Title: Poncho Sanchez- Fundimentals of Latin Music- Conga
Description: Conga Lesson

Title: LATIN MUSIC AY EL AMOR COSA TAN RARA
Description: Enjoy it

Title: Poncho Sanchez- Fundimentals of Latin Music- Mambo
Description: Lesson for Rhythm Section

Title: Respondele a Obama
Description: Free download of the song: http://www.myspace.com/olafresca Latin music video to get out the vote for Obama. Music written and performed by Jose Conde. Video by Nicole Betancourt.

Title: Juan Luis Guerra - Las Avispas(vivo)Billboard Latin Music A
Description: Juan Luis guerra en los Billboard Latin Music Awards 2006 cantando las avispas y hablando sobre lo que significa cantar para Dios. Luego de eso da su testimonio y explica por que ya no usa las pastillas para dormir, nos cuenta como abrio su corazon al Señor.

Title: Chelo - Cha Cha
Description: Chelo Cha Cha (C) 2006 SONY BMG MUSIC ENTERTAINMENT (US Latin) LLC

Title: Hot Salsa Music Video - Orquesta D'Soul from San Francisco
Description: Orquesta D'Soul Music Video http://www.odslive.com

Title: Laura Pausini - Como Si No Nos Humbieramos Amado LMA
Description: Video of Laura Pausini at the Latin Music Awards 2006. Dont know the name of the song, but i love it.

Title: LA SAGA MUSIC IN THE PARK / LONDON LATIN CARNIVAL / CARNAVAL
Description: LA SAGA MUSIC has been producing the "Best in Latin Urban Music" from Latin \ Reggaeton \ Hip Hop , and other hispanic styles in London. 2 Mixtapes 2 Albums including a Greatest Hits Double CD. 2 Brothers we are Michael aka Mikeey'B & me self Kevin Bustillos Big'K both from Ecuadorian Parents and pruodly reppin Latin Music in The UK!!! Also performed in ( Carnaval del Pueblo ) ( Latin Carnival )For all UK Latinos based London City. So stay tune more to come as we say: "LA SAGA CONTINUES"!!!!

Title: 100 years of Latin music: merengue.m4v
Description: Our acclaimed production of 100 years of Latin music in New York featured this merengue that was done by Cortijo in the 50s. Choreography by Gilda Rivera Pantoja. This is an Alfie Alvarado documentary.

Title: Cypress Hill - Latin Lingo
Description: Cypress Hill Latin Lingo from the album Latin Lingo (C) 1992 SONY BMG MUSIC ENTERTAINMENT

Title: Amazing Dancing Kid - Colombia - Salsa - Mambo - Son Montuno
Description: THE FIRST TUNE IS: "Cogele el Golpe" (Grab the Beat) by Israel 'Cachao' Lopez... THE SECOND TUNE IS: 'Vitamina' by Noro Morales... THE THIRD TUNE IS: 'Mambo N úmero 8' by Damaso Perez Prado... Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. Boogaloo originated in New York City among teenage Cubans and Puerto Ricans. The style was a fusion of popular African American R&B, rock and roll and soul with mambo and son montuno. Boogaloo entered the mainstream through the American Bandstand television program. The boogaloo dance was loose and interpretive in style. Early Boogaloo used a twelve-step sequence that was later sped up into a thirty-step sequence. The most common musical feature was a mid-tempo, looping melody that doubled as the anchoring rhythm, often played on piano or by the horn section. The presence of vocals, especially a catchy, anthematic chorus, was another distinguishing feature, especially in comparison to more instrumental dances like the mambo, guajira and guaracha. Nowadays, the footwork is similar to Pachanga, but tends to be fast and bouncy like jive and also usually counted over an eight beat pattern. In the 1950s and 60s, African Americans in the United States listened to a number of styles of music, including jump blues, R&B and doo wop. Puerto Ricans in New York City shared in these tastes, but also listened to genres like mambo or chachacha. There was much intermixing of Latinos, especially Puerto Ricans and Cubans, and African Americans, and clubs that catered to both groups tried to find musical common ground to attract both. Boogaloo was the result of this search, a marriage of many styles including Cuban son montuno and guajira, Puerto Rican/Cuban guaracha, mambo and most uniquely, American R&B/soul. Boogaloo can be seen as "the first Nuyorican music" (René López), and has been called "the greatest potential that (Latinos) had to really cross over in terms of music" (Izzy Sanabria). Styles like doo wop also left a sizable infuence, through Tony Pabón (of Pete Rodríguez Band), Bobby Marín, King Nando, Johnny Colón and his vocalists Tony Rojas and Tito Ramos. Puerto Ricans (Herman Santiago and Joe Negroni) played a foundational role in the major doo wop group Frankie Lymon & the Teenagers. Herman Santiago was the author of the groups #1 "hit" "Why Do Fools Fall In Love". Though boogaloo did not become mainstream nationwide until later in the decade, two early Top 20 hits came in 1963: Mongo Santamaria's performance of the Herbie Hancock piece "Watermelon Man" and Ray Barretto's "El Watusi". Inspired by these two successes, a number of bands began imitating their infectious rhythms (which were Latinized R&B), intense conga rhythms and clever novelty lyrics. Some long-time veteran Latin musicians played an occasional boogaloo number, including Perez Prado and Tito Puente, but most of the performers were teenagers like The Latin Souls, The Lat-Teens, Pucho & His Latin Soul Brothers, Joe Bataan, Joe Cuba Sextet, and The Latinaires. The older generation of Latin musicians have even been accused of initially using their influence to repress this youth-oriented movement. The term boogaloo was probably coined in about 1966 by Richie Ray and Bobby Cruz. The biggest boogaloo hit of the 60s was "Bang Bang" by the Joe Cuba Sextet, which achieved unprecedented success for Latin music in the United States in 1966 when it sold over one million copies. Other hits included Johnny Colón's "Boogaloo Blues," Pete Rodríguez's "I Like It Like That," and Hector Rivera's "At the Party". Boogaloo also spread to Puerto Rico, where top band El Gran Combo released some material. Though the dance craze was over by the turn of the decade, boogaloo was popular enough that almost every major and minor Latin dance artist of the time recorded at least a few boogaloos on their albums. The same year as Joe Cuba's pop success, 1966, saw the closing of New York City's Palladium Ballroom, a well-known venue that had been the home of big band mambo for many years. The closing marked the end of mainstream mambo, and boogaloo ruled the Latin charts for about two years before salsa music began to take over. Boogaloo remains extremely popular to this day in Cali, Colombia, where the genre is played extensively, along with salsa and pachanga, in various FM and AM radio stations and hundreds of dance clubs. The Caleños also speed up Cha Cha Cha tunes, from 33 to 45 RPM, to create the boogaloo sound & rhythm to match the city's fast dance style.

Title: African Rhythms in Latin American Music
Description: Classical guitarist, Anthony Ybarra, explores the influence of African rhythms in Latin American music before a live studio audience at UC Santa Barbara. [12/2000] [Arts and Music] [Show ID: 5410]

Title: Aventura - Obsesion
Description: Aventura Obsesion Latin Music

Title: YABANCI MÜZİK (POP LATIN AND TECHNO MUSIC)
Description: yabancı şarkı latin pop techno music song singer party dance album greek