Bookmark/Share this page:
Discography
-
Rambler (2002)
Tracks: 6
Download Rambler mp3
Price: $ 0.59 -
The Sorcerer (1997)
Tracks: 11
Download The Sorcerer mp3
Price: $ 1.03 -
Mizarb (Promo) (1974)
Tracks: 5
Download Mizarb (Promo) mp3
Price: $ 0.51
Most popular «Gabor Szabo»'s youtube video clips:
GABOR SZABO - HIGH CONTRAST - BREEZIN
Insert this video to your blog/website (HTML code):
Link to this video (Email & IM):
Link to this video (Websites & Blogs):
Click thumbnail to play video
Title: GABOR SZABO - HIGH CONTRAST - BREEZIN
Description: One of the most beautiful album!!! Just enjoy!
Description: One of the most beautiful album!!! Just enjoy!
Title: Gábor Szabó - Winds and waves
Description: a meditative piece
Description: a meditative piece
Title: Willie Nelson with Carlos Santana ~ Gone to Mexico ~ vIDeo and music
Description: Lyrics: "Where's my pal where's my friend all good things must have an end Sad things and nothing's on and on they go I guess he went to Mexico They all went to Mexico buenas dias got to go Tengo que obedecer mi corazon they all went to Mexico [ guitar ] Where's my mule and where's my dray straw hat's packed up and gone away The mule don't go north and dray go slow they both went to Mexico Where's my sweetie where's the face that lit dark corners every place She put up with me long time you know and then she had to go to Mexico They all went to Mexico... [ accordion ] Where's my brown dog where's my hound he liked my truck he hung around But he's a canine Romeo and I guess he went to Mexico Where's that woman so sweet so mean her heart was cautious her mind was keen She was always looking for the peccadillo I hope she went to Mexico They all went to Mexico... [ guitar ] Where's December's happy crew with German bikes and sidecars too They take the truck south to St Louis MO motorcycle all the way to Mexico Where's my luck and where's my grace has it all been just a foolish chase Every time I hear that rainy chill wind blow I think it might be time to head to Mexico They all went to Mexico... They all went to Mexico... [ guitar ] Early life and career Carlos Santana was born in Autlán de Navarro, Jalisco, Mexico, with two brothers and four sisters and a father who was a mariachi violinist. Carlos began playing the violin at five years of age, occasionally performing with his father's mariachi orchestra. When his family moved to Tijuana when he was nine, he became interested in the guitar, rhythm and blues, rock and roll, and blues music and soon was performing in bands in the Tijuana area. When his family emigrated to San Francisco, California, thirteen year old Carlos refused to leave, preferring his independence as a working musician. After being convinced to stay in San Francisco with his family, he graduated from Mission High School in 1965.[2] Santana helped the family out by working as a dishwasher and grew to enjoy the San Francisco music scene, often sneaking into music promoter Bill Graham's Fillmore Auditorium to listen to his favorite musical artists, including Muddy Waters, and The Grateful Dead. At the end of 1966, guitarist Tom Frazier wanted to form his new rock band. Frazier joined Santana (on guitar/vocals), Mike Carabello (on percussion), Rod Harper (on drums), Gus Rodriguez (on bass guitar), and Seattle native Gregg Rolie (on organ/vocals), to form the Santana Blues Band. Santana has maintained that it was he and Rolie who were the most serious about music and pursuing it further, while the others were only interested in hanging out and being part of the scene. Santana himself was not viewed by the group as the actual leader of the band that had his name. The group operated as a collective, as it would through the early 1970s. The name of the band was agreed upon due to a local musicians union requirement that there be a designated leader and a name. He met Stan 'Moon' Marcum who acted as the group's manager. After a while the group came to be known simply as 'Blues Band'. At this time it comprised Carlos Santana, Rolie, David Brown on bass guitar, Bob 'Doc' Livingston on drums, and Marcus Malone on percussion.[2] Santana's recording debut occurred as a guest on The Live Adventures of Mike Bloomfield and Al Kooper. There has always been speculation about how the band picked up its Latin influence, since ironically neither Santana nor Gregg Rolie had any affinity for the style in the first place. It is known they hung out often at San Francisco's Aquatic Park where conga players would get together and jam. Also, around this time Santana was exposed to other types of music for the first time in this creative, musically fertile city. Bay Area jazz guitarist Gabor Szabo became a favorite of Santana and featured congas on his 1966 album, Spellbinder...
