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Spanish Romance 2 High tuned guitar Kertsopoulos
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Title: Spanish Romance 2 High tuned guitar Kertsopoulos
Description: Spanish romance transcribed and played by Yorgos Kertsopoulos on high tuned guitar. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Spanish romance transcribed and played by Yorgos Kertsopoulos on high tuned guitar. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 1 Kertsopoulos
Description: Part 1 of 8 (Baroca) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by pianist Maria Stavridou and guitarist Irene Kapetanaki. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 1 of 8 (Baroca) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by pianist Maria Stavridou and guitarist Irene Kapetanaki. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: Spanish Romance 3 Double course guitar Kertsopoulos
Description: Spanish romance transcribed and played by Y.Kertsopoulos on a double course guitar tuned in octaves. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Spanish romance transcribed and played by Y.Kertsopoulos on a double course guitar tuned in octaves. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 2 Kertsopoulos
Description: Part 2 of 8 (Genesis) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 2 of 8 (Genesis) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 3 Kertsopoulos
Description: Part 3 of 8 (Hasapiko-guitar cadence) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 3 of 8 (Hasapiko-guitar cadence) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: Fiesta flamenca 1 flamenco Kertsopoulos guitar
Description: Fiesta flamenca1 composed and played by Y.Kertsopoulos in concert in Athens on 14 April 1989. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Fiesta flamenca1 composed and played by Y.Kertsopoulos in concert in Athens on 14 April 1989. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: Fiesta Flamenca 2 High tuned guitar Kertsopoulos
Description: Fiesta Flamenca2 by Yorgos Kertsopoulos is performed by him on a high tuned guitar. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Fiesta Flamenca2 by Yorgos Kertsopoulos is performed by him on a high tuned guitar. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 4 Kertsopoulos
Description: Part 4 of 8 (Anelixi) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by pianist Maria Stavridou and guitarist Irene Kapetanaki. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 4 of 8 (Anelixi) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by pianist Maria Stavridou and guitarist Irene Kapetanaki. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: Se io m' accorgo Double course guitar Kertsopoulos
Description: Se io m' accorgo Anonymous,played in concert by Y.Kertsopoulos on a triple course guitarra battente in Athens, Jan. 17, 2004. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Se io m' accorgo Anonymous,played in concert by Y.Kertsopoulos on a triple course guitarra battente in Athens, Jan. 17, 2004. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 5 Kertsopoulos
Description: Part 5 of 8 (Sonatina) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 5 of 8 (Sonatina) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 6 Kertsopoulos
Description: Part 6 of 8 (romantico-the sea) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 6 of 8 (romantico-the sea) of the European concerto for guitar and orchestra by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 7 Kertsopoulos
Description: Part 7 of 8, Rondo (the plain)of the European guitar concerto by Y.Kertsopoulos performed in concert by pianist Maria Stavridou and guitarist Irene Kapetanaki in Athens - 22 June 2007. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 7 of 8, Rondo (the plain)of the European guitar concerto by Y.Kertsopoulos performed in concert by pianist Maria Stavridou and guitarist Irene Kapetanaki in Athens - 22 June 2007. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: European guitar concerto part 8 Kertsopoulos
Description: Part 8 of 8, "Bullfight" of the European guitar concerto by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou, Athns 22 June 2007. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: Part 8 of 8, "Bullfight" of the European guitar concerto by Y.Kertsopoulos performed in concert by guitarist Irene Kapetanaki and pianist Maria Stavridou, Athns 22 June 2007. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Title: LUTE SUITE BWV995(3)-BACH-GREGORIADOU-GUITAR
Description: J.S.BACH, GAVOTTES I,II,I-GIGUE FROM LUTE SUITE BWV995:Originally for lute & cello, suite BWV995 by J.S. Bach is transcribed and interpreted by Smaro Gregoriadou on a triple-double-single stringed guitar in re-entrant tuning (WORLD PREMIERE), representing Kertsopoulos Aesthetics*. Live in Athens, Attiko Odeio Concert Hall, 1/3/08. REINVENTING GUITAR! *KERTSOPOULOS AESTHETICS: Guitars, strings, acoustic applications of evolved specifications, a 30-year research on history and æsthetics of guitar, accomplished by Greek guitarist-maker Yorgos Kertsopoulos and involving numerous suggestions on interpretation of old and new guitar repertoire, as well as transcriptions from other instruments to guitar. Since Æsthetics' first presentation in Athens, 1994, by their inventor, numerous astonishing innovations have enriched inventive guitarist's sound, recreating 500-years of beautiful guitar tradition: high-pitched, transitive and re-entrant tunings up an octave higher than the ordinary, double and triple-course stringing, tone-colour's diversity, access to unexplored tonalities, pedal mechanisms! HISTORIC EVIDENCE: In 1948 Andres Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and guitarists of such a worldwide prestige such as Julian Bream, John Williams, Alirio Diaz, Abel Carlevaro, Dimitri Fampas, Gerasimos Miliaresis, the Romero family, C.Parkening, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, C.Kotsiolis, Roberto Aussel, R.Dyens, Paul Galbraith, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito (just to mention a few of these astonishing performers), play with great success the Segovia-Augustine aesthetic which has total acceptance today. Now, A.Barrios and H.Villa-Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many aspects of guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics today, Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation, being the official artistic representative of Kertsopoulos Aesthetics worldwide.
Description: J.S.BACH, GAVOTTES I,II,I-GIGUE FROM LUTE SUITE BWV995:Originally for lute & cello, suite BWV995 by J.S. Bach is transcribed and interpreted by Smaro Gregoriadou on a triple-double-single stringed guitar in re-entrant tuning (WORLD PREMIERE), representing Kertsopoulos Aesthetics*. Live in Athens, Attiko Odeio Concert Hall, 1/3/08. REINVENTING GUITAR! *KERTSOPOULOS AESTHETICS: Guitars, strings, acoustic applications of evolved specifications, a 30-year research on history and æsthetics of guitar, accomplished by Greek guitarist-maker Yorgos Kertsopoulos and involving numerous suggestions on interpretation of old and new guitar repertoire, as well as transcriptions from other instruments to guitar. Since Æsthetics' first presentation in Athens, 1994, by their inventor, numerous astonishing innovations have enriched inventive guitarist's sound, recreating 500-years of beautiful guitar tradition: high-pitched, transitive and re-entrant tunings up an octave higher than the ordinary, double and triple-course stringing, tone-colour's diversity, access to unexplored tonalities, pedal mechanisms! HISTORIC EVIDENCE: In 1948 Andres Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and guitarists of such a worldwide prestige such as Julian Bream, John Williams, Alirio Diaz, Abel Carlevaro, Dimitri Fampas, Gerasimos Miliaresis, the Romero family, C.Parkening, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, C.Kotsiolis, Roberto Aussel, R.Dyens, Paul Galbraith, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito (just to mention a few of these astonishing performers), play with great success the Segovia-Augustine aesthetic which has total acceptance today. Now, A.Barrios and H.Villa-Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many aspects of guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics today, Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation, being the official artistic representative of Kertsopoulos Aesthetics worldwide.
Title: adagio Albinoni Kertsopoulos 3-2-1 course guitar
Description: The Albinoni adagio played live in concert by Y.kertsopoulos on a triple-double-single course guitar possessing double and single octaves. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
Description: The Albinoni adagio played live in concert by Y.kertsopoulos on a triple-double-single course guitar possessing double and single octaves. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.
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