial American institutions which are directly connected to faith and major historical events, like the divine Underground Railroad and Lincoln's two Proclamations, (Thanksgiving and Emancipation) be given their recognition. They were truly the birth of the nation. This documentary is a landmark American masterpiece film. A Hollywood classic! Learn more about great multi-racial collaborations at www.gistoffreedom.com. Rosenwald was born on August 12, 1862, in Springfield, Illinois. Throughout his adult life he served Sears, Roebuck successively as vice president (1895-1910), president (1910-1925), and chairman of the board (1925-1932). Under his leadership, Sears developed its lucrative nationwide mail-order business. Rosenwald summarized his philosophy of philanthropy quite simply: "What I want to do is try and cure the things that seem wrong." To learn more about the Rosenwald Schools, please use the search feature. Enter the key word "Rosenwald" . Musical selection: Everything Must Change, Quincy Jones. Harlem book Fair 2008

Title: Quincy Jones - Setembro
Description: Setembro (Brazilian Wedding Song)

Title: Quincy Jones - Moody's Mood For Love 1995
Description: From Quincy Jones 1995 Q's Jook Joint Featuring James Moody Take6 Brian McKnight & Rachelle Ferrel

Title: Homestead Jazz Ensemble - Quintessence
Description: Quintessence - Quincy Jones Featuring Dayv Doberne

Title: 'Poppy Girls' by Quincy Jones
Description: From the 1978 original motion picture soundtrack titled 'The Wiz',...here his the GREAT Quincy Jones with 'Poppy Girls'. The guitar riffs in the beginning reminds me just a little of The O'Jays 'For The Love Of Money'.

Title: Patti Austin Quincy Jones "Betcha' Wouldn't Hurt Me"
Description: This is a 1980 hit from "The Dude" written by Stevie Wonder sung my Grammy Winner of 2008 Best Jazz Vocal Patti Austin. She is doing all the background vocals on her four tracks from The Dude which are Betcha' Wouldn't Hurt Me, Somethin' Special, Razzamatazz and Turn On The Action. She didn't sing an actual duet with James Ingram who was heavily featured and won a Grammy for The Dude until her Every Home Should Have One album released February of 1981 It was "Baby, Come To Me". Patti also did a duet with Luther Vandross on the album that Quincy released before "The Dude" "Sounds... And Stuff Like That!!" and that song was "I'm Gonna Miss You In The Morning." Can you tell I'm a fan? Patti Austin group: http://launch.groups.yahoo.com/group/PattiAustin/?v=1&t=search&ch=web&pub=groups&sec=group&slk=1

Title: SUMMER IN THE CITY / Quincy Jones (Music Only)
Description: アルバム「Bad Girl」より Witten By John Sebastian-Steve Boone-Mark Sebastian Valerie Simpson -Vocal Eddie Louis -Organ Dave Grusin -Electric Piano 1973年作品

Title: Quincy Jones Wee B.DoinIt 1989
Description: AlbumReview by Richard S. Ginell Source allmusicguide Having let eight years pass since his last A&M album, Quincy Jones made his debut on his own label with his most extravagant, most star-studded, most brilliantly sequenced pop album to date -- which could have only been assembled by the man who put together "We Are the World." Jones was one of the first establishment musicians to embrace rap, and one of the first to link rap with his jazz heritage; it's hard not to be moved by the likes of Miles Davis, Dizzy Gillespie, James Moody, Ella Fitzgerald, Joe Zawinul, Sarah Vaughan, and George Benson electronically appearing on "Birdland" and trading brief licks with the likes of Kool Moe Dee and Big Daddy Kane on "Jazz Corner of the World." Later, jazz buffs would vilify Jones for not taking fuller advantage of this one-time constellation of jazz stars, but at the time, it seemed like a marvelous dialogue between the old and the new. Of course, as he well knew, celebrating jazz history is not the surest route to a blockbuster hit record, so there are plenty of radio-friendly urban pop productions here, with Herbie Hancock and George Duke on keyboards, and Siedah Garrett and 12-year-old Tevin Campbell on vocals. Despite the presence of an enthused Ray Charles, Chaka Khan, and the Brothers Johnson, the overly busy techno remake of "I'll Be Good to You" doesn't cut the Johnsons' original -- nor does "Tomorrow." Ultimately the most popular track would be the most tedious for the jazz listener, "The Secret Garden," with a parade of smooth soul balladeers producing make-out music at length. Yet Back on the Block remains a strikingly durable piece of entertainment, and in hindsight, a poignant signpost of the changing of the guard.

Title: Quincy Jones - Rack 'Em Up
Description: Quincy Jones - Rack 'Em Up

Title: Ivan Lins - Setembro (Brazilian Wedding Song) (1980)
Description: from the album "Novo Tempo" this beautiful song was covered by Quincy Jones (vocals by Sarah Vaughan and Take 6) for his album "Back on the Block" in 1989. (Quincy's version is absolutely amazing, so check it out if you haven't.)

Title: The Dude - Quincy Jones
Description: The Dude - Quincy Jones (album : The Dude)