Description: Lyrics: "Where's my pal where's my friend all good things must have an end Sad things and nothing's on and on they go I guess he went to Mexico They all went to Mexico buenas dias got to go Tengo que obedecer mi corazon they all went to Mexico [ guitar ] Where's my mule and where's my dray straw hat's packed up and gone away The mule don't go north and dray go slow they both went to Mexico Where's my sweetie where's the face that lit dark corners every place She put up with me long time you know and then she had to go to Mexico They all went to Mexico... [ accordion ] Where's my brown dog where's my hound he liked my truck he hung around But he's a canine Romeo and I guess he went to Mexico Where's that woman so sweet so mean her heart was cautious her mind was keen She was always looking for the peccadillo I hope she went to Mexico They all went to Mexico... [ guitar ] Where's December's happy crew with German bikes and sidecars too They take the truck south to St Louis MO motorcycle all the way to Mexico Where's my luck and where's my grace has it all been just a foolish chase Every time I hear that rainy chill wind blow I think it might be time to head to Mexico They all went to Mexico... They all went to Mexico... [ guitar ] Early life and career Carlos Santana was born in Autlán de Navarro, Jalisco, Mexico, with two brothers and four sisters and a father who was a mariachi violinist. Carlos began playing the violin at five years of age, occasionally performing with his father's mariachi orchestra. When his family moved to Tijuana when he was nine, he became interested in the guitar, rhythm and blues, rock and roll, and blues music and soon was performing in bands in the Tijuana area. When his family emigrated to San Francisco, California, thirteen year old Carlos refused to leave, preferring his independence as a working musician. After being convinced to stay in San Francisco with his family, he graduated from Mission High School in 1965.[2] Santana helped the family out by working as a dishwasher and grew to enjoy the San Francisco music scene, often sneaking into music promoter Bill Graham's Fillmore Auditorium to listen to his favorite musical artists, including Muddy Waters, and The Grateful Dead. At the end of 1966, guitarist Tom Frazier wanted to form his new rock band. Frazier joined Santana (on guitar/vocals), Mike Carabello (on percussion), Rod Harper (on drums), Gus Rodriguez (on bass guitar), and Seattle native Gregg Rolie (on organ/vocals), to form the Santana Blues Band. Santana has maintained that it was he and Rolie who were the most serious about music and pursuing it further, while the others were only interested in hanging out and being part of the scene. Santana himself was not viewed by the group as the actual leader of the band that had his name. The group operated as a collective, as it would through the early 1970s. The name of the band was agreed upon due to a local musicians union requirement that there be a designated leader and a name. He met Stan 'Moon' Marcum who acted as the group's manager. After a while the group came to be known simply as 'Blues Band'. At this time it comprised Carlos Santana, Rolie, David Brown on bass guitar, Bob 'Doc' Livingston on drums, and Marcus Malone on percussion.[2] Santana's recording debut occurred as a guest on The Live Adventures of Mike Bloomfield and Al Kooper. There has always been speculation about how the band picked up its Latin influence, since ironically neither Santana nor Gregg Rolie had any affinity for the style in the first place. It is known they hung out often at San Francisco's Aquatic Park where conga players would get together and jam. Also, around this time Santana was exposed to other types of music for the first time in this creative, musically fertile city. Bay Area jazz guitarist Gabor Szabo became a favorite of Santana and featured congas on his 1966 album, Spellbinder...
Title: Szabó Gábor a világhírű Kovács Tivadar unokája
Description: igazi Méhkeréki zene ahogyan a nagyapám játszotta!
Description: igazi Méhkeréki zene ahogyan a nagyapám játszotta!
Title: Szabo Gabor - A babam...
Description: Szabo Gabor - A babam...
Description: Szabo Gabor - A babam...
Title: Breezin' - Sammy Gordon & The Hiphuggers
Description: No matter what other songs I may have posted previously, or any other songs that are yet to come, it is doubtful whether there is another recording in my collection that means as much to me as this 1972 cover of the Bobby Womack composition, "Breezin'. I remember being in 7th grade attending I.S. 88 back in New York City and listening to this song on WWRL in April or May 1972. I didn't just LOVE this song, I was "IN LOVE" with the song. I remember running to the record store one afternoon over on Broadway @ 107th Street in the pouring rain to buy this 45 RPM and bringing it back home and watching it play on what must have been a Lloyd's manufactured record player. Then, for years I listened to this song and wondered how Bobby Womack came to write it and why he never recorded it as a solo artist -- (although he did play rhythm guitar on the earlier Gabor Szabo version from late 1970). Fast forward four years to 1976 and all hell broke loose when George Benson recorded "Breezin'" and nothing has ever been the same since. And while I really (really) like George Benson's version, there's a rawness, a head-bopping finger snapping funk to Sammy Gordon's version that I've never heard in other covers of this same song. Maybe its that funky bass guitar line or that soulful Hammond organ that does it for me. Anyway, I don't usually give out too much personal info about myself or my connection to the music I post, but it should go on record (no pun intended) that the only other recordings that I ever felt this strongly about prior to 1972 were Barbara Mason's "Yes, I'm Ready" and The Emotions' "So I Can Love You;" both songs that when played, just made me stop in my tracks and give them 100% of my attention -- and then afterwards, I played them again. And, again.
Description: No matter what other songs I may have posted previously, or any other songs that are yet to come, it is doubtful whether there is another recording in my collection that means as much to me as this 1972 cover of the Bobby Womack composition, "Breezin'. I remember being in 7th grade attending I.S. 88 back in New York City and listening to this song on WWRL in April or May 1972. I didn't just LOVE this song, I was "IN LOVE" with the song. I remember running to the record store one afternoon over on Broadway @ 107th Street in the pouring rain to buy this 45 RPM and bringing it back home and watching it play on what must have been a Lloyd's manufactured record player. Then, for years I listened to this song and wondered how Bobby Womack came to write it and why he never recorded it as a solo artist -- (although he did play rhythm guitar on the earlier Gabor Szabo version from late 1970). Fast forward four years to 1976 and all hell broke loose when George Benson recorded "Breezin'" and nothing has ever been the same since. And while I really (really) like George Benson's version, there's a rawness, a head-bopping finger snapping funk to Sammy Gordon's version that I've never heard in other covers of this same song. Maybe its that funky bass guitar line or that soulful Hammond organ that does it for me. Anyway, I don't usually give out too much personal info about myself or my connection to the music I post, but it should go on record (no pun intended) that the only other recordings that I ever felt this strongly about prior to 1972 were Barbara Mason's "Yes, I'm Ready" and The Emotions' "So I Can Love You;" both songs that when played, just made me stop in my tracks and give them 100% of my attention -- and then afterwards, I played them again. And, again.
Title: Gretchen Constructs a Spider Web
Description: Gretchen begins the construction of her spider web , assisted by Wishnik . Music by guitarist Gabor Szabo .
Description: Gretchen begins the construction of her spider web , assisted by Wishnik . Music by guitarist Gabor Szabo .
Title: Gabor GADO Quartet@ Duc des Lombards 13.03.08
Description: Après Daniel Szabo la semaine dernière, c'est un autre hongrois qui vient habiter notre club. Habitué du Duc des Lombards depuis quelques années, c'est toujours avec plaisir que nous retrouvons ce guitariste singulier et magnifique de profondeur et d'émotion. Le Hongrois partage sa vie entre Budapest et le reste de l'Europe. Sans doute est-il comparable par certains côtés à John Scoffield. L'ancien compagnon de route de Miles Davis fréquente volontiers les chemins détournés de la Country et du Blues, le guitariste hongrois s'appuie quant à lui sur la musique traditionnel de son pays qu'il malaxe avec talent et respect tout en l'électrifiant et en l'électrisant.
Description: Après Daniel Szabo la semaine dernière, c'est un autre hongrois qui vient habiter notre club. Habitué du Duc des Lombards depuis quelques années, c'est toujours avec plaisir que nous retrouvons ce guitariste singulier et magnifique de profondeur et d'émotion. Le Hongrois partage sa vie entre Budapest et le reste de l'Europe. Sans doute est-il comparable par certains côtés à John Scoffield. L'ancien compagnon de route de Miles Davis fréquente volontiers les chemins détournés de la Country et du Blues, le guitariste hongrois s'appuie quant à lui sur la musique traditionnel de son pays qu'il malaxe avec talent et respect tout en l'électrifiant et en l'électrisant.
Title: másfilm - másfél short video
Description: (1998, a film by: Juli Szabó, Gábor Semsey, Tamás Lehoczky) our very first short video is about Másfél (a hungarian instrumental band) recording one of their album in the studio. the video was made for universitas, a cultural tv program on mtv (hungarian state owned cultural television)
Description: (1998, a film by: Juli Szabó, Gábor Semsey, Tamás Lehoczky) our very first short video is about Másfél (a hungarian instrumental band) recording one of their album in the studio. the video was made for universitas, a cultural tv program on mtv (hungarian state owned cultural television)
Title: BLUES/VERS 2008 - Húsvét - Házasságig szűz lesz Irén
Description: www.KissBarna.hu/bpv - BLUES/VERS HÚSVÉT 2008 Koncert Budapesten a KUPLUNG-ban 2008. március 21-én éjszaka. Elhangzanak Weöres Sándor pajzán versei. Kiss Barna - gitár, Kisfalusi Lehel - próza, Bubnó Márk - dob, Gulyás Szabó Gábor - basszusgitár, Temesvári Bence - hegedű Vers: Weöres Sándor, zene: Kiss Barna Weboldalunk: www.KissBarna.hu/bpv/start.html
Description: www.KissBarna.hu/bpv - BLUES/VERS HÚSVÉT 2008 Koncert Budapesten a KUPLUNG-ban 2008. március 21-én éjszaka. Elhangzanak Weöres Sándor pajzán versei. Kiss Barna - gitár, Kisfalusi Lehel - próza, Bubnó Márk - dob, Gulyás Szabó Gábor - basszusgitár, Temesvári Bence - hegedű Vers: Weöres Sándor, zene: Kiss Barna Weboldalunk: www.KissBarna.hu/bpv/start.html
Title: BLUES/VERS 2008 - Húsvéti Koncert - Mythykus (Zsuku-Zsuku)
Description: www.KissBarna.hu/bpv - BLUES/VERS HÚSVÉT 2008 Koncert Budapesten a KUPLUNG-ban 2008. március 21-én éjszaka. Elhangzanak Weöres Sándor pajzán versei. Kiss Barna - gitár, Kisfalusi Lehel - próza, Bubnó Márk - dob, Gulyás Szabó Gábor - basszusgitár, Temesvári Bence - hegedű Vers: Weöres Sándor, zene: Kiss Barna Weboldalunk: www.KissBarna.hu/bpv/start.html
Description: www.KissBarna.hu/bpv - BLUES/VERS HÚSVÉT 2008 Koncert Budapesten a KUPLUNG-ban 2008. március 21-én éjszaka. Elhangzanak Weöres Sándor pajzán versei. Kiss Barna - gitár, Kisfalusi Lehel - próza, Bubnó Márk - dob, Gulyás Szabó Gábor - basszusgitár, Temesvári Bence - hegedű Vers: Weöres Sándor, zene: Kiss Barna Weboldalunk: www.KissBarna.hu/bpv/start.html
Title: Song of Gáborpapó
Description: Csongrádon függőágyas kollektív hogykilevés. Barátoknak.
Description: Csongrádon függőágyas kollektív hogykilevés. Barátoknak.
Title: Adiemus
Description: Kodály szaki 2. évfolyam performed by Lakner Flóra Elza and Csőke Ágnes (solo), Kapus Leona (alto recorder), Péter Bence (piano), Mike Ádám (syntetizator), Dinnyés Ádám (bongos), Tóth Tamás (gongs, cymbal), Szabó Dávid (bass drum), Gyugos Tamás (triangle), Pongrácz Gábor (shaker), Choir: Pótfi Melinda, Budai Bernadett, Nagy Mónika, Bán Erika, Kerekes Eliza, Gulyás Dóra, Zsom Melinda, Székely Zsuzsanna, Fedinec Miroszlava, Kecskeméti Alexandra, Tóth Kinga, Bartók Sára, Gellért Zsuzsanna, Miklós Dóra composed by Karl Jenkins arranged and scored by Péter Bence Special thanks to Vassné Katona Adrienne - 2008-01-25 - Kodály Zoltán Zeneművészeti Szakközépiskola és Kollégium, Debrecen
Description: Kodály szaki 2. évfolyam performed by Lakner Flóra Elza and Csőke Ágnes (solo), Kapus Leona (alto recorder), Péter Bence (piano), Mike Ádám (syntetizator), Dinnyés Ádám (bongos), Tóth Tamás (gongs, cymbal), Szabó Dávid (bass drum), Gyugos Tamás (triangle), Pongrácz Gábor (shaker), Choir: Pótfi Melinda, Budai Bernadett, Nagy Mónika, Bán Erika, Kerekes Eliza, Gulyás Dóra, Zsom Melinda, Székely Zsuzsanna, Fedinec Miroszlava, Kecskeméti Alexandra, Tóth Kinga, Bartók Sára, Gellért Zsuzsanna, Miklós Dóra composed by Karl Jenkins arranged and scored by Péter Bence Special thanks to Vassné Katona Adrienne - 2008-01-25 - Kodály Zoltán Zeneművészeti Szakközépiskola és Kollégium, Debrecen
Title: Adiemus - Kodály Zoltán Zeneműv. Szakk. évfolyamkoncert II.
Description: performed by Lakner Flóra Elza and Csőke Ágnes (solo), Kapus Leona (alto recorder), Péter Bence (piano), Mike Ádám (syntetizator), Dinnyés Ádám (bongos), Tóth Tamás (gongs, cymbal), Szabó Dávid (bass drum), Gyugos Tamás (triangle), Pongrácz Gábor (shaker), Choir: Pótfi Melinda, Budai Bernadett, Nagy Mónika, Bán Erika, Kerekes Eliza, Gulyás Dóra, Zsom Melinda, Székely Zsuzsanna, Fedinec Miroszlava, Kecskeméti Alexandra, Tóth Kinga, Bartók Sára, Gellért Zsuzsanna, Miklós Dóra composed by Karl Jenkins arranged and scored by Péter Bence Special thanks to Vassné Katona Adrienne - 2008-01-25 - Kodály Zoltán Zeneművészeti Szakközépiskola és Kollégium, Debrecen
Description: performed by Lakner Flóra Elza and Csőke Ágnes (solo), Kapus Leona (alto recorder), Péter Bence (piano), Mike Ádám (syntetizator), Dinnyés Ádám (bongos), Tóth Tamás (gongs, cymbal), Szabó Dávid (bass drum), Gyugos Tamás (triangle), Pongrácz Gábor (shaker), Choir: Pótfi Melinda, Budai Bernadett, Nagy Mónika, Bán Erika, Kerekes Eliza, Gulyás Dóra, Zsom Melinda, Székely Zsuzsanna, Fedinec Miroszlava, Kecskeméti Alexandra, Tóth Kinga, Bartók Sára, Gellért Zsuzsanna, Miklós Dóra composed by Karl Jenkins arranged and scored by Péter Bence Special thanks to Vassné Katona Adrienne - 2008-01-25 - Kodály Zoltán Zeneművészeti Szakközépiskola és Kollégium, Debrecen
Title: Lords of the Tricks
Description: Produced by: David Mezei and Laszlo Domoszlai Music by: Glen Miller Bud Shank Riders: Benjamin Horváth Gergely Dézsi Peter Miklósi Attila Fehér David Mezei Gabor Nagy Zoltan Tóth Attila Takács Adam Gelencsér Balint Csernák Peter Katona Andras Domány Matthias Dandois (Fr) Balazs Kollár Bence Szabó Locations: Kaposvár, Siófok, Ajka, Mohács
Description: Produced by: David Mezei and Laszlo Domoszlai Music by: Glen Miller Bud Shank Riders: Benjamin Horváth Gergely Dézsi Peter Miklósi Attila Fehér David Mezei Gabor Nagy Zoltan Tóth Attila Takács Adam Gelencsér Balint Csernák Peter Katona Andras Domány Matthias Dandois (Fr) Balazs Kollár Bence Szabó Locations: Kaposvár, Siófok, Ajka, Mohács
Comment it
Copied to
clipboard
clipboard